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Olive Kitteridge
Couverture de Olive Kitteridge
Olive Kitteridge
Fiction
Emprunter Emprunter
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of My Name is Lucy Barton and the Oprah’s Book Club pick Olive, Again

“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today

“Strout animates the ordinary with astonishing force.”—The New Yorker
One of the New York Times’s 100 Best Books of the 21st Century
A BEST BOOK OF THE YEAR: The Washington Post Book World, USA Today, San Francisco Chronicle, Chicago Tribune, Seattle Post-Intelligencer, People, Entertainment Weekly, The Christian Science Monitor, The Plain Dealer, The Atlantic, Rocky Mountain News, Library Journal
 
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.
 
The inspiration for the Emmy Award–winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of My Name is Lucy Barton and the Oprah’s Book Club pick Olive, Again

“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today

“Strout animates the ordinary with astonishing force.”—The New Yorker
One of the New York Times’s 100 Best Books of the 21st Century
A BEST BOOK OF THE YEAR: The Washington Post Book World, USA Today, San Francisco Chronicle, Chicago Tribune, Seattle Post-Intelligencer, People, Entertainment Weekly, The Christian Science Monitor, The Plain Dealer, The Atlantic, Rocky Mountain News, Library Journal
 
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.
 
The inspiration for the Emmy Award–winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray
Formats disponibles-
  • OverDrive Read
  • EPUB eBook
Langues:-
Copies-
  • Disponible:
    1
  • Copies de la bibliothèque:
    1
Niveaux-
  • Niveau ATOS:
    5.6
  • Lexile Measure:
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    4


 
Prix remportés-
Extraits-
  • Chapter 1 Pharmacy
     
    For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he rode with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.
     
    The pharmacy was a small two-story building attached to another building that housed separately a hardware store and a small grocery. Each morning Henry parked in the back by the large metal bins, and then entered the pharmacy’s back door, and went about switching on the lights, turning up the thermostat, or, if it was summer, getting the fans going. He would open the safe, put money in the register, unlock the front door, wash his hands, put on his white lab coat. The ritual was pleasing, as though the old store—with its shelves of toothpaste, vitamins, cosmetics, hair adornments, even sewing needles and greeting cards, as well as red rubber hot water bottles, enema pumps—was a person altogether steady and steadfast. And any unpleasantness that may have occurred back in his home, any uneasiness at the way his wife often left their bed to wander through their home in the night’s dark hours—all this receded like a shoreline as he walked through the safety of his pharmacy. Standing in the back, with the drawers and rows of pills, Henry was cheerful when the phone began to ring, cheerful when Mrs. Merriman came for her blood pressure medicine, or old Cliff Mott arrived for his digitalis, cheerful when he prepared the Valium for Rachel Jones, whose husband ran off the night their baby was born. It was Henry’s nature to listen, and many times during the week he would say, “Gosh, I’m awful sorry to hear that,” or “Say, isn’t that something?”
     
    Inwardly, he suffered the quiet trepidations of a man who had witnessed twice in childhood the nervous breakdowns of a mother who had otherwise cared for him with stridency. And so if, as rarely happened, a customer was distressed over a price, or irritated by the quality of an Ace bandage or ice pack, Henry did what he could to rectify things quickly. For many years Mrs. Granger worked for him; her husband was a lobster fisherman, and she seemed to carry with her the cold breeze of the open water, not so eager to please a wary customer. He had to listen with half an ear as he filled prescriptions, to make sure she was not at the cash register dismissing a complaint. More than once he was reminded of that same sensation in watching to see that his wife, Olive, did not bear down too hard on Christopher over a homework assignment or a chore left undone; that sense of his attention hovering—the need to keep everyone content. When he heard a briskness in Mrs. Granger’s voice, he would step down from his back post, moving toward the center of the store to talk with the customer himself. Otherwise, Mrs. Granger did her job well. He appreciated that she was not chatty, kept perfect inventory, and almost never called in sick. That she died in her sleep one night astonished him, and left him with some feeling of responsibility, as though he had missed, working alongside her for...

