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What Are You Going Through
Couverture de What Are You Going Through
What Are You Going Through
A Novel
NAMED A BEST BOOK OF 2020 BY NPR, PEOPLE, AND O, THE OPRAH MAGAZINE
A NEW YORK TIMES CRITICS’ TOP BOOK OF 2020
NATIONAL BESTSELLER
“As good as The Friend, if not better.” —The New York Times
 
“Impossible to put down . . . leavened with wit and tenderness.” —People
 
“I was dazed by the novel’s grace.”
The New Yorker
The New York Times–bestselling, National Book Awardwinning author of The Friend brings her singular voice to a story about the meaning of life and death, and the value of companionship

A woman describes a series of encounters she has with various people in the ordinary course of her life: an ex she runs into by chance at a public forum, an Airbnb owner unsure how to interact with her guests, a stranger who seeks help comforting his elderly mother, a friend of her youth now hospitalized with terminal cancer. In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.
In What Are You Going Through, Nunez brings wisdom, humor, and insight to a novel about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now.
NAMED A BEST BOOK OF 2020 BY NPR, PEOPLE, AND O, THE OPRAH MAGAZINE
A NEW YORK TIMES CRITICS’ TOP BOOK OF 2020
NATIONAL BESTSELLER
“As good as The Friend, if not better.” —The New York Times
 
“Impossible to put down . . . leavened with wit and tenderness.” —People
 
“I was dazed by the novel’s grace.”
The New Yorker
The New York Times–bestselling, National Book Awardwinning author of The Friend brings her singular voice to a story about the meaning of life and death, and the value of companionship

A woman describes a series of encounters she has with various people in the ordinary course of her life: an ex she runs into by chance at a public forum, an Airbnb owner unsure how to interact with her guests, a stranger who seeks help comforting his elderly mother, a friend of her youth now hospitalized with terminal cancer. In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.
In What Are You Going Through, Nunez brings wisdom, humor, and insight to a novel about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now.
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Extraits-
  • From the cover

    I went to hear a man give a talk. The event was held on a college campus. The man was a professor, but he taught at a different school, in another part of the country. He was a well-known author, who, earlier that year, had won an international prize. But although the event was free and open to the public, the auditorium was only half full. I myself would not have been in the audience, I would not even have been in that town, had it not been for a coincidence. A friend of mine was being treated in a local hospital that specializes in treating her particular type of cancer. I had come to visit this friend, this very dear old friend whom I had not seen in several years, and whom, given the gravity of her illness, I might not see again.

     

    It was the third week of September, 2017. I had booked a room through Airbnb. The host was a retired librarian, a widow. From her profile I knew that she was also the mother of four, the grandmother of six, and that her hobbies included cooking and going to the theater. She lived on the top floor of a small condo about two miles from the hospital. The apartment was clean and tidy and smelled faintly of cumin. The guest room was decorated in the way that most people appear to have agreed will make a person feel at home: plush area rugs, a bed with a hedge of pillows and a plump down duvet, a small table holding a ceramic pitcher of dried flowers, and, on the nightstand, a stack of paperback mysteries. The kind of place where I never do feel at home. What most people call cozy-gemŸtlich, hygge-others find stifling.

     

    A cat had been promised, but I saw no sign of one. Only later, when it was time for me to leave, would I learn that, between my booking and my stay, the host's cat had died. She delivered this news brusquely, immediately changing the subject so that I couldn't ask her about it-which I was in fact going to do only because something in her manner made me think that she wanted to be asked about it. And it occurred to me that maybe it wasn't emotion that had made her change the subject like that but rather worry that I might later complain. Depressing host talked too much about dead cat. The sort of comment you saw on the site all the time.

     

    In the kitchen, as I drank the coffee and ate from the tray of snacks the host had prepared for me (while she, in the way recommended for Airbnb hosts, made herself scarce), I studied the corkboard where she posted publicity for guests about goings-on in town. An exhibition of Japanese prints, an arts-and-crafts fair, a visiting Canadian dance company, a jazz festival, a Caribbean culture festival, a schedule for the local sports arena, a spoken-word reading. And, that night, at seven thirty, the author's talk.

     

    In the photograph, he looks harsh-no, "harsh" is too harsh. Call it stern. That look that comes to many older white men at a certain age: stark-white hair, beaky nose, thin lips, piercing gaze. Like raptors. Hardly inviting. Hardly an image to say, Please, do come hear me speak. Would love to see you there! More like, Make no mistake, I know a lot more than you do. You should listen to me. Maybe then you'll know what's what.

     

    A woman introduces him. The head of the department that has invited him to speak. She is a familiar type: the glam academic, the intellectual vamp. Someone at pains for it to be known that, although smart and well educated, although a feminist and a woman in a position of power, the lady is no frump, no boring nerd, no sexless harridan. And so what if she's past a certain age. The cling of the skirt, the height of the heels, the scarlet mouth and tinted hair (I once heard a...

Au sujet de l’auteur-
  • Sigrid Nunez is the author of the novels Salvation City, The Last of Her Kind, A Feather on the Breath of God, For Rouenna, and the National Book Award-winning The Friend, among others. She is also the author of Sempre Susan: A Memoir of Susan Sontag. She has been the recipient of several awards, including a Whiting Award, the Rome Prize in Literature, and a Berlin Prize Fellowship. Nunez lives in New York City.
Critiques-
  • Publisher's Weekly

    June 8, 2020
    Nunez’s deceptively casual and ultimately fierce work (after the National Book Award-winning The Friend) ambles through a range of digressions toward a plot involving euthanasia. At the beginning, the unnamed narrator has traveled to visit her unnamed old friend in a hospital, where the friend is being treated for cancer. But before the narrator describes the visit, she details her experience at a depressing lecture by a pretentious journalist—who turns out to be her ex. This side trip involved an Airbnb, where “a cat had been promised,” but after she checked out, having never seen the cat, she learned it had died. Eventually, she reaches the hospital, and the tension picks up. Her friend is planning to kill herself before she’s too debilitated, and two other friends have refused to help. Will the narrator? As the two women make and implement their plan, Nunez studies the intersection of friendship and morality. Much of the novel’s action is internal, as the attention of its judgmental, withholding narrator flicks from books to movies to sharp-edged thoughts about the people she encounters, offering plenty of surprises. Those willing to jump along with her should be tantalized by the provocative questions she raises.

  • AudioFile Magazine A powerful sense of intimacy and immediacy come through in Hillary Huber's narration of this meditative novel from the National Book Award-winning author of THE FRIEND. The story centers on an unnamed woman who travels to visit a cancer-stricken friend. The friend asks her to arrange matters after she commits suicide with a euthanasia drug. The complexities of euthanasia are highlighted in Huber's expressive portrayals of these women. Interspersed with this debate are ruminations on aging, societal expectations of women, and antinatalism. There is an abundance of challenging material here, which even includes a short episode of a cat's anthropomorphic thoughts vividly conveyed by Huber. This provocative audiobook can be devoured in one sitting but may be best appreciated in short listens. M.J. © AudioFile 2020, Portland, Maine
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A Novel
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