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Snow Flower and the Secret Fan is a brilliantly realistic journey back to an era of Chinese history that is as deeply moving as it is sorrowful. With the period detail and deep resonance of Memoirs of a Geisha, this lyrical and emotionally charged novel delves into one of the most mysterious of human relationships: female friendship.
Lily is haunted by memories–of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness. In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu (“women’s writing”). Some girls were paired with laotongs, “old sames,” in emotional matches that lasted throughout their lives. They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments. With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become “old sames” at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.
Snow Flower and the Secret Fan is a brilliantly realistic journey back to an era of Chinese history that is as deeply moving as it is sorrowful. With the period detail and deep resonance of Memoirs of a Geisha, this lyrical and emotionally charged novel delves into one of the most mysterious of human relationships: female friendship.
Lily is haunted by memories–of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness. In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu (“women’s writing”). Some girls were paired with laotongs, “old sames,” in emotional matches that lasted throughout their lives. They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments. With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become “old sames” at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Chapter 1
Milk Years
My name is Lily. I came into this world on the fifth day of the six month of the third year of Emperor Daoguang’s reign. Puwei, my home village, is in Yongming County, the county of Everlasting Brightness. Most people who live here are descended from the Yao ethnic tribe. From the storytellers who visited Puwei when I was a girl, I learned that the Yao first arrived in this area twelve hundred years ago during the Tang dynasty, but most families came a century later, when they fled the Mongol armies who invaded the north. Although the people of our region have never been rich, we have rarely been so poor that women had to work in the fields.
We were members of the Yi family line, one of the original Yao clans and the most common in the district. My father and uncle leased seven mou of land from a rich landowner who lived in the far west of the province. They cultivated that land with rice, cotton, taro, and kitchen crops. My family home was typical in the sense that it had two stories and faced south. A room upstairs was designated for women’s gathering and for unmarried girls to sleep. Rooms for each family unit and a special room for our animals flanked the downstairs main room, where baskets filled with eggs or oranges and strings of drying chilies hung from the central beam to keep them safe from mice, chickens, or a roaming pig. We had a table and stools against one wall. A hearth where Mama and Aunt did the cooking occupied a corner on the opposite wall. We did not have windows in our main room, so we kept open the door to the alley outside our house for light and air in the warm months. The rest of our rooms were small, our floor was hard-packed earth, and, as I said, our animals lived with us.
I’ve never thought much about whether I was happy or if I had fun as a child. I was a so-so girl who lived with a so-so family in a so-so village. I didn’t know that there might be another way to live, and I didn’t worry about it either. But I remember the day I began to notice and think about what was around me. I had just turned five and felt as though I had crossed a big threshold. I woke up before dawn with something like a tickle in my brain. That bit of irritation made me alert to everything I saw and experienced that day.
I lay between Elder Sister and Third Sister. I glanced across the room to my cousin’s bed. Beautiful Moon, who was my age, hadn’t woken up yet, so I stayed still, waiting for my sisters to stir. I faced Elder Sister, who was four years older than I. Although we slept in the same bed, I didn’t get to know her well until I had my feet bound and joined the women’s chamber myself. I was glad I wasn’t looking in Third Sister’s direction. I always told myself that since she was a year younger she was too insignificant to think about. I don’t think my sisters adored me either, but the indifference we showed one another was just a face we put on to mask our true desires. We each wanted Mama to notice us. We each vied for Baba’s attention. We each hoped we would spend time every day with Elder Brother, since as the first son he was the most precious person in our family. I did not feel that kind of jealousy with Beautiful Moon. We were good friends and happy that our lives would be linked together until we both married out.
The four of us looked very similar. We each had black hair that was cut short, we were very thin, and we were close in height. Otherwise, our distinguishing features were few. Elder Sister had a mole above her lip. Third Sister’s hair was always tied up...
