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Shoko's Smile
Couverture de Shoko's Smile
Shoko's Smile
Stories
Emprunter Emprunter
A bestselling and award-winning debut collection from one of South Korea's most prominent young writers.
In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In "A Song from Afar," a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In "Secret," the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother.
In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson—writers from different cultures who all take an unvarnished look at human relationships and the female experience—Choi Eunyoung is a writer to watch.
A bestselling and award-winning debut collection from one of South Korea's most prominent young writers.
In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In "A Song from Afar," a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In "Secret," the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother.
In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson—writers from different cultures who all take an unvarnished look at human relationships and the female experience—Choi Eunyoung is a writer to watch.
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Extraits-
  • From the cover

    Shoko's

    Smile

    I dig my hands into the cold sand and gaze at the black, shimmering sea.

    It feels like the edge of the universe.

    Shoko once told me that standing on the shore made her feel like she was standing on the outskirts of the world. As if she'd been pushed away from the center, away from people, until she reached the edge of the sea that was itself pushed away from the great ocean. She said it wasn't especially pleasant for two loners to come together, only to dip their toes in the water.

    "Someday I'm going to leave the shore, and live in a city surrounded by buildings."

    Shoko always said "someday." She said it at seventeen, and again at twenty-three.

    She said she would someday move out to the city, someday travel around Korea for a week, someday have a live-in boyfriend, someday quit her job at the hospital, someday get a pet cat, she would be up for anything.

    Shoko's English was easy to understand. Although anyone could hear her distinct Japanese accent, her pronunciation was accurate and her consonants and vowels linked smoothly. Under a wisteria tree where a group of Korean and Japanese students sat huddled, Shoko said in fluent English:

    "Someday I'm going to get a caterpillar tattoo around my nipple."

    All the girls blushed except me-I laughed.

    Shoko and three other girls were touring my school for a program called "Cultural Exchange between Korean and Japanese Students." That was the year the ban on Japanese cultural imports was lifted. Shoko was from a Japanese city I'll call A, and went to a small all-girls high school that was apparently a sister school to mine. She was among the four best English speakers in her sophomore class, which was why she was chosen to visit my school.

    The principal, excited by this small event, took the four students around to every classroom, in all three grade levels. The girls seemed inexhaustible, introducing themselves in cheery voices when they came to my class, their final stop. Shoko had a shy demeanor, but I suspected she wasn't actually shy and only spoke shyly out of habit.

    In the days leading up to Shoko's arrival, Mom, Grandpa, and I cleaned the house whenever we had time. Shoko was in the same year as me, and I was one of the few tenth-graders who could speak English, broken as it was. This was the excuse my homeroom teacher used to ask Mom if Shoko could stay at my house for her week in Korea. Shoko and I remained about a handspan apart while we awkwardly made our way home.

    I still remember how Mom's and Grandpa's faces broke into smiles when they saw us come through the front door. How they knew nothing about Shoko yet still beamed at her in welcome, just because she was a guest who had traveled a great distance. Grandpa's and Mom's animated faces as they greeted Shoko looked strange and comical to me, given that my family normally had trouble showing affection to the point of being too embarrassed to smile at each other.

    "You must be Shoko. It's great to have you here. Our place is a bit small, but I hope you won't find it too uncomfortable."

    Mom chattered away in Korean as if Shoko understood her, while Grandpa translated for her into Japanese and kept on smiling.

    Go get me my ashtray, bring me a glass of water, fetch hot water for my feet: giving orders while watching TV on the couch was all Grandpa did. He'd be sitting where he always sat when I came home from school and only spare a brief glance at me before turning back to the screen. But this very same Grandpa had switched off the TV and was asking...

Au sujet de l’auteur-
  • Choi Eunyoung is a South Korean writer acclaimed for her nuanced yet poignant stories about women, queer people, victims of state violence, and other marginalized voices. She is the author of the bestselling story collections Shoko's Smile and Someone Who Can't Hurt Me, which have sold over 200,000 copies and 150,000 copies respectively in Korea and is being translated into several languages. Since her literary debut in 2013, she has received numerous accolades, including the Munhakdongne Young Writers Award (2014, 2017, 2020), Heo Kyun Literary Award, Lee Haejo Literary Award, and Hankook Ilbo Literary Award. Both of her story collections were selected as the best fiction title of the year by 50 Korean writers (2016, 2018). She has also published a Korean-English bilingual edition of her novella The Summer and contributed to many anthologies.
    Sung Ryu is a Korean-English translator who grew up in South Korea, the US, and Canada, her most recent home being Singapore. Her translations include Tower by Bae Myung-hoon (2021), I'm Waiting for You: And Other Stories by Kim Bo-Young (co-translated with Sophie Bowman, 2021), and the Korean edition of Grandma Moses: My Life's History by Anna Mary Robertson Moses (2017). She translated the Jeju myth "Segyeong Bonpuri" (Origins of the Harvest Deities) for her MA thesis.
Critiques-
  • AudioFile Magazine Narrators Jackie Chung, Janet Song, and Greta Jung work together to present these short stories, which offer glimpses into the lives of contemporary Korean women. From the tragic ferry sinking that listeners might remember from the news a while back to quieter personal conflicts, the narrators create a rich vocal range for the mostly female characters. Chung, Song, and Jung sound sensitive, thoughtful, and kind, while wrestling with big questions of love, and loss. Listeners will be drawn into these intimate portrayals of young women who are dealing with the major events of life. The three provide enough variety to keep each story fresh and interesting. Fans of international literature will find much to admire in this audiobook. M.R. © AudioFile 2021, Portland, Maine
  • Publisher's Weekly

    April 26, 2021
    Eunyoung’s engaging debut collection examines her protagonists’ interior lives in moments of longing, connection, and familial rift. In the title story, 10th-grader Shoko stays with Soyu during a week-long exchange program between South Korea and Japan, hoping to lay the groundwork for her dream of one day leaving Japan. Soyu notes how her grandfather’s talking with Shoko in Japanese makes him and her mother come alive (“I used to think they were like grandfather clocks that had stopped ticking, that gathered dust and faded in color each year”). In “Hanji and Youngju,” 27-year-old Youngju lives in a monastery for seven months and thinks about life passing her by, feeling guilty over abandoning grad school to be there. She is drawn to Hanji, a new volunteer at the monastery who is a veterinarian from Nairobi. She’s surprised how easy it is to speak with him as they share moments from their lives they’ve never told anyone before. In “Michaela,” the title character receives an ill-fated visit from her hairdresser mother in Seoul and recounts a trip they took there three decades earlier to hear the pope give a mass. Eunyoung’s lyrical prose and complex characters will captivate readers. Agent: Barbara Zitwer, Barbara J. Zitwer Agency.

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