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Please Look After Mom
Couverture de Please Look After Mom
Please Look After Mom
A Novel
Emprunter Emprunter
NATIONAL BESTSELLER WINNER OF THE MAN ASIAN LITERARY PRIZE • When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom?
“A terrific novel that stayed with me long after I’d finished its final, haunting pages.” —Abraham Verghese, bestselling author of
The Covenant of Water
“A raw tribute to the mysteries of motherhood.” —The New York Times Book Review
Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.
“A suspenseful, haunting, achingly lovely novel about the hidden lives, wishes, struggles and dreams of those we think we know best.” —The Seattle Times
NATIONAL BESTSELLER WINNER OF THE MAN ASIAN LITERARY PRIZE • When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom?
“A terrific novel that stayed with me long after I’d finished its final, haunting pages.” —Abraham Verghese, bestselling author of
The Covenant of Water
“A raw tribute to the mysteries of motherhood.” —The New York Times Book Review
Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.
“A suspenseful, haunting, achingly lovely novel about the hidden lives, wishes, struggles and dreams of those we think we know best.” —The Seattle Times
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  • Copies de la bibliothèque:
    2
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Extraits-
  • Chapter One 1

    Nobody Knows

    It’s been one week since Mom went missing.

    The family is gathered at your eldest brother Hyong-chol’s house, bouncing ideas off each other. You decide to make flyers and hand them out where Mom was last seen. The first thing to do, everyone agrees, is to draft a flyer. Of course, a flyer is an old-fashioned response to a crisis like this. But there are few things a missing person’s family can do, and the missing person is none other than your mom. All you can do is file a missing-person report, search the area, ask passersby if they have seen anyone who looks like her. Your younger brother, who owns an online clothing store, says he posted something about your mother’s disappearance, describing where she went missing; he uploaded her picture and asked people to contact the family if they’d seen her. You want to go look for her in places where you think she might be, but you know how she is: she can’t go anywhere by herself in this city. Hyong-chol designates you to write up the flyer, since you write for a living. You blush, as if you were caught doing something you shouldn’t. You aren’t sure how helpful your words will be in finding Mom.

    When you write July 24, 1938, as Mom’s birth date, your father corrects you, saying that she was born in 1936. Official records show that she was born in 1938, but apparently she was born in 1936. This is the first time you’ve heard this. Your father says everyone did that, back in the day. Because many children didn’t survive their first three months, people raised them for a few years before making it official. When you’re about to rewrite “38” as “36,” Hyong-chol says you have to write 1938, because that’s the official date. You don’t think you need to be so precise when you’re only making homemade flyers and it isn’t like you’re at a government office. But you obediently cross out “36” and write “38,” wondering if July 24 is even Mom’s real birthday.

    A few years ago, your mom said, “We don’t have to celebrate my birthday separately.” Father’s birthday is one month before Mom’s. You and your siblings always went to your parents’ house in Chongup for birthdays and other celebrations. All together, there were twenty-two people in the immediate family. Mom liked it when all of her children and grandchildren gathered and bustled about the house. A few days before everyone came down, she would make fresh kimchi, go to the market to buy beef, and stock up on extra toothpaste and toothbrushes. She pressed sesame oil and roasted and ground sesame and perilla seeds, so she could present her children with a jar of each as they left. As she waited for the family to arrive, your mom would be visibly animated, her words and her gestures revealing her pride when she talked to neighbors or acquaintances. In the shed, Mom kept glass bottles of every size filled with plum or wild-strawberry juice, which she made seasonally. Mom’s jars were filled to the brim with tiny fermented croakerlike fish or anchovy paste or fermented clams that she was planning to send to the family in the city. When she heard that onions were good for one’s health, she made onion juice, and before winter came, she made pumpkin juice infused with licorice. Your mom’s house was like a factory; she prepared sauces and fermented bean paste and hulled rice, producing things for the family year-round. At some point, the children’s trips to Chongup became less frequent, and Mom and Father started to come to Seoul more often....
Au sujet de l’auteur-
  • KYUNG-SOOK SHIN is the author of numerous works of fiction and is one of South Korea’s most widely read and acclaimed novelists. She was the first woman to be awarded the Man Asian Literary Prize (for Please Look After Mom), and she has also been honored with the Manhae Literature Prize, the Dong-in Literature Prize, and the Yi Sang Literary Prize, as well as France’s Prix de l’Inaperçu. Please Look After Mom is her first book to appear in English. It will be published in twenty-nine countries and has sold over 2 million copies in South Korea alone.
Critiques-
  • Publisher's Weekly

    December 6, 2010
    Shin's affecting English-language debut centers on the life of a hardworking, uncomplaining woman who goes missing in a bustling Seoul subway station. After Park So-nyo's disappearance, her grown children and her husband are filled with guilt and remorse at having taken So-nyo for granted and reflect, in a round-robin of narration, on her life and role in their lives. Having, through Mom's unstinting dedication, achieved professional success, her children understand for the first time the hardships she endured. Her irresponsible and harshly critical husband, meanwhile, finally acknowledges the depth of his love and the seriousness of her sacrifices for him. Narrating in her own voice late in the book, the spirit of Mom watches her family and finally voices her lifelong loneliness and depression and recalls the one secret in her life. As memories accrue, the narrative becomes increasingly poignant and psychologically revealing of all the characters, and though it does sometimes go soggy with pathos, most readers should find resonance in this family story, a runaway bestseller in Korea poised for a similar run here.

