LONGLISTED FOR THE NATIONAL BOOK AWARD
The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day.
From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried....
Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life.
Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an "Indian school" far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.
Cora, born 1888: Though she was born into the brutal legacy of the "Indian Wars," Cora isn't afraid of the white men who remove her to a school across the country to be "civilized." When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost...
A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.
LONGLISTED FOR THE NATIONAL BOOK AWARD
The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day.
From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried....
Sissy, born 1961: Sissy's relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy's ear, and in one especially terrifying moment, maybe even saves Sissy's life.
Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an "Indian school" far from their home, Blanche refuses to be cowed by the school's abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.
Cora, born 1888: Though she was born into the brutal legacy of the "Indian Wars," Cora isn't afraid of the white men who remove her to a school across the country to be "civilized." When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost...
A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.
Critiques-
-
Starred review from June 5, 2023
In the wrenching latest from Power (Standing Rock Sioux), three generations of Dakhóta women grapple with a legacy of mistreatment by the U.S. government. The story unspools in reverse, beginning in 1960s Chicago with second-grader Lillian Holy Thunder; her erratic, often-angry mother, also named Lillian; and her patient father, Cornelius. Lillian regularly flings herself under the bed to hide from her mother, who dies from falling down the stairs while in a rage. The next section centers on the senior Lillian, who grows up on a reservation in North Dakota with a stable mother and a volatile, alcoholic father in the 1930s until she’s forced to attend an Indian boarding school in Bismarck with her older sister Blanche. There, Lillian meets her future husband, Cornelius, with whom she steals happy and mischievous moments until Blanche is poisoned with lye by one of the nuns as punishment for singing a song about Sitting Bull. Blanche dies, and Lillian never recovers from the trauma. In the third section, set in the 1880s, Lillian’s mother, Cora, is sent to an infamous Indian boarding school in Pennsylvania, where she is required to burn all personal belongings, cut her hair, and abandon Native culture and traditions. Power’s deep knowledge of Indigenous history comes through in keen depictions of the Indian schools, and she illuminates the characters’s struggles with generational trauma, which arise as they try to sustain their connections to the past. This story of survival shines brightly. Agent: Rachel Letosky, Cooke McDermid Literary. -
Isabella Star LaBlanc tells the story of three generations of Dakota women in a reverse timeline as they recount their pivotal girlhood years. Sissy, born in 1961; Lillian, born in 1925; and Cora, born in 1888, deal with hardships like generational trauma and brutal Indian boarding schools by clinging to the comfort of their dolls. LaBlanc uses bright voices for the various girls and a Native accent for their parents, a choice that helps portray how each generation loses more and more of the Dakota language and ways. She also makes the girls' dolls sound friendly, even when they take a stern caregiver role. S.S. © AudioFile 2023, Portland, Maine
