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Moon Witch, Spider King
Couverture de Moon Witch, Spider King
Moon Witch, Spider King
“Masterfully flips the first installment on its head... James makes the mythic tantalizingly real.’” —Esquire
 
"Even more brilliant than the first.” —Buzzfeed
An Instant New York Times Bestseller and NPR Best Book of 2022 pick

 
From Marlon James, author of the bestselling National Book Award finalist Black Leopard, Red Wolf, the second book in the Dark Star trilogy.
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
“Masterfully flips the first installment on its head... James makes the mythic tantalizingly real.’” —Esquire
 
"Even more brilliant than the first.” —Buzzfeed
An Instant New York Times Bestseller and NPR Best Book of 2022 pick

 
From Marlon James, author of the bestselling National Book Award finalist Black Leopard, Red Wolf, the second book in the Dark Star trilogy.
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
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Extraits-
  • From the cover

    One

    One night I was in the dream jungle. It was not a dream, but a memory that jump up in my sleep to usurp it. And in the dream memory is a girl. See the girl. The girl who live in the old termite hill. Her brothers three, who live in a big hut, say that the hill look like the rotting heart of a giant turn upside down, but she don't know what any of that mean. The girl, she is pressing her lips tight in the hill's hollow belly, the walls a red mud and rough to the touch. No window unless you call a hole a window and, if so, then many windows, popping all over and making light cut across her body up, down, and crossway, making heat sneak in and stay, and making wind snake around the hollow. Termites long ago leave it, this hill. A place nobody would keep a dog, but look how this is where they keep her.

    Two legs getting longer but still two sticks, head getting bigger but chest still as flat as earth, she may be right at the age before her body set loose, but nobody bother to count her years. Yet they mark it every summer, mark it with rage and grief. They, her brothers. That is how they mark her birth, oh. At that time of year they feel malcontent come as a cloud upon them, for which she is to blame. So, she is pressing her lips together because that is a firm thing, her lips as tight as the knuckles she squeezing. Resolve set in her face to match her mind. There. Decided. She is going to flee, crawl out of this hole and run and never stop running. And if toe fall off, she will run on heel, and if heel fall off, she will run on knee, and if knee fall off, she will crawl. Like a baby going back to her mother, maybe. Her dead mother who don't live long enough to name her.

    With the small light coming and going through the entry holes, she can count days. With the smell of cow shit, she can tell that one brother is tilling the ground to plant new crops, which can only mean that it is either Arb or Gidada, the ninth or tenth day of the Camsa moon. With one more look around, she see the large leaf on which they dump a slop of porridge last evening, one of only two times every quartermoon that they feed her. When they remember. Most of the time they just let her starve, and if they finally remember, late in the night, they say it's too late anyway, let some spirit feed her in dreams.

    See the girl. Watch the girl as she hear. It is through her brothers yelling about when to plant millet, and when to rest the ground, that she learn season from season. Days of rain and days of dry tell her the rest. Otherwise, they just drag her out of the termite hill by rope bound to the shackle they keep around her neck, tie her to a branch and drag her through the field, yelling at her to plow the cow shit, goat shit, pig shit, and deer shit with her hands. Dig into the dirt with your hands and mix the shit deep so that your own food, which you don't deserve, can grow. The girl is born with penance on her back. And to her three brothers she will never pay it in full.

    Watch the boys. Her brothers, the older two laughing at the youngest one screaming. Boys like they were born, wearing nothing but yellow, red, and blue straw pads on their elbows and shins, and tiny straw shields over their knuckles. The older two both wear helmets that look like straw cages over their heads. Helmets in yellow and green. The girl crawl out of her oven to watch them. Her oldest brother spin a stick as tall as a house. He swirl and twirl and jump like he is dancing. But then he rolls, jumps up, and swing the stick straight for middle brother's neck. Middle brother scream.

    "Whorechild!"

    "We from the same mother," oldest brother say, and laugh. He turn away for a blink but still...

Critiques-
  • Library Journal

    September 1, 2021

    Black Leopard, Red Wolf, Man Booker Prize-winning James's first foray into fantasy, had the epic sweep, intensely layered structure, and raw if luscious language his readers have come to expect, and it was a National Book Award finalist and New York Times best seller. That book gave the backstory of the Tracker, engaged by a slaver to find a kidnapped child--reputedly the son of a North Kingdom elder--and the companions/adversaries the Tracker gathers in his search. One of them is the 177-year-old Moon Witch, Sogolon, who tells what happened to the child from her perspective. Paramount here is Sogolon's ancient feud with the king's chancellor, who works so closely with the king that they are said to be like a spider--a single creature with eight limbs. For readers of fantasy and literary fiction alike, this should be another grand thrill.