Au sujet de l’auteur-
Lisa See is the New York Times bestselling author of China Dolls, Dreams of Joy, Shanghai Girls, Peony in Love, Snow Flower and the Secret Fan, Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles.
Janet Song has performed with numerous theater companies throughout the United States. Her recent shows include Twelfth Night, Nora, and Medea. She is the recipient of a Drama-Logue Award for her performance in Morticians in Love at the Celebration Theatre in Los Angeles.
Critiques-
The world of nineteenth-century China unfolds like the fan of this title as Janet Song's quiet, serene voice performs this audiobook. Tracing the lives of two Chinese girls from earliest childhood through adulthood, the novel captures moments that include the horrors of foot binding and the delights of true friendship, all in a measured cadence by Song. With the lightest lilt, Song offers a precise, careful performance that does not need extremes to show dialogue shifts or character development. Song navigates the complexities of culture and history with ease, putting enough emphasis on the appropriate words to make it easier for the reader to follow the text. L.B.F. (c) AudioFile 2005, Portland, Maine
Starred review from April 18, 2005 A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred review.
SNOW FLOWER AND THE SECRET FAN Lisa See . Random , $21.95 (272p) ISBN 1-4000-6028-1
See's engrossing novel set in remote 19th-century China details the deeply affecting story of lifelong, intimate friends (laotong , or "old sames") Lily and Snow Flower, their imprisonment by rigid codes of conduct for women and their betrayal by pride and love. While granting immediacy to Lily's voice, See (Flower Net ) adroitly transmits historical background in graceful prose. Her in-depth research into women's ceremonies and duties in China's rural interior brings fascinating revelations about arranged marriages, women's inferior status in both their natal and married homes, and the Confucian proverbs and myriad superstitions that informed daily life. Beginning with a detailed and heartbreaking description of Lily and her sisters' foot binding ("Only through pain will you have beauty. Only through suffering will you have peace"), the story widens to a vivid portrait of family and village life. Most impressive is See's incorporation of nu shu , a secret written phonetic code among women—here between Lily and Snow Flower—that dates back 1,000 years in the southwestern Hunan province ("My writing is soaked with the tears of my heart,/ An invisible rebellion that no man can see"). As both a suspenseful and poignant story and an absorbing historical chronicle, this novel has bestseller potential and should become a reading group favorite as well. Agent, Sandra Dijkstra. Author tour .
Jodi Long takes us into the nineteenth-century world of two Hunan Chinese women as Lily Lu, an 80-year-old matriarch, reflects on her life. As a young girl, she and Snow Flower, the daughter of a wealthy family, bonded for life, exchanging messages on a fan written in "nu shu," a secret language known only to women. Long helps us feel Lily's torment as she suffers through foot binding, made worse by the callousness of her distant mother. We watch the vivid relationship of the two women as they experience marriage, pregnancy, pestilence, and war, continually fighting the constraints of their gender. See's research is extensive; her writing is immediate, involving, and graceful. All these elements are strengthened by Long's reading. S.W. (c) AudioFile 2007, Portland, Maine
Amy Tan, author of The Joy Luck Club and The Opposite of Fate: A Book of Musings
"Lisa See has written her best book yet. Snow Flower and the Secret Fan is achingly beautiful, a marvel of imagination of a real and secret world that has only recently disappeared. It is a story so mesmerizing the pages float away and the story remains clearly before us from beginning to end."
Maxine Hong Kingston, author of The Fifth Book of Peace
"I was mesmerized by this wondrous book--the story of a secret civilization of women, who actually lived in China not long ago. . . . Magical, haunting fiction. Beautiful."
Arthur Golden, author of Memoirs of a Geisha
"Only the best novelists can do what Lisa See has done, to bring to life not only a character but an entire culture, and a sensibility so strikingly different from our own. This is an engrossing and completely convincing portrayal of a woman shaped by suffering forced upon her from her earliest years, and of the friendship that helps her to survive."
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