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Black House
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Black House
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From the #1 New York Times bestselling authors of The Talisman, "an intelligent...suspenseful page-turner" (The Wall Street Journal) from "two master craftsmen, each at the top of his game" (The Washington Post).
Twenty years ago, a boy named Jack Sawyer traveled to a parallel universe called the Territories to save his mother and her Territories "Twinner" from an agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, Wisconsin. He has no recollection of his adventures in the Territories, and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.

When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades ago by a madman named Albert Fish, the killer is dubbed "the Fishman," and Jack's buddy, the local chief of police, begs Jack to help the inexperienced force find him. But are these new killings merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams—if that is what they are—of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As this cryptic message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted tract of forest, there to encounter the obscene and ferocious evils sheltered within it.
From the #1 New York Times bestselling authors of The Talisman, "an intelligent...suspenseful page-turner" (The Wall Street Journal) from "two master craftsmen, each at the top of his game" (The Washington Post).
Twenty years ago, a boy named Jack Sawyer traveled to a parallel universe called the Territories to save his mother and her Territories "Twinner" from an agonizing death that would have brought cataclysm to the other world. Now Jack is a retired Los Angeles homicide detective living in the nearly nonexistent hamlet of Tamarack, Wisconsin. He has no recollection of his adventures in the Territories, and was compelled to leave the police force when an odd, happenstance event threatened to awaken those memories.

When a series of gruesome murders occur in western Wisconsin that are reminiscent of those committed several decades ago by a madman named Albert Fish, the killer is dubbed "the Fishman," and Jack's buddy, the local chief of police, begs Jack to help the inexperienced force find him. But are these new killings merely the work of a disturbed individual, or has a mysterious and malignant force been unleashed in this quiet town? What causes Jack's inexplicable waking dreams—if that is what they are—of robins' eggs and red feathers? It's almost as if someone is trying to tell him something. As this cryptic message becomes increasingly impossible to ignore, Jack is drawn back to the Territories and to his own hidden past, where he may find the soul-strength to enter a terrifying house at the end of a deserted tract of forest, there to encounter the obscene and ferocious evils sheltered within it.
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  • From the book

    1

    Right here and now, as an old friend used to say, we are in the fluid present, where clear-sightedness never guarantees perfect vision. Here: about two hundred feet, the height of a gliding eagle, above Wisconsin's far western edge, where the vagaries of the Mississippi River declare a natural border. Now: an early Friday morning in mid-July a few years into both a new century and a new millennium, their wayward courses so hidden that a blind man has a better chance of seeing what lies ahead than you or I. Right here and now, the hour is just past six A.M., and the sun stands low in the cloudless eastern sky, a fat, confident yellow-white ball advancing as ever for the first time toward the future and leaving in its wake the steadily accumulating past, which darkens as it recedes, making blind men of us all.

    Below, the early sun touches the river's wide, soft ripples with molten highlights. Sunlight glints from the tracks of the Burlington Northern Santa Fe Railroad running between the riverbank and the backs of the shabby two-story houses along County Road Oo, known as Nailhouse Row, the lowest point of the comfortable-looking little town extending uphill and eastward beneath us. At this moment in the Coulee Country, life seems to be holding its breath. The motionless air around us carries such remarkable purity and sweetness that you might imagine a man could smell a radish pulled out of the ground a mile away.

    Moving toward the sun, we glide away from the river and over the shining tracks, the backyards and roofs of Nailhouse Row, then a line of Harley-Davidson motorcycles tilted on their kickstands. These unprepossessing little houses were built, early in the century recently vanished, for the metal pourers, mold makers, and crate men employed by the Pederson Nail factory. On the grounds that working stiffs would be unlikely to complain about the flaws in their subsidized accommodations, they were constructed as cheaply as possible. (Pederson Nail, which had suffered multiple hemorrhages during the fifties, finally bled to death in 1963.) The waiting Harleys suggest that the factory hands have been replaced by a motorcycle gang. The uniformly ferocious appearance of the Harleys' owners, wild-haired, bushy-bearded, swag-bellied men sporting earrings, black leather jackets, and less than the full complement of teeth, would seem to support this assumption. Like most assumptions, this one embodies an uneasy half-truth.

    The current residents of Nailhouse Row, whom suspicious locals dubbed the Thunder Five soon after they took over the houses along the river, cannot so easily be categorized. They have skilled jobs in the Kingsland Brewing Company, located just out of town to the south and one block east of the Mississippi. If we look to our right, we can see "the world's largest six-pack," storage tanks painted over with gigantic Kingsland Old-Time Lager labels. The men who live on Nailhouse Row met one another on the Urbana-Champaign campus of the University of Illinois, where all but one were undergraduates majoring in English or philosophy. (The exception was a resident in surgery at the UI-UC university hospital.) They get an ironic pleasure from being called the Thunder Five: the name strikes them as sweetly cartoonish. What they call themselves is "the Hegelian Scum." These gentlemen form an interesting crew, and we will make their acquaintance later on. For now, we have time only to note the hand-painted posters taped to the fronts of several houses, two lamp poles, and a couple of abandoned buildings. The posters say: FISHERMAN, YOU BETTER PRAY TO YOUR STINKING GOD WE DON'T CATCH YOU FIRST!...

Au sujet de l’auteur-
  • Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection You Like It Darker, Holly (a New York Times Notable Book of 2023), Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Critiques-
  • Publisher's Weekly

    Starred review from August 20, 2001
    Today's literature is plagued by sequelitis; plagued because many of the offspring are abominations. But here's a marvelous exception. Seventeen years after King and Straub's first collaboration, The Talisman, comes an immensely satisfying follow-up, a brilliant and challenging dark fantasy that fans of both authors are going to love. Page by page, the novel reads as equal parts King and Straub, with the Maine master's exuberance and penchant for excess restrained by Straub's generally more elegant (though no more potent) approach. But the book, far more than its predecessor, is set explicitly in the King universe, with particular ties to the Dark Tower series. Its primary hero is The Talisman's Jack Sawyer, now retired from the LAPD and living with no memory of his otherwordly Talisman exploits, alone in French Landing, Wisconsin—a town surveyed by the authors in an unusual third-person plural narration that buoys the book throughout. Terror stalks French Landing in the form of the Fisherman, who's been snatching, killing and eating the town's children. We know that the Fisherman is a resident of the town's elderly care facility, but Jack doesn't; when yet another child, Ty Marshall, is taken, Jack enters the hunt for the killer and the boy. He's joined by an array of locals, notably a gang of philosopher bikers and blind Henry Leyden, a 50-something cool cat whom every reader will adore. Jack is going to need all their help, and more, because The Fisherman is controlled by a malignant entity from End-World, where the Crimson King aims to unravel the fabric of all the universes. It's to blighted End-World, via the portal of the Black House—a creepy local house painted black—that Jack and others travel to rescue Ty, in the novel's frantic conclusion.The book abounds with literary allusions, many to the King-verse, and readers not familiar with King's work and particularly with The Talisman
    may feel disoriented, especially at first. But there's so much here to revel in, from expertly excuted sequences of terror, awe or passion—the novel is a deep reservoir of genuine emotion—to some of the most wonderful characters to spring from a page in years, to a story whose energy is so high and craft so accomplished that most readers will wish it ran twice its great length. What is probably the most anticipated novel of the year turns out to be its most memorable to date, a high point in both the King and Straub canons. This will be a monster bestseller, and deservedly so. 2 million first printing.

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