Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy.
He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius.
In the "luminous" (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo's delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci "comes to life in all his remarkable brilliance and oddity in Walter Isaacson's ambitious new biography...a vigorous, insightful portrait" (The Washington Post).
Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy.
He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius.
In the "luminous" (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo's delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci "comes to life in all his remarkable brilliance and oddity in Walter Isaacson's ambitious new biography...a vigorous, insightful portrait" (The Washington Post).
Critiques-
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Starred review from September 11, 2017
Praising the subject of this illuminating biography as “history’s most creative genius,” Isaacson (The Innovators) uses observations and insights in the 7,200 extant pages of notes Leonardo da Vinci left behind as interpretive touchstones for assessing the artist’s life and work. The key to da Vinci’s genius as an innovator, as Isaacson presents it, was his “ability to make connections across disciplines—arts and sciences, humanities, and technology” coupled with “an imagination so excitable that it flirted with the edges of fantasy.” Proceeding chronologically through the artist’s life—from his apprenticeship at age 14 in Florence under Andrea del Verrochio to his later years in the court of Ludovico Sforza in Milan and his death in France in 1519—Isaacson shows how da Vinci’s inquisitiveness set him apart from his contemporaries but frequently distracted him from completing commissions or projects. The author portrays da Vinci’s minor works and major works such as Vitruvian Man and The Last Supper as steps toward his execution of Mona Lisa, “a quest to portray the complexities of human emotion” that represents “the culmination of a life spent perfecting an ability to stand at the intersection of art and nature.” Isaacson’s scholarship is impressive—he cites not only primary sources but secondary materials by art critics, essayists, and da Vinci’s other biographers. This is a monumental tribute to a titanic figure. Color illus. -
September 15, 2017
A majestic biography of "history's most creative genius."With many exceptional popular history books under his belt, Isaacson (History/Tulane Univ.; The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution, 2014, etc.) is close to assuming the mantle currently held by David McCullough. Here, Isaacson takes on another complex, giant figure and transforms him into someone we can recognize. The author believes the term "genius" is too easily bandied about, but Leonardo (1452-1519), from the tiny village of Vinci, near Florence, was "one of the few people in history who indisputably deserved--or, to be more precise, earned--that appellation." He was self-taught and "willed his way to his genius." With joyous zest, Isaacson crafts a marvelously told story "of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical." Like a child in a candy store, Isaacson often stops to exclaim; he shares his enthusiasm, and it's contagious. For the author, the starting point are da Vinci's notebooks, all 7,200 pages, the "greatest record of curiosity ever created." Da Vinci's groundbreaking, detailed drawings charted the inner worlds of the skull, heart, muscles, brain, birds' wings, and a working odometer, along with doodles and numerous to-do lists. In his iconic Vitruvian Man, completed when he was 38 and struggling to learn Latin, "Leonardo peers at himself with furrowed brow and tries to grasp the secrets of his own nature." Isaacson is equally insightful with the paintings, of which there are few. The Last Supper is a "mix of scientific perspective and theatrical license, of intellect and fantasy." Regarding the uncompleted Mona Lisa, he writes "never in a painting have motion and emotion, the paired touchstones of Leonardo's art, been so intertwined." As Isaacson wisely puts it, we can all learn from Leonardo. Totally enthralling, masterful, and passionate, this book should garner serious consideration for a variety of book prizes.COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from October 15, 2017
Isaacson's writings of late have been concerned with genius: biographies of Benjamin Franklin, Albert Einstein, and Steve Jobs. Now he takes on perhaps the ultimate genius, a man whose interest in art and science intertwined in spectacular ways. Putting together the life of Leonardo da Vinci (despite his own numerous entries in his famous notebooks) seems to have been a more complicated task for Isaacson than was presenting his previous subjects (and, of course, he had the advantage of numerous personal interviews with Jobs). On the surface, the book doesn't seem to reveal much more about the man personallyillegitimate, gay, sometimes unfocusedthan does a solid encyclopedia entry. Ah, but when Isaacson discