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The Innocent Man
Couverture de The Innocent Man
The Innocent Man
Murder and Injustice in a Small Town
Emprunter Emprunter
#1 NEW YORK TIMES BESTSELLER • John Grisham’s first work of nonfiction: a true crime story that will terrify anyone who believes in the presumption of innocence.
 
SOON TO BE A NETFLIX ORIGINAL DOCUMENTARY SERIES
 
“Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly
 
In the town of Ada, Oklahoma, Ron Williamson was going to be the next Mickey Mantle. But on his way to the Big Leagues, Ron stumbled, his dreams broken by drinking, drugs, and women. Then, on a winter night in 1982, not far from Ron’s home, a young cocktail waitress named Debra Sue Carter was savagely murdered. The investigation led nowhere. Until, on the flimsiest evidence, it led to Ron Williamson. The washed-up small-town hero was charged, tried, and sentenced to death—in a trial littered with lying witnesses and tainted evidence that would shatter a man’s already broken life, and let a true killer go free.
 
Impeccably researched, grippingly told, filled with eleventh-hour drama, this audio edition of The Innocent Man reads like an edge-of-your-seat legal thriller. It is a book no American can afford to miss.
 
Praise for The Innocent Man
 
“Grisham has crafted a legal thriller every bit as suspenseful and fast-paced as his bestselling fiction.”The Boston Globe
 
“A gritty, harrowing true-crime story.”Time
 
“A triumph.”—The Seattle Times
#1 NEW YORK TIMES BESTSELLER • John Grisham’s first work of nonfiction: a true crime story that will terrify anyone who believes in the presumption of innocence.
 
SOON TO BE A NETFLIX ORIGINAL DOCUMENTARY SERIES
 
“Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly
 
In the town of Ada, Oklahoma, Ron Williamson was going to be the next Mickey Mantle. But on his way to the Big Leagues, Ron stumbled, his dreams broken by drinking, drugs, and women. Then, on a winter night in 1982, not far from Ron’s home, a young cocktail waitress named Debra Sue Carter was savagely murdered. The investigation led nowhere. Until, on the flimsiest evidence, it led to Ron Williamson. The washed-up small-town hero was charged, tried, and sentenced to death—in a trial littered with lying witnesses and tainted evidence that would shatter a man’s already broken life, and let a true killer go free.
 
Impeccably researched, grippingly told, filled with eleventh-hour drama, this audio edition of The Innocent Man reads like an edge-of-your-seat legal thriller. It is a book no American can afford to miss.
 
Praise for The Innocent Man
 
“Grisham has crafted a legal thriller every bit as suspenseful and fast-paced as his bestselling fiction.”The Boston Globe
 
“A gritty, harrowing true-crime story.”Time
 
“A triumph.”—The Seattle Times
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Extraits-
  • From the book

    Chapter 1

    The rolling hills of southeast Oklahoma stretch from Norman across to Arkansas and show little evidence of the vast deposits of crude oil that were once beneath them. Some old rigs dot the countryside; the active ones churn on, pumping out a few gallons with each slow turn and prompting a passerby to ask if the effort is really worth it. Many have simply given up, and sit motionless amid the fields as corroding reminders of the glory days of gushers and wildcatters and instant fortunes.

    There are rigs scattered through the farmland around Ada, an old oil town of sixteen thousand with a college and a county courthouse. The rigs are idle, though–the oil is gone. Money is now made in Ada by the hour in factories and feed mills and on pecan farms.

    Downtown Ada is a busy place. There are no empty or boarded-up buildings on Main Street. The merchants survive, though much of their business has moved to the edge of town. The cafés are crowded at lunch.

    The Pontotoc County Courthouse is old and cramped and full of lawyers and their clients. Around it is the usual hodgepodge of county buildings and law offices. The jail, a squat, windowless bomb shelter, was for some forgotten reason built on the courthouse lawn. The methamphetamine scourge keeps it full.

    Main Street ends at the campus of East Central University, home to four thousand students, many of them commuters. The school pumps life into the community with a fresh supply of young people and a faculty that adds some diversity to southeastern Oklahoma.

    Few things escape the attention of the Ada Evening News, a lively daily that covers the region and works hard to compete with The Oklahoman, the state’s largest paper. There’s usually world and national news on the front page, then state and regional, then the important items–high school sports, local politics, community calendars, and obituaries.

