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The National Book Award–winning author of Hell of a Book shares "a breathtaking novel that navigates emotional minefields with realism and grace" (Kirkus Reviews, starred review). Harold and Lucille Hargrave's eight-year-old son, Jacob, died tragically in 1966. In their old age they've settled comfortably into life without him. . . . Until one day Jacob mysteriously appears on their doorstep—flesh and blood, still eight years old. All over the world people's loved ones are returning from beyond. No one knows how or why, whether it's a miracle or a sign of the end. But as chaos erupts around the globe, the newly reunited family finds itself at the center of a community on the brink of collapse, forced to navigate a mysterious new reality. With spare, elegant prose and searing emotional depth, award-winning poet Jason Mott explores timeless questions of faith and morality, love and responsibility. This acclaimed debut novel marked Mott's arrival as an important new voice in contemporary fiction.
The National Book Award–winning author of Hell of a Book shares "a breathtaking novel that navigates emotional minefields with realism and grace" (Kirkus Reviews, starred review). Harold and Lucille Hargrave's eight-year-old son, Jacob, died tragically in 1966. In their old age they've settled comfortably into life without him. . . . Until one day Jacob mysteriously appears on their doorstep—flesh and blood, still eight years old. All over the world people's loved ones are returning from beyond. No one knows how or why, whether it's a miracle or a sign of the end. But as chaos erupts around the globe, the newly reunited family finds itself at the center of a community on the brink of collapse, forced to navigate a mysterious new reality. With spare, elegant prose and searing emotional depth, award-winning poet Jason Mott explores timeless questions of faith and morality, love and responsibility. This acclaimed debut novel marked Mott's arrival as an important new voice in contemporary fiction.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Harold opened the door that day to find a dark-skinned man in a well-cut suit smiling at him. At first he thought of reaching for his shotgun, but then he remembered that Lucille had made him sell it years ago on account of an incident involving a traveling preacher and an argument having to do with hunting dogs.
"Can I help you?" Harold said, squinting in the sunlight- light which only made the dark-skinned man in the suit look darker.
"Mr. Hargrave?" the man said. "I suppose," Harold replied.
"Who is it, Harold?" Lucille called. She was in the living room being vexed by the television. The news announcer was talking about Edmund Blithe, the first of the Returned, and how his life had changed now that he was alive again.
"Better the second time around?" the announcer on the television asked, speaking directly into the camera, laying the burden of answering squarely on the shoulders of his viewers.
The wind rustled through the oak tree in the yard near the house, but the sun was low enough that it drove horizontally beneath the branches and into Harold's eyes. He held a hand over his eyes like a visor, but still, the dark-skinned man and the boy were little more than silhouettes plastered against a green-and-blue backdrop of pine trees beyond the open yard and cloudless sky out past the trees. The man was thin, but square-framed in his manicured suit. The boy was small for what Harold estimated to be about the age of eight or nine.
Harold blinked. His eyes adjusted more.
"Who is it, Harold?" Lucille called a second time, after realizing that no reply had come to her first inquiry.
Harold only stood in the doorway, blinking like a hazard light, looking down at the boy, who consumed more and more of his attention. Synapses kicked on in the recesses of his brain. They crackled to life and told him who the boy was standing next to the dark-skinned stranger. But Harold was sure his brain was wrong. He made his mind to do the math again, but it still came up with the same answer.
In the living room the television camera cut away to a cluster of waving fists and yelling mouths, people holding signs and shouting, then soldiers with guns standing statuesque as only men laden with authority and ammunition can. In the center was the small semidetached house of Edmund Blithe, the curtains drawn. That he was somewhere inside was all that was known.
Lucille shook her head. "Can you imagine it?" she said. Then: "Who is it at the door, Harold?"
Harold stood in the doorway taking in the sight of the boy: short, pale, freckled, with a shaggy mop of brown hair. He wore an old-style T-shirt, a pair of jeans and a great look of relief in his eyes-eyes that were not still and frozen, but trembling with life and rimmed with tears.
"What has four legs and goes 'Boooo'?" the boy asked in a shaky voice.
Harold cleared his throat-not certain just then of even that. "I don't know," he said. "A cow with a cold!"
Then the child had the old man by the waist, sobbing, "Daddy! Daddy!" before Harold could confirm or deny. Harold fell against the door frame-very nearly bowled over- and patted the child's head out of some long-dormant paternal instinct. "Shush," he whispered. "Shush."
"Harold?" Lucille called, finally looking away from the television, certain that some terror had darkened her door. "Harold, what's going on? Who is it?"
Harold licked his lips. "It's...it's..."
He wanted to say "Joseph."
"It's Jacob," he said,...
Au sujet de l’auteur-
Jason Mott holds a BA in fiction and an MFA in poetry and is the author of two poetry collections. His writing has appeared in numerous literary journals, and he was nominated for the 2009 Pushcart Prize. Jason lives in North Carolina.
Critiques-
Starred review from March 11, 2013 In his exceptional debut novel, poet Mott brings drama, pathos, joy, horror, and redemption to a riveting tale of how the contemporary world handles the inexplicable reappearance of the dead. The primary focus is on Harold and Lucille Hargrave, who lost their son, Jacob, half a century ago in a tragic drowning accident on his eighth birthday. Amid global rumors about “the Returned,” their son arrives at their doorstep—with an agent from the International Bureau of the Returned—still eight and healthy, as if nothing has changed in more than 50 years. Locals have mixed feelings when Arcadia, their small, backwater Southern town, is inundated with soldiers and taken over as a refuge for the multitude of Returned who have nowhere else to go (not every family wants them back), and Mott ratchets up the tension. Are the Returned walking, breathing miracles? Or signs of the Devil and “the end of times”? Even local Pastor Robert Peters cannot decide how to respond to these people, haunted as he is by the sudden reappearance of the love of his life, a girl who died as a teen. When some of the disgruntled locals take matters into their own hands, there is an apocalypse of sorts and both the frailty and strength of human character become evident; Mott brings depth and poignancy to the Returned and their purpose for existing. Agent: Michelle Brower, Folio Literary Management.
Douglas Preston, #1 bestselling author of The Monster of Florence
"The Returned transforms a brilliant premise into an extraordinary and beautifully realized novel. My spine is still shivering from the memory of this haunting story. Wow."
Publishers Weekly, starred review
"In his exceptional debut novel, poet Mott brings drama, pathos, joy, horror, and redemption to a riveting tale."
Booklist, starred review
"Mott brings a singularly eloquent voice to this elegiac novel, which not only fearlessly tackles larger questions about mortality but also insightfully captures life's simpler moments....A beautiful meditation on what it means to be human."
Aimee Bender, New York Times bestselling author of The Particular Sadness of Lemon Cake
"A deft meditation on loss that plays out levels of consequence on both personal and international stages. Mott allows the magic of his story to unearth a full range of feelings about grief and connection."
Library Journal (starred review
"This is a masterly first novel for Mott...it speaks to many aspects of the human condition....Highly recommended for those who love a strong story that makes them think."
Shelf Awareness
"Thought-provoking, occasionally dreamlike...Mott's story of literal life after death will catch readers by their hearts and capture their imaginations....Grab this book as soon as you possibly can."
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