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NEW YORK TIMES BESTSELLER • “Crime fiction at its finest.”—Michael Connelly WATCH WILL TRENT ON ABC From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open. In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
NEW YORK TIMES BESTSELLER • “Crime fiction at its finest.”—Michael Connelly WATCH WILL TRENT ON ABC From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open. In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Detective Michael Ormewood listened to the football game on the radio as he drove down DeKalb Avenue toward Grady Homes. The closer he got to the projects, the more tension he felt, his body almost vibrating from the strain by the time he took a right into what most cops considered a war zone. As the Atlanta Housing Authority slowly devoured itself, subsidized communities like Grady were becoming a thing of the past. The in-town real estate was too valuable, the potential for kickback too high. Right up the road was the city of Decatur, with its trendy restaurants and million-dollar houses. Less than a mile in the other direction was Georgia’s gold-encrusted capitol dome. Grady was like a worse-case scenario sitting between them, a living reminder that the city too busy to hate was also too busy to take care of its own.
With the game on, the streets were fairly empty. The drug dealers and pimps were taking the night off to watch that rarest of miracles occur: the Atlanta Falcons playing in the Super Bowl. This being a Sunday night, the prostitutes were still out making a living, trying to give the churchgoers something to confess next week. Some of the girls waved at Michael as he drove past, and he returned the greeting, wondering how many unmarked cars stopped here during the middle of the night, cops telling Dispatch they were taking a ten-minute break, then motioning over one of the girls to help blow off some steam.
Building nine was in the back of the development, the crumbling red brick edifice tagged by the Ratz, one of the new gangs that had moved into the Homes. Four cruisers and another unmarked car were in front of the building, lights rolling, radios squawking. Parked in the residents’ spaces were a black BMW and a pimped out Lincoln Navigator, its ten-thousand-dollar razor rims glittering gold in the streetlights. Michael fought the urge to jerk the steering wheel, take some paint off the seventy-thousand-dollar SUV. It pissed him off to see the expensive cars the bangers drove. In the last month, Michael’s kid had shot up about four inches, outgrowing all his jeans, but new clothes would have to wait for Michael’s next paycheck. Tim looked like he was waiting for a high tide while Daddy’s tax dollars went to help these thugs pay their rent.
Instead of getting out of his car, Michael waited, listening to another few seconds of the game, enjoying a moment’s peace before his world turned upside down. He had been on the force for almost fifteen years now, going straight from the army to the police, realizing too late that other than the haircut, there wasn’ t that much difference between the two. He knew that as soon as he got out of his car it would all start up like a clock that was wound too tight. The sleepless nights, the endless leads that never panned out, the bosses breathing down his neck. The press would probably catch on to it, too. Then he’d have cameras stuck in his face every time he left the squad, people asking him why the case wasn’t solved, his son seeing it on the news and asking Daddy why people were so mad at him.
Collier, a young beat cop with biceps so thick with muscle he couldn’t put his arms down flat against his sides, tapped on the glass, gesturing for Michael to roll down his window. Collier had made a circling motion with his meaty hand, even though the kid had probably never been in a car with crank windows.
Michael pressed the button on the console, saying, “Yeah?” as the glass slid down.
“Who’s winning?”
“Not Atlanta,” Michael told...
Au sujet de l’auteur-
Karin Slaughter is the New York Times and #1 internationally bestselling author of numerous thrillers, including Cop Town, Unseen, Criminal, Fallen, Broken, Undone, Fractured, Beyond Reach, Triptych,Faithless, and the e-original short stories “Snatched” and “Busted.” She is a native of Georgia.
Critiques-
Will Trent, from the Georgia Bureau of Investigation, is assigned to help local detectives on a case involving a serial killer who cuts the tongues out of his victims. Trent finds himself working with a reluctant veteran detective, Michael Ormewood, and Vice-Cop Angie Polaski, whom Trent is in love with and has known since childhood. Michael Kramer narrates this gritty novel in a deep, gravelly voice, turning in a sensitive performance with an impressive ability to portray each of the well-developed characters. His character voices are convincing, and he wisely does not overdo the accents, in particular the regional southern ones that are so tempting to exaggerate. Thanks in no small part to Kramer, the tension is palpable as the investigation closes in on the killer. S.S.R. Winner of AudioFile Earphones Award (c) AudioFile 2006, Portland, Maine
June 12, 2006 Bestseller Slaughter departs from her Grant County crime series (Faithless , etc.) with a stand-alone thriller notable mainly for a jolting mid-book twist similar to one Ira Levin used with more subtlety in A Kiss Before Dying . The case of a prostitute's brutal murder provides a welcome break for Michael Ormewood, a cynical, world-weary Atlanta cop weighed down by dealing with the city's underclass and the heartbreak of a mentally impaired son. Since the victim's tongue was severed, linking the crime to several other recent outrages, the Georgia Bureau of Investigation intervenes. Suspicions focus on a recently paroled sex offender, John Shelley, who viciously butchered a neighbor more than a decade earlier. Slaughter unexpectedly switches the narrative's perspective, but the shock value garnered by the plot twist isn't matched by the predictable denouement.
USA Today
"Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish."
Ft. Lauderdale Sun-Sentinel
"Excellent.... Karin Slaughter is not afraid to show the absolute worst in people, as well as the best."
Cleveland Plain Dealer
"[Karin Slaughter] writes with a razor...Triptych elevates her to the top of my list of favorite crime writers."
Kirkus Reviews
"Volcanic heroes and villians, who act both surprisingly and logically.... Slaughter has the courage to detonate her biggest bombshells early on, keeping even the wariest readers off-balance."
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Will Trent, from the Georgia Bureau of Investigation, is assigned to help local detectives on a case involving a serial killer who cuts the tongues out of his victims. Trent finds himself working with a reluctant veteran detective, Michael Ormewood, and Vice-Cop Angie Polaski, whom Trent is in love with and has known since childhood. Michael Kramer narrates this gritty novel in a deep, gravelly voice, turning in a sensitive performance with an impressive ability to portray each of the well-developed characters. His character voices are convincing, and he wisely does not overdo the accents, in particular the regional southern ones that are so tempting to exaggerate. Thanks in no small part to Kramer, the tension is palpable as the investigation closes in on the killer. S.S.R. Winner of AudioFile Earphones Award (c) AudioFile 2006, Portland, Maine
