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The Pillars of the Earth
Couverture de The Pillars of the Earth
The Pillars of the Earth
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From #1 New York Times bestselling author Ken Follett comes this spellbinding epic set in twelfth-century England. The Pillars of the Earth tells the story of the lives entwined in the building of the greatest Gothic cathedral the world has ever known-and a struggle between good and evil that will turn church against state, and brother against brother.
From #1 New York Times bestselling author Ken Follett comes this spellbinding epic set in twelfth-century England. The Pillars of the Earth tells the story of the lives entwined in the building of the greatest Gothic cathedral the world has ever known-and a struggle between good and evil that will turn church against state, and brother against brother.
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  • From the cover Chapter 1

    In a broad valley, at the foot of a sloping hillside, beside a clear bubbling stream, Tom was building a house.

    The walls were already three feet high and rising fast. The two masons Tom had engaged were working steadily in the sunshine, their trowels going scrape, slap and then tap, tap while their laborer sweated under the weight of the big stone blocks. Tom’s son Alfred was mixing mortar, counting aloud as he scooped sand onto a board. There was also a carpenter, working at the bench beside Tom, carefully shaping a length of beech wood with an adz.

    Alfred was fourteen years old, and tall like Tom. Tom was a head higher than most men, and Alfred was only a couple of inches less, and still growing. They looked alike too: both had light-brown hair and greenish eyes with brown flecks. People said they were a handsome pair. The main difference between them was that Tom had a curly brown beard, whereas Alfred had only a fine blond fluff. The hair on Alfred’s head had been that color once, Tom remembered fondly. Now that Alfred was becoming a man, Tom wished he would take a more intelligent interest in his work, for he had a lot to learn if he was to be a mason like his father; but so far Alfred remained bored and baffled by the principles of building.

    When the house was finished it would be the most luxurious home for miles around. The ground floor would be a spacious undercroft, for storage, with a curved vault for a ceiling, so that it would not catch fire. The hall, where people actually lived, would be above, reached by an outside staircase, its height making it hard to attack and easy to defend. Against the hall wall there would be a chimney, to take away the smoke of the fire. This was a radical innovation: Tom had only ever seen one house with a chimney, but it had struck him as such a good idea that he was determined to copy it. At one end of the house, over the hall, there would be a small bedroom, for that was what earls’ daughters demanded nowadays—they were too fine to sleep in the hall with the men and the serving wenches and the hunting dogs. The kitchen would be a separate building, for every kitchen caught fire sooner or later, and there was nothing for it but to build them far away from everything else and put up with lukewarm food.

    Tom was making the doorway of the house. The doorposts would be rounded to look like columns—a touch of distinction for the noble newlyweds who were to live here. With his eye on the shaped wooden template he was using as a guide, Tom set his iron chisel obliquely against the stone and tapped it gently with the big wooden hammer. A small shower of fragments fell away from the surface, leaving the shape a little rounder. He did it again. Smooth enough for a cathedral.

    He had worked on a cathedral once—Exeter. At first he had treated it like any other job. He had been angry and resentful when the master builder had warned him that his work was not quite up to standard: he knew himself to be rather more careful than the average mason. But then he realized that the walls of a cathedral had to be not just good, but perfect. This was because the cathedral was for God, and also because the building was so big that the slightest lean in the walls, the merest variation from the absolutely true and level, could weaken the structure fatally. Tom’s resentment turned to fascination. The combination of a hugely ambitious building with merciless attention to the smallest detail opened Tom’s eyes to the wonder of his craft. He learned from the Exeter master about the importance of proportion, the symbolism of various numbers, and the almost...

Au sujet de l’auteur-
  • Ken Follett is one of the world’s most successful authors. More than 160 million copies of the 30 books he has written have been sold in over 80 countries and in 33 languages. Born on June 5, 1949, in Cardiff, Wales, the son of a tax inspector, Ken was educated at state schools and went on to graduate from University College, London, with an honors degree in philosophy. He was made a fellow of the college in 1995. Ken’s project, the Century Trilogy, has sold 19.5 million copies worldwide. The three books tell the story of the twentieth century through five generations on three continents. Ken’s first major success came with the publication of Eye of the Needle in 1978. A World War II thriller set in England, this book earned him the 1979 Edgar Award for Best Novel from the Mystery Writers of America. It remains one of his most popular books.   Ken has been active in numerous literacy charities and was the president of Dyslexia Action for ten years. He was the chair of the National Year of Reading, a joint initiative between government and businesses. He is also active in many Stevenage charities and is the president of the Stevenage Community Trust. Ken also set up The Follett Trust, which awards single donations to the arts and in cases of social deprivation and education.
Critiques-
  • Publisher's Weekly

    February 25, 2008
    Tom Builder's dream is to build a cathedral, but in the meantime, he must scrounge about to find a lord that will hire him. His search pulls him and his family into the politics of 12th-century England, as different lords vie to gain control of the throne in the wake of the recently deceased king. Prior Phillip, a man raised in the monastery since childhood, also finds himself drafted into the brewing storm as he must protect the interests of a declining church. Richard E. Grant seduces readers early on with a soft and deliberate voice that is like a loud whisper. However, his full range quickly reveals itself as he delves into characters with animated voices that exert their true essence. Even throughout the narrative, Grant musters a lively voice that imbues energy into the story. The only shortcoming is that the abridgment of Follett's 1989 novel proves to be too choppy. Though the story appears complete, there still remain abrupt moments throughout the tale. Penguin Audio's unabridged version is read by John Lee and runs 41 hours.

  • AudioFile Magazine Arguably the best work of an author known for spy thrillers, this is historical fiction at its finest. The hope and despair of several people are tightly woven with the enormous task of cathedral construction in medieval England. Narrator John Lee adds vigor to Follett's descriptions of otherwise mundane matters: the graceful arch of a gothic spire, the innovation of using a mill wheel's power to felt wool. Follett's poignant characters blossom with Lee's reading. Lee reveals level-headed Prior Phillip's rare moments of pride as the church construction flourishes, and his anguish in the face of stolen funding. Phillip's nemesis, an ambitious nobleman, is cunning, and his lack of self-confidence is clear in Lee's capable reading. After 41 hours of listening, readers will yearn for more. N.M.C. (c) AudioFile 2008, Portland, Maine
  • AudioFile Magazine Richard Grant does a perfectly fine job with this somewhat choppy abridgment of Ken Follett's massive novel. Surprisingly for thriller writer Follett, this is a historical epic about the drama surrounding the construction of a twelfth-century English cathedral. Follett gives full play to his mastery of suspense; the results are a bit over the top but involving nonetheless. Grant's somewhat nasal inflection at first sounds too narrow for Follett's broad-brush writing. But within a couple of chapters, he warms to the plot and gives full voice to the panoply of saintly and evil characters, including a devout, disturbed monk and a troubled noblewoman. A.C.S. (c) AudioFile 2008, Portland, Maine
  • Publisher's Weekly

    December 3, 2007
    With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. 400,000 first printing; $400,000 ad/promo; Literary Guild main dual selection; author tour.

  • Publisher's Weekly

    September 3, 2007
    Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through 40 years of social and political upheaval as internal church politics affect the progress of the cathedral and the fortunes of the protagonists. ``Follett has written a novel that entertains, instructs and satisfies on a grand scale,'' judged PW.

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