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In My Hands

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In My Hands

Memories of a Holocaust Rescuer

de Irene Gut Opdyke

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IRENE GUT WAS just 17 in 1939, when the Germans and Russians devoured her native Poland. Just a girl, really. But a girl who saw evil and chose to defy it.
“No matter how many Holocaust stories one has read, this one is a must, for its impact is so powerful.”—School Library Journal, Starred
A Book Sense Top Ten Pick

A Publisher’s Weekly Choice of the Year’s Best Books
A Booklist Editors Choice

Formats disponibles-

OverDrive Read
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Sujets-

Langues:-

English

Copies-

Disponible:

1
Copies de la bibliothèque:

1

Niveaux-

Niveau ATOS:

6.0
Lexile Measure:

890
Niveau d'intérêt:

UG
Difficulté du texte:

4 - 5

Prix remportés-

Best Fiction for Young Adults
Young Adult Library Services Association

Extraits-

From the book The Villa

The instant I was able to get away after breakfast, I walked to the villa as quickly as I could — quickly enough to put a stitch in my side and to break a sweat in the heat. I unlocked the door and burst inside, dreading the sound of painters bumping ladders against the furniture. But it was silent. I was in time — assuming that my friends were indeed waiting in the basement. The smell of cabbage and potatoes lingered in the air.

Almost fearing what I might find, I opened the basement door and clattered down the stairs, my shoes making a racket on the wooden steps. "Hoo-ee! It's Irene!" I called out.

The first room was empty. Trying not to worry, I opened the door to the furnace room, praying to find my six friends — and Henry Weinbaum. The door creaked as it swung open into the gloom, and I called out again.

"It's Irene!"

There was an almost audible sigh of relief. One by one, figures emerged from the shadows: Ida, Lazar, Clara, Thomas, Fanka, Moses Steiner, and a young, handsome fellow I took to be Henry Weinbaum. I shook hands with them all silently, suddenly overcome with emotion. They were all there; they were safe and alive. And then, to my surprise, I found three strangers, who greeted me with an odd mixture of sheepishness and defiance.

"I'm Joseph Weiss," the eldest of the three said. "And this is Marian Wilner and Alex Rosen. Henry told us."

For a moment I was at a loss. I had ten lives in my hands now! But there wasn't time for lengthy introductions. The soldiers from the plant were due any minute to start painting.

"Hurry, everyone," I said. "You'll have to stay in the attic until the house is painted. I'll check on you as often as I can. I don't need to tell you not to make any noise at all."

This was met with grim nods all around. Then we made our way upstairs. The attic was musty; dust swirled in a shaft of light from the high window, and the air smelled of mouse droppings. "Shoes off," I said. "Don't walk around unless you absolutely must."

I locked them in just as trucks ground to a halt out on the street.

I kicked the basement door shut on my way to let in the soldiers, and then unlocked the front door.

"This way," I said, stepping aside to usher them in with their painting equipment and drop cloths. When I glanced outside, I saw the major climbing out of a car.

"Guten Tag, Irene," he called cheerily.

I bobbed my head. "Herr Major."

"This is splendid," he said, rubbing his hands together as he came inside. "I'll move in in a week or so, when all the painting and repairs are finished, but in the meantime, I'd like you to move in right away, so that you can oversee things. Don't worry about your duties at the hotel — if you can serve dinner, Schulz can manage without you the rest of the time."

As he spoke, Major Rügemer strolled back and forth across the hallway, glancing into the rooms and nodding his approval. His footsteps echoed off the walls, and he muttered, "Ja, ja, ausgezeichnet," under his breath. Then, when another truckload of soldiers arrived, he went outside to meet them and show them around the garden: There were renovations to be made on the grounds, as well. I stood at the dining room window, watching him point out the gazebo and indicate which shrubs and trees should be removed and where new ones should be planted. Behind me, I could hear the painters beginning to shove furniture across the floors, exchanging jokes and commenting on the weather and the sour...

Au sujet de l’auteur-

Irene Gut Opdyke was presented with the Israel Medal of Honor and a special commendation from the Vatican. She died in 2003.
Jennifer Armstrong is the author of many highly acclaimed books for young readers. She lives in Saratoga Springs, NY.

Critiques-

Starred review from August 2, 1999
Even among WWII memoirs--a genre studded with extraordinary stories--this autobiography looms large, a work of exceptional substance and style. Opdyke, born in 1922 to a Polish Catholic family, was a 17-year-old nursing student when Germany invaded her country in 1939. She spent a year tending to the ragtag remnants of a Polish military unit, hiding out in the forest with them; was captured and raped by Russians; was forced to work in a Russian military hospital; escaped and lived under a false identity in a village near Kiev; and was recaptured by the Russians. But her most remarkable adventures were still to come. Back in her homeland, she, like so many Poles, was made to serve the German army, and she eventually became a waitress in an officers' dining hall. She made good use of her position--risking her life, she helped Jews in the ghetto by passing along vital information, smuggling in food and helping them escape to the forest. When she was made the housekeeper of a German major, she used his villa to hide 12 Jews--and, at enormous personal cost, kept them safe throughout the war. In translating Opdyke's experiences to memoir (see Children's Books, June 14), Armstrong and Opdyke demonstrate an almost uncanny power to place readers in the young Irene's shoes. Even as the authors handily distill the complexities of the military and political conditions of wartime Poland, they present Irene as simultaneously strong and vulnerable--a likable flesh-and-blood woman rather than a saint. Telling details, eloquent in their understatement, render Irene's shock at German atrocities and the gradually built foundation of her heroic resistance. Metaphors weave in and out, simultaneously providing a narrative structure and offering insight into Irene's experiences. Readers will be riveted--and no one can fail to be inspired by Opdyke's courage. Ages 10-up.
The Plain Dealer "Powerful and life-affirming, this is the kind of exciting memoir that marks a reader forever."
Publishers Weekly, starred "Even among WWII memoirs--a genre studded with extraordinary stories--this autobiography looms large, a work of exceptional substance and style."
The Washington Post Book World "Opdyke uses simple direct language to demystify the concept of heroism and depict courage as a matter of basic human decency well within the capabilities of ordinary humans."

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