    The people of Ada and Pontotoc County are a pleasant blend of small-town southerners and independent westerners. The accent could be from east Texas or Arkansas, with flat i’s and other long vowels. It’s Chickasaw country. Oklahoma has more Native Americans than any other state, and after a hundred years of mixing many of the white folks have Indian blood. The stigma is fading fast; indeed, there is now pride in the heritage.

    The Bible Belt runs hard through Ada. The town has fifty churches from a dozen strains of Christianity. They are active places, and not just on Sundays. There is one Catholic church, and one for the Episcopalians, but no temple or synagogue. Most folks are Christians, or claim to be, and belonging to a church is rather expected. A person’s social status is often determined by religious affiliation.

    With sixteen thousand people, Ada is considered large for rural Oklahoma, and it attracts factories and discount stores. Workers and shoppers make the drive from several counties. It is eighty miles south and east of Oklahoma City, and three hours north of Dallas. Everybody knows somebody working or living in Texas.

    The biggest source of local pride is the quarter-horse “bidness.” Some of the best horses are bred by Ada ranchers. And when the Ada High Cougars win another state title in football, the town struts for years.

    It’s a friendly place, filled with people who speak to strangers and always to each other and are anxious to help anyone in need. Kids play on shaded front lawns. Doors are left open during the day. Teenagers cruise through the night causing little trouble.

    Had it not been for two notorious murders in the early 1980s, Ada...
Au sujet de l’auteur-
  • John Grisham lives with his family in Virginia and Mississippi.  His previous novels are A Time to Kill, The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, and The Testament.
Critiques-
  • AudioFile Magazine John Grisham steps back from his tried-and-true courtroom dramas with this look at a real-life murder. Actor Craig Wasson narrates the story of ill-fated loser Ron Williamson, the man that a pair of small-town police detectives are convinced raped and murdered a young woman in 1982. Wasson is straightforward in his reading, seldom letting out the actor within. And like a newspaper reporter, Grisham uses a bare-bones factual approach that lacks the twists and turns of his novels. The listener will be outraged by the frailties of the criminal justice system portrayed, which is not as malleable as its fictitious counterparts, and more prone to error. Reality ain't pretty. M.S. (c) AudioFile 2007, Portland, Maine
  • AudioFile Magazine Dennis Boutsikaris reads with an understated tone and careful pacing to capture the authentic experience of an innocent man who waits to be executed on death row. This true narrative depicts the mental torture and decline of Ron Williamson over several decades of incarceration. Williamson was accused and convicted of the rape and murder of 21-year-old Debra Sue Carter, based on junk science, ill-conceived motives, and the testimony of prisoners who had something to gain from false statements. Boutsikaris's portrayal of Williamson's frustration and horror as he screams for hours from his cell's confinement brings chills. This audiobook will shock--and make you doubt the criminal justice system. G.D.W. (c) AudioFile 2007, Portland, Maine
  • Publisher's Weekly

    January 29, 2007
    Grisham's first work of nonfiction focuses on the tragedy of Ron Williamson, a baseball hero from a small town in Oklahoma who winds up a dissolute, mentally unstable Major League washout railroaded onto death row for a hometown rape and murder he did not commit. Judging by this author-approved abridgment, Grisham has chosen to present Williamson's painful story (and that of his equally innocent "co-conspirator," Dennis Fritz) as straightforward journalism, eschewing the more familiar "nonfiction novel" approach with its reconstructed dialogues and other adjustments for dramatic purpose. This has resulted in a book that, while it includes such intriguing elements as murder, rape, detection and judicial injustice, consists primarily of objective reportage, albeit shaded by the now-proven fact of Williamson's innocence. The absence of dialogue or character point of view could make for a rather bland audio. Boutsikaris avoids that by reverting to what might be called old-fashioned round-the-campfire storytelling, treating the lengthy exposition to vocal interpretations, subtle and substantial. He narrates the events leading up to the 1982 rape and murder of a young cocktail waitress with a mixture of suspicion and curiosity, moving on to astonishment at the prosecution's use of deceit and false testimony to convict Williamson and Fritz and, eventually, elation at the exoneration of the two innocent men. Throughout, he maintains an appealing conversational tone, an effect made all the more remarkable by the book's nearly total absence of conversation. Simultaneous release with the Doubleday hardcover.

  • Time "A gritty, harrowing, true-crime story."
  • Seattle Times "A triumph."
  • Boston Globe "Grisham has crafted a legal thriller every bit as suspenseful and fast-paced as his best-selling fiction."
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