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The Liar
Couverture de The Liar
The Liar
A Novel
Emprunter Emprunter
An “outrageously hilarious” novel about a young man who has trouble with the truth (The Boston Globe).
 
Adrian Healey loves to lie. He does it all the time. Every minute, every moment. And worse, he does it wonderfully, imaginatively, brilliantly. He lies to buck the system, to express his contempt for convention, but mostly because he just plain likes to. It’s fun.
 
He invents a lost pornographic novel by Charles Dickens, and, for himself, a career as a Piccadilly rent boy, hireable by the hour. But Adrian’s lies eventually bring true danger, as he finds himself caught up in the machinations of a shadowy network that puts his own life at risk, in this “clever and entertaining novel that will appeal to Anglophiles with a twisted sense of humor” (Library Journal).
 
An “outrageously hilarious” novel about a young man who has trouble with the truth (The Boston Globe).
 
Adrian Healey loves to lie. He does it all the time. Every minute, every moment. And worse, he does it wonderfully, imaginatively, brilliantly. He lies to buck the system, to express his contempt for convention, but mostly because he just plain likes to. It’s fun.
 
He invents a lost pornographic novel by Charles Dickens, and, for himself, a career as a Piccadilly rent boy, hireable by the hour. But Adrian’s lies eventually bring true danger, as he finds himself caught up in the machinations of a shadowy network that puts his own life at risk, in this “clever and entertaining novel that will appeal to Anglophiles with a twisted sense of humor” (Library Journal).
 
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  • Disponible:
    100
  • Copies de la bibliothèque:
    100
Niveaux-
  • Niveau ATOS:
  • Lexile Measure:
  • Niveau d'intérêt:
  • Difficulté du texte:


Extraits-
  • Chapter One

    Adrian checked the orchid at his buttonhole, inspected the spats at his feet, gave the lavender gloves a twitch, smoothed down his waistcoat, tucked the ebony Malacca-cane under his arm, swallowed twice and pushed wide the changing-room door.
    "Ah, my dears," he cried. "Congratulations! Congratulations to you all! A triumph, an absolute triumph!"
    "Well, what the fuck's he wearing now?" they snorted from the steamy end of the room.
    "You're an arse and an idiot, Healey."
    Burkiss threw a flannel onto the shiny top hat. Adrian reached up and took it between forefinger and thumb.
    "If there is the slightest possibility, Burkiss, that this flannel has absorbed any of the juices that leak from within you, that it has mopped up a single droplet of your revolting pubescent greases, that it has tickled and frotted even one of the hideously mired corners of your disgusting body then I shall have a spasm. I'm sorry but I shall."
    In spite of himself, Cartwright smiled. He moved further along the bench and turned his back, but he smiled.
    "Now, girls," continued Healey, "you're very high-spirited and that's as it should be but I won't have you getting out of hand. I just looked in to applaud a simply marvellous show and to tell you that you are certainly the loveliest chorus in town and that I intend to stand you all dinner at the Embassy one by one over the course of
    what I know will be a long and successful run."
    "I mean, what kind of coat is that?"
    "It is called an astrakhan and I am sure you agree that it is absolutely
    the ratherest thing. You will observe it fits my sumptuous
    frame as snugly as if it were made for me . . . just as you do, you
    delicious Hopkinson."
    "Oh shut up."
    "Your whole body goes quite pink when you are flattered, like a small pig, it is utterly, utterly fetching."
    Adrian saw Cartwright turn away and face his locker, a locker to which Adrian had the key. The boy seemed now to be concentrating on pulling on his socks. Adrian took half a second to take a mental snapshot of the scrummy toes and heavenly ankle being sheathed by those lucky, lucky socks, a snapshot he could develop and pore over later with all the others that he had pasted into the private album of his memory.
    Cartwright wondered why Healey sometimes stared at him like that. He could sense it when he did, even when he couldn't see, he could feel those cool eyes surveying him with pity and contempt for a younger boy who didn't have so sharp a tongue, so acid a wit as almighty Healey. But there were others dumber than he was, why should Healey single him out for special treatment?
    Setting a spatted foot on the bench that ran down the middle of the changing room with elegant disdain, Adrian began to flip through a pile of Y-fronts and rugger shorts with his cane.
    "I was particularly taken," he said, "with that number in the first act when you and the girls from Marlborough stood in a line and jumped up at that funny leather ball. It was too utterly utter for words. Lord how I laughed when you let the Marlborough chorus
    run off with it . . . dear me, this belongs to someone who doesn't appear to know how to wipe his bottom. Is there a name tape?
    Madison, you really should pay more attention to your personal
    hygiene, you know. Two sheets of lavatory paper is all it takes. One
    to wipe and one to polish. Oh, how you skipped after that Marlborough
    pack, you blissful creatures! But they wouldn't give you the
    ball, would they? They kept banging it on the ground and kicking
    it over your lovely goalpost."
    "It was the referee,"...

