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The Architect's Apprentice
Couverture de The Architect's Apprentice
The Architect's Apprentice
A Novel
A colorful, magical tale set during the height of the Ottoman Empire, from the acclaimed author of The Island of Missing Trees (a Reese's Book Club Pick)
Chosen for Camilla, Duchess of Cornwall’s “Reading Room” Book Club

In this novel, Turkey’s preeminent female writer spins an epic tale spanning nearly a century in the life of the Ottoman Empire. In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices.
A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.
A colorful, magical tale set during the height of the Ottoman Empire, from the acclaimed author of The Island of Missing Trees (a Reese's Book Club Pick)
Chosen for Camilla, Duchess of Cornwall’s “Reading Room” Book Club

In this novel, Turkey’s preeminent female writer spins an epic tale spanning nearly a century in the life of the Ottoman Empire. In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices.
A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.
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Extraits-
  • From the book

    Of all the people God created and Sheitan led astray, only a few have discovered the Centre of the Universe – where there is no good and no evil, no past and no future, no ‘I’ and no ‘thou’, no war and no reason for war, just an endless sea of calm. What they found there was so beautiful that they lost their ability to speak.

    The angels, taking pity on them, offered two choices. If they wished to regain their voices, they would have to forget everything they had seen, albeit a feeling of absence would remain deep in their hearts. If they preferred to remember the beauty, however, their minds would become so befuddled that they would not be able to distinguish the truth from the mirage. So the handful who stumbled upon that secret location, unmarked on any map, returned either with a sense of longing for something, they knew not what, or with myriads of questions to ask. Those who yearned for completeness would be called ‘the lovers’, and those who aspired to knowledge ‘the learners’.

    That is what Master Sinan used to tell the four of us, his apprentices. He would regard us closely, his head cocked to one side, as if trying to see through our souls. I knew I was being vain, and vanity was unfit for a simple boy such as I, but every time my master would relate this story I believed he intended his words for me rather than for the others. His stare would linger for a moment too long on my face, as if there were something he expected from me. I would avert my gaze, afraid of disappointing him, afraid of the thing I could not give him – though what that was I never figured out. I wonder what he saw in my eyes. Had he predicted that I would be second to none with respect to learning, but that I, in my clumsiness, would fail miserably in love?

    I wish I could look back and say that I have learned to love as much as I loved to learn. But if I lie, there could be a cauldron boiling for me in hell tomorrow, and who can assure me tomorrow is not already on my doorstep, now that I am as old as an oak tree, and still not consigned to the grave?

    There were six of us: the master, the apprentices and the white elephant. We built everything together. Mosques, bridges, madrasas, caravanserais, alms houses, aqueducts . . . It was so long ago that my mind softens even the sharpest features, melting memories into liquid pain. The shapes that float into my head whenever I hark back to those days could well have been drawn later on, to ease the guilt of having forgotten their faces. Yet I remember the promises we made, and then failed to keep, every single one of them. It’s odd how faces, solid and visible as they are, evaporate, while words, made of breath, stay.

    They have slipped away. One by one. Why it is that they perished and I survived to this feeble age only God and God alone knows. I think about Istanbul every day. People must be walking now across the courtyards of the mosques, not knowing, not seeing. They would rather assume that the buildings around them had been there since the time of Noah. They were not. We raised them: Muslims and Christians, craftsmen and galley slaves, humans and animals, day upon day. But Istanbul is a city of easy forgettings. Things are written in water over there, except the works of my master, which are written in stone.

    Beneath one stone, I buried a secret. Much time has gone by, but it must still be there, waiting to be discovered. I wonder if anyone will ever find it. If they do, will they understand? This nobody knows, but at the bottom of one of the hundreds of buildings that my master built rests hidden the centre of the...

Critiques-
  • Publisher's Weekly

    March 2, 2015
    Shafak's (The Bastard of Istanbul) rambling historical epic weaves its way through the rule of three sultans in 16th-century Istanbul. Twelve-year-old Jahan arrives in the city alone except for an important gift for the Sultan that he has been entrusted with by the Shah of India—a baby white elephant named Chota. Jahan is quickly taken in by the palace seraglio to be Chota's trainer and caretaker, and so begins his new life in the center of the flourishing Ottoman Empire. After a year in the palace, he and Chota are ordered to assist the army in an upcoming war.On this tour that he meets Sinan, Chief Royal Architect, who is impressed by the boy's intelligence and curiosity and arranges for him to receive a palace education. Eventually, Jahan is given a coveted position as Sinan's apprentice. With three others, he studies architecture and works at construction sites, helping their master build some of the most celebrated buildings in the history of the empire. Jahan works with his beloved master for many years and witnesses disastrous plagues, the intricate dance between religious and political power, and the anxiety of changing regimes. All the while, he nurtures a secret love for Princess Mihrimah, the beautiful and headstrong daughter of Sultan Suleiman. Shafak's ambitious and colorful novel loses momentum at times, but she skillfully uses the fictional elephant trainer to paint a vivid portrait of the great architect, Sinan, and the lives of both royals and commoners.

  • Kirkus

    January 15, 2015
    Following the life of an invented apprentice to the actual Ottoman Empire architect Sinan, Turkish novelist Shafak offers a liberal interpretation of Islam that's bound to create controversy, as her previous books have (Honor, 2013, etc.).In 1540, Jahan, a 12-year-old runaway from Anatolia, arrives in Istanbul by ship with a baby white elephant he names Chota-"little"-a gift to Sultan Suleiman from Hindustan. The ship's amoral British captain has forced Jahan, who knows nothing about elephants, to pretend to be Chota's Indian trainer so he can steal valuables from the sultan's palace. Lonely Jahan loves Chota and quickly learns to take excellent care of him. Drawn to the elephant's charms, the sultan's young daughter, Mihrimah, begins visiting Chota's barn. Soon, she and Jahan strike up a friendship that evolves into a chaste love that lasts through her marriage until her death. Far more complex and intriguing is Jahan's relationship to the architect, Sinan, whose philosophy lies at the heart of the novel: "I work to honour the divine gift. Every artisan and artist enters into a covenant with the divine." Sinan recognizes Jahan's untapped abilities when he and Chota help build a bridge during one of Suleiman's wars. Sinan arranges for Jahan's education and makes him one of his four apprentices. As both apprentice to the sultan's chief architect and trainer of the sultan's prize elephant, Jahan observes the glory of the Ottoman Empire, the pageantry and brutality, over a span of almost 100 years. He experiences the plague, many wars, and the rise and fall of several sultans. Shafak acknowledges the harem system and slavery, but Jahan's Istanbul is a cosmopolitan city made up of many nationalities and religions, all more or less getting along. With manufactured intrigues and lukewarm romance, plot is not Shafak's strong point. What she offers is panoramic historical fiction rich with facts, atmosphere and occasional whimsy.

    COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    October 15, 2014

    In 1540, 12-year-old Jahan serves as an animal tamer in the sultan's menagerie, swoons at the sight of the sultan's beautiful daughter, and eventually joins forces with the empire's chief architect, which stirs poisonous jealousy. Shafak (Honor) is Turkey's leading female novelist.

    Copyright 2014 Library Journal, LLC Used with permission.

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