  • Kirkus

    January 1, 2011

    A mother's disappearance exposes family consciences, secrets and dependencies in the soft-spoken first English-language publication by a bestselling South Korean novelist.

    An enormous publishing success in South Korea, this simple portrait of a family shocked into acknowledging the strength and heroic self-sacrifice of the woman at its center is both universal and socially specific. Park So-nyo, the illiterate mother who disappeared at Seoul Station subway, separated from her husband by the pressing crowd, has devoted her life to her marriage and children, applying herself to multiple rural occupations while encouraging all her offspring, but in particular son Hyong-chol, to fulfill his academic potential. The narration by four different family members exposes guilt and insights all around, from unmarried daughter Chi-hon, a novelist, to Park So-nyo herself.

    Partly a metaphor for Korea's social shift from rural to urban, partly an elegy to the intensity of family bonds as constructed and maintained by self-denying women, this is subdued, tender writing with only rare lapses into sentimentality.

    (COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

  • Library Journal

    November 1, 2010

    In Shin's first book translated into English, a million-copy best seller in South Korea that has been sold to 18 countries, a woman in from the countryside is separated from her husband in the Seoul train station, and the family spends the rest of the novel hunting for her. At first look, this would appear to be one of those quietly blunt-spoken books that keeps gathering strength, and Shin has the credentials to back great expectations: she's won numerous awards in Korea, plus France's Prix de l'Inapercu. Could go big; grab the reading group guide.

    Copyright 2010 Library Journal, LLC Used with permission.

  • Booklist

    December 15, 2010
    This novel from widely acclaimed Korean author Shin focuses on motherhood and family guilt. Park So-nyo, mother of four now-adult children, has gone missing in a Seoul train station on the way to visit them. The novel is told in four parts, from the perspectives of, first, her daughter, and then, her firstborn son, her husband, and finally, So-nyo herself. Composed almost entirely in second-person narration, the writing is sharp, biting, and intensely moving. So-nyos children continually battle with their own guilt for not taking better care of her while reminiscing about the times when they were young, growing up in incredible poverty in the countryside. The children come to terms with their mothers absence in their own ways, and their father repents for a lifetime of neglect. When So-nyos voice enters the narrative, the portrait of a troubled but loving family is complete. Secrets are revealed, and the heart of a mother is beautifully exposed. This Korean million-plus-copy best-seller is an impressive exploration of family love, poverty, and triumphing over hardship.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)

  • Library Journal

    Starred review from December 1, 2010

    The Korean title of this indelible novel, Omma rul put'ak hae, contains a sense of commanding trust that is missing in its English translation: "I entrust Mommy [to you]." That trust is irreparably splintered when Mom disappears after becoming separated from her rushing husband on a busy Seoul Station platform. In four distinct voices, the character of Mom--a rural farmwoman whose "hands could nurture any life"--is reassembled by her eldest daughter, whose books Mom couldn't read; her eldest son, for whom she could never do enough; her husband, who never slowed down; and finally Mom herself as she wanders through memories both strange and familiar. Shin's breathtaking novel is an acute reminder of how easily a family can fracture, how little we truly know one another, and how desperate need can sometimes overshadow even the deepest love. VERDICT Already a prominent writer in Korea, Shin finally makes her English-language debut with what will appeal to all readers who appreciate compelling, page-turning prose. Stay tuned: Mom should be one of this year's most-deserving best sellers. [See Prepub Alert, LJ 11/1/10.]--Terry Hong, Smithsonian BookDragon, Washington, DC

    Copyright 2010 Library Journal, LLC Used with permission.

  • Mythili G. Rao, The New York Times Book Review "Shin's novel, her first to be translated into English, embraces multiplicity. It is told from the perspectives of four members of [a missing woman's] family; from their memories emerges a portrait of a heroically industrious woman. [Mom] runs their rural home 'like a factory,' sews and knits and tills the fields. The family is poor, but she sees to it that her children's bellies are filled . . . Only after her children grow up and leave their home in [the countryside] does Mom's strength and purposefulness begin to flag. Questions punctuate [the] narrative and lead to a cascade of revelations, discoveries that come gradually. . . Shin's prose, intimate, and hauntingly spare, powerfully conveys grief's bewildering immediacy. [Daughter] Chi-hon's voice is the novel's most distinct, but Father's is the most devastating. . . . And yet this book isn't as interested in emotional manipulation as it is in the invisible chasms that open up between people who know one another best. . . . A...
  • Lisa Shea, Elle "The universal resonance of family life lifts a novel rooted in the experience of Korean modernity to international success. A best-seller in her native South Korea, Shin's Please Look After Mom tells the story of Park So-nyo, a devoted, do-all wife and mother who mysteriously goes missing. . . . Primarily composed of four sections narrated by Park, her eldest son, her husband, and one of their two daughters, the book--Shin's first to be translated into English--is a moving portrayal of the surprising nature, sudden sacrifices, and secret reveries of motherhood. . . . As the novel progresses and Park's whereabouts remain unclear, much that can be forgotten between mothers and children, husbands and wives, and among siblings resurfaces in the voices of this family desperate to locate the one person who was and always will be the center of their lives."
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