Au sujet de l’auteur-
  • Stephen Fry is an actor, producer, director, and writer who has appeared in numerous TV series and movies, including Jeeves and WoosterWildeGosford Park, V for Vendetta and The Hobbit: The Desolation of Smaug. He is the bestselling author of four novels, as well as several works of nonfiction, and divides his time between New York and the United Kingdom.
Critiques-
  • Publisher's Weekly

    May 3, 1993
    Fry is a British polymath--actor, journalist, playwright--who is currently on view here as the eponymous hero of the Kenneth Branagh movie Peter's Friends . This book, his first novel, was a huge critical and popular success in Britain in both cloth and paperback, and it is surprising that the book has taken almost two years to make its way across the Atlantic. Perhaps part of the reason is its obsession with such arcanely British things as public school life, Cambridge academia and cricket. But it is coruscatingly funny, often quite shocking and profoundly irreverent. Its hero is Adrian Healey, who assumes a wildly gay persona (and is one of the few Wilde imitators who can verbally live up to the original) but whose besetting problem is a lack of contact with reality. Everything he does and says is a sly concoction, from his outre behavior at school and college to his period as a male prostitute (``rent-boy'') in London to his schoolteaching days and his eventual involvement, with his college tutor, in a bizarre espionage caper involving a Hungarian ``truth machine.'' The plot is in fact deliberately confusing and quite inconsequential. The book is enjoyable for its verbal dexterity, its often filthy but usually hilarious jokes and its reckless high spirits. Some readers may flinch from its callousness; many more will find themselves helpless with laughter.

  • Publisher's Weekly

    July 1, 2003
    The British actor's very funny first novel traces the antics of a reckless, irreverent ex-Cambridge student involved in a bizarre espionage caper.

  • Boston Globe "Smutty, naughty and outrageously hilarious . . . Brace yourselves for a dickens of a wicked good time."
  • The New York Times Book Review "The spirits of Oscar Wilde and Evelyn Waugh glower benignly over this very funny first novel . . . An ingenious plot filled with surprises and glittering with hilarious, often indecent inventions."
  • Los Angeles Times "A quite brilliant first novel." --Sunday Times "Brilliantly entertaining and consistently outrageous." --Daily Mail "Sublime." --Cosmopolitan "Wicked." --Elle "Transforms the sophomoric into the sophisticated."
  • San Francisco Chronicle "Fry's jokes have a ring of seriousness . . . A witty and entertaining send-up."
  • Spectator "Mr. Fry's book is wonderfully funny and (as funny weren't enough) absorbingly plotted. His characters are witty and endearing and his dialogue will leave you grinning with delight even as you wonder a shade wistfully why none of your friends can talk this way." --Joe Keenan, Executive Producer of Frasier and Desperate Housewives "Hilariously erudite." --Out "Will have you howling." --In "Wicked, galloping entertainment." --Boston Phoenix "Very funny, full of intelligence and ideas, Post-Punk E.F. Benson."
  • Literary Review "Hilarious--page after page of the most outrageous and often filthy jokes, delicious conceits, instant, brilliant ripostes that would only occur to ordinary mortals after days of teeth-grinding lunacy."
  • Publishers Weekly "A book that is not only funny, clever and touching, but is the perfect size." --Rita Rudner "A huge critical and popular success in Britain . . . it is coruscatingly funny, often quite shocking and profoundly irreverent. Its hero is Adrian Healey, who assumes a wildly gay persona (and is one of the few Wilde imitators who can verbally live up to the original) but whose besetting problem is a lack of contact with reality . . . Many will find themselves helpless with laughter."
  • Kirkus Reviews "Dizzyingly, peerlessly sophomoric."
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    Soho Press
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