Au sujet de l’auteur-
  • Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah’s Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.
Critiques-
  • Publisher's Weekly

    Starred review from December 10, 2007
    Thirteen linked tales from Strout (Abide with Me
    , etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening “Pharmacy” focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in “A Little Burst,” which describes his wedding in humorous, somewhat disturbing detail, and in “Security,” where Olive, in her 70s, visits Christopher and his family in New York. Strout’s fiction showcases her ability to reveal through familiar details—the mother-of-the-groom’s wedding dress, a grandmother’s disapproving observations of how her grandchildren are raised—the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than “Incoming Tide,” where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout.

  • Publisher's Weekly

    March 24, 2008
    Strout's tale of an aging schoolteacher too obsessed with the deterioration of her little town of Crosby, Maine, to realize the problems plaguing her own life, is read with vigor by Sandra Burr. Burr's reading makes Strout's characters rich and wonderful in every way, bringing a well-rounded originality to each one. As Olive, Burr's voice slips into a nagging, aged groan that seems perfectly suited for the central character's downtrodden personality. As Olive's husband, Henry, Burr is understated yet powerful. She understands this poignant tale so entirely that her reading becomes reality for the listener. There is a certain melancholy that infects this story, and Burr is poised to capture and relate it to her audience. Simultaneous release with the Random House hardcover (Reviews, Dec. 10).

  • Library Journal

    February 1, 2008
    In her third novel, "New York Times" best-selling author Strout ("Abide with Me") tracks Olive Kitteridge's adult life through 13 linked stories. Olivea wife, mother, and retired teacherlives in the small coastal town of Crosby, ME. A large, hulking woman with a relentlessly unpleasant personality, Olive intimidates generations of community members with her quick, cruel condemnations of those around herincluding her gentle, optimistic, and devoted husband, Henry, and her son, Christopher, who, as an adult, flees the suffocating vortex of his mother's displeasure. Strout offers a fair amount of relief from Olive's mean cloud in her treatment of the lives of the other townsfolk. With the deft, piercing shorthand that is her short storytelling trademark, she takes readers below the surface of deceptive small-town ordinariness to expose the human condition in all its suffering and sadness. Even when Olive is kept in the background of some of the tales, her influence is apparent. Readers will have to decide for themselves whether it's worth the ride to the last few pages to witness Olive's slide into something resembling insight. For larger libraries. [See Prepub Alert, "LJ" 12/07.]Beth E. Andersen, Ann Arbor Dist. Lib., MI

    Copyright 2008 Library Journal, LLC Used with permission.

  • Booklist

    Starred review from January 1, 2008
    Hell. Were always alone. Born alone. Die alone, says Olive Kitteridge, redoubtable seventh-grade math teacher in Crosby, Maine. Anyone who gets in Olives wayhad better watch out, for she crashes unapologetically through life like an emotional storm trooper. Sheforces her husband, Henry, the town pharmacist, into tactical retreat; and she drives her beloved son, Christopher, across the country and into therapy. Butappalling thoughOlive can be, Stroutmanages to make her deeply human and even sympathetic, as areall of the characters in this novel in stories. Covering a period of 30-odd years, most of the stories(several of which were previously published in the New Yorker and other magazines) feature Olive as theirfocus, but in some she isbitplayer oreven a footnote while other characterstake center stage to sort through their own fears and insecurities. Though loneliness and loss haunt these pages, Strout also suppliesgentle humor anda nourishing dose of hope. People are sustained by the rhythms of ordinary life and the natural wondersof coastalMaine, and even Olive is sometimescaught off guardby lifes baffling beauty. Strout is also the author of the well-received Amy and Isabelle (1999) and Abide with Me (2006).(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

  • The New Yorker "Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout's unforgettable novel in stories."--O: The Oprah Magazine "Fiction lovers, remember this name: Olive Kitteridge. . . . You'll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff."--USA Today "Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she's not onstage, we look forward to her return. The book is a page-turner because of her."--San Francisco Chronicle "Olive Kitteridge still lingers in memory like a treasured photograph."--Seattle Post-Intelligencer "Rarely does a story collection pack such a gutsy emotional punch."--Entertainment Weekly "Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air."
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