    Copyright 2021 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    Starred review from January 10, 2022
    Sogolon, the antagonist of Black Leopard, Red Wolf, tells her side of the story in Booker Prize winner James’s brilliant second Dark Star fantasy, which chronicles Sogolon’s life from childhood through to the search for the lost boy at the center of the first book. Furtive Sogolon, the Moon Witch, manages to live far longer than most expect for a girl of “little use” with no family ties. She witnesses mad kings rise and fall and women suffer at their hands, all while the Aesi, or the king’s chancellor, remains a constant at the right side of the throne. Sogolon becomes a living record of all the kingdom has been through—and to the Aesi, this makes her a threat. Now each works against the other as they try to find the lost boy for their own purposes. If book one centers on the nature of storytelling, this volume turns its focus to memory, archiving, and history as Sogolon works to correct the record. The two stories run parallel to and contradict each other, and James mines the distance between them to raise powerful questions about whether truth is possible when the power of storytelling is available only to a few. This is a tour de force. Agent: Ellen Levine, Trident Media.

  • Booklist

    January 1, 2022
    In this second installment of the Dark Star Trilogy, James returns to Iron Age Africa with the story of Sogolon, introduced in Black Leopard, Red Wolf (2019) as a sometime antagonist, sometime ally of Tracker. The first part Sogolon's story is told in third person as she recounts the days of a youth more than 150 years in the past, where she encounters the Aesi, the sinister chancellor in the court of Fasisi, and discovers the uses of her own fickle magic. Shifting to first person, James describes the family Sogolon makes with a shapeshifting lion, which is devastatingly disrupted by an attack from the Aesi. Spending most of the ensuing century in the bush, Sogolon becomes the "Moon Witch," a self-appointed vigilante for hire. Sogolon is possibly immortal, but she is also deeply human and filled with rage and bitterness, searching for a purpose as history swirls around her. If Black Leopard, Red Wolf is a penciled comic panel, Moon Witch, Spider King is the version rendered by James the inker: the geography, myth, magic, and people of this epic setting are revisited to add shading and detail in a recursive procedure that results in a vibrant tapestry begging for infinite return trips. HIGH-DEMAND BACKSTORY: Fans are clamoring for the second in a trilogy that is described as an Afrocentric Game of Thrones.

    COPYRIGHT(2022) Booklist, ALL RIGHTS RESERVED.

  • Kirkus

    Starred review from December 15, 2021
    Stories as ambitiously made up as this aren't expected to so intensely engage the shifting natures of truth and reality. This one does. A chorus of enthusiastic comparisons to George R.R. Martin's A Song of Fire and Ice greeted James' Black Leopard, Red Wolf (2019) upon its publication. This second volume in a projected trilogy set in a boldly imagined, opulently apportioned ancient Africa shows that the Man Booker Prize-winning novelist is building something deeper and more profoundly innovative within the swords-and-sorcery genre. In this middle installment, James doesn't advance his narrative from the first volume so much as approach its main story, Rashomon-like, from a different perspective. This, then, is the story of Sogolon, the 177-year-old Moon Witch, whose path crosses in Black Leopard with those of the one-eyed Tracker and his motley entourage in a far-flung and fraught search for a mysterious young boy who's been missing for three years. This novel, told in the main character's patois, which is as witty, richly textured, and musically captivating as the story it tells, begins decades and decades before, back when Sogolon is an orphaned child and indentured servant who first becomes aware of her dark powers when she repels her master's violent sexual advances with some involuntary--and deadly--violence of her own. From then on, a force she identifies throughout the narrative as "wind (not wind)" is summoned to carry her (and often rescue her) through years of travail and adventure across several kingdoms and wildernesses, encountering such wonders as a city that levitates at sunset and such perils as the witch-hunting Sangomin gangs. Through calm and stormy times, she's always aware of being stalked by the Aesi, known from the previous installment as chancellor to Kwash Dara, alias the Spider King, but here Aesi exists mostly as a demonic spirit that can dispatch invisible assassins and manipulate people's minds for its own ends. There's barely enough space to talk about James' many inventions, from children capable of changing into lions to a river dragon known as a "ninki nanka." So much is densely packed into this narrative that it sometimes threatens to leave the reader gasping for breath, especially at the start. But once Sogolon's painful, tumultuous initiation ends and the Moon Witch's legend takes hold, James' tale picks up speed with beautifully orchestrated (and ferociously violent) set pieces and language both vivid and poetic. The second part of this trilogy is darker and, in many ways, more moving than its predecessor.

    COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen

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