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NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch
“Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)
NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch
“Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Dusk at the end of winter, and two men crossed the dooryard of a palace scarred by fire. The dooryard was a snowless waste of water and trampled earth; the men sank to their ankles in the muck. But they were speaking intently, heads close together, and did not heed the wet. Behind them lay a palace full of broken furniture, smoke-stained; the screen-work smashed on the staircases. Before them lay a charred ruin that had been a stable.
“Chelubey disappeared in the confusion,” said the first man bitterly. “We were busy saving our own skins.” A smear of soot blackened his cheek, blood crusted in his beard. Weary hollows, like blue thumbprints, marred the flesh beneath his gray eyes. He was barrel-chested, young, with the fey energy of a man who has driven himself past exhaustion to a surreal and persistent wakefulness. Every eye in the dooryard followed him. He was the Grand Prince of Moscow.
“Our skins, and a little more,” said the other man—a monk—with a touch of grim humor. For, against all hope, the city was mostly intact, and still theirs. The night before, the Grand Prince had come close to being deposed and murdered, though few people knew that. His city had nearly burned to ash; only a miraculous snowstorm had saved them. Everyone knew that. A swath of black gashed the heart of the city, as though the hand of God had fallen in the night, dripping fire from its nails.
“It was not enough,” said the Grand Prince. “We may have saved ourselves, but we made no answer for the treachery.” All that bitter day, the prince had reassuring words for every man who caught his eye, had calm orders for the men wrangling his surviving horses and hauling away the charred beams of the stable. But the monk, who knew him well, could see the exhaustion and the rage just beneath the surface. “I am going out myself, tomorrow, with all that can be spared,” the prince said. “We will find the Tatars and we will kill them.”
“Leave Moscow now, Dmitrii Ivanovich?” asked the monk, with a touch of disquiet.
A night and a day without sleep had done nothing for Dmitrii’s temper. “Are you going to tell me otherwise, Brother Aleksandr?” he asked, in a voice that made his attendants flinch.
“The city cannot do without you,” said the monk. “There are dead to mourn; there are granaries lost, and animals and warehouses. Children cannot eat vengeance, Dmitrii Ivanovich.” The monk had no more slept than the Grand Prince; he could not quite mask the edge in his own voice. His left arm was wrapped in linen where an arrow had gone into the muscle below the shoulder, and been dragged through and out again.
“The Tatars attacked me in my own palace, after I had made them welcome in good faith,” retorted Dmitrii, not troubling to keep the rage from his reply. “They conspired with a usurper, they fired my city. Is all that to go unavenged, Brother?”
The Tatars had not, in fact, fired the city. But Brother Aleksandr did not say so. Let that—mistake—be forgotten; it could not be mended now.
Coldly, the Grand Prince added, “Did not your own sister give birth to a dead child in the chaos? A royal infant dead, a swath of the city in ashes—the people will cry out if there is not justice.”
“No amount of spilled blood will bring back my sister’s child,” said Sasha, sharper than he meant. Clear in his mind was his sister’s tearless mourning, worse than any...
Au sujet de l’auteur-
Katherine Arden is the author of the national bestseller The Bear and the Nightingale and The Girl in the Tower. Born in Austin, Texas, she has studied Russian in Moscow, taught at a school in the French Alps, and worked on a farm in Hawaii. She currently lives in Vermont.
Critiques-
Starred review from October 15, 2018 A satisfying conclusion to a trilogy set in medieval times in the area on the verge of becoming Russia.In a luxuriously detailed yet briskly suspenseful follow-up to The Bear and the Nightingale (2017) and The Girl in the Tower (2018), Arden's historically based fantasy follows heroic Vasya--a young woman with a strong connection to the spirits of the place where she lives--as she attempts to save her family and her country from evil forces. Because the novel starts with a bang where the preceding volume left off, with Moscow nearly burned to a crisp by a Firebird imperfectly controlled by Vasya, readers are advised to backtrack to the two earlier books rather than attempt to sort out all the characters and backstory on the fly. Among the humans are Vasya's sister, Olga, compromised by her desire for wealth and position; her brother, Sasha, a monk with a taste for the military life; Grand Prince Dmitrii; and corrupt priest Konstantin. Among the inhuman are the warring brothers Morozko, the winter-king with whom Vasya conducts a conflicted romance, and Medved, a demon addicted to chaos. Arden keeps the narrative fresh by sending Vasya questing into fantastic realms, each with its own demanding set of rules and its own alluring or forbidding geography, and by introducing new "chyerti," demons or spirits, including an officious little mushroom spirit who indiscriminately plies Vasya with fungi, some edible and some distinctly not. Fans of Russian mythology will be pleased to find that Baba Yaga puts in a cameo appearance to straighten out some of the complicated genealogy. The trilogy leads up to the Battle of Kulikovo, which many consider the beginning of a united Russia. Arden neatly establishes parallels between Vasya's internal struggles, between attachment and freedom or the human world and the spiritual one, for example, and those taking place in the world around her.A striking literary fantasy informed by Arden's deep knowledge of and affection for this time and place.
COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.
Starred review from November 5, 2018 Arden’s satisfying conclusion to her fantasy trilogy set in medieval Russia finds 17-year-old Vasilisa “Vasya” Petrovna in the ruins of Moscow. She released a firebird in order to save the life of the Grand Prince of Moscow and inadvertently set the city on fire. An angry mob descends and slaughters someone very close to her, and the devastated Vasya ends up in the clutches of an old foe, the mad priest Konstantin Nikonovich, who plans to burn Vasya as a witch. An offer from the demon Medved, whom Vasya knows as the Bear, promises salvation, but Vasya is no one’s pawn. Once she escapes Konstantin, she must journey into the dreamlike Midnight country and beyond, where she encounters her great-grandmother Baba Yaga, gains allies old and new, and comes to terms with her own powers. Her realizations come just in time, because the Bear will use Konstantin and the dead to sow further chaos and destruction, and war is on the horizon. How far will Vasya go to save her beloved ’Rus and the people she loves? Arden’s gorgeous prose entwines political intrigue and feminist themes with magic and folklore to tell a tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale. Agent: Paul Lucas, Janklow & Nesbit.
November 15, 2018 Vasya's powerful connection to magic is no longer a secret in Moscow, and with zealous father Konstantin behind a simmering, city-wide paranoia about witches and demons, she is no longer safe among the world of men. While she escapes to the world of Midnight and explores her deep connection to folk spirits, Moscow faces danger in the form of Mongol hordes, and Vasya cleverly manages to call on both parts of herself to rescue the Russian people from peril. Arden nicely ties up the story in this trilogy ender (which started with The Bear and the Nightingale, 2017), focusing primarily on ?Vasya's warring impulses: she is captivatingly caught between the intoxicating power of magic and the groundedness of love and family. Though the pace lags a bit toward the beginning, once Vasya finds her footing, Arden's signature cinematic pacing and clearly choreographed action come to the fore. Visceral descriptions of battle, an atmospheric sense of place, and some truly heartbreaking moments of loss make this a gut-wrenching read, but there's ample hope and satisfaction to be found as Vasya chooses her own unique path to triumph.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)
August 1, 2018
Gorgeous as an icon or the Firebird's fiery tail, Arden's medieval Russia-set The Bear and the Nightingale and The Girl in the Tower featured a young woman who uses her magical gifts to save the country from danger, whether mythic or politically wrought. They were both LibraryReads picks. Here's betting that this wrap-up to the trilogy will make the list, too, as Moscow smolders and Vasya struggles to contain both the angry Grand Prince, readying for war, and a dangerous demon.
Copyright 2018 Library Journal, LLC Used with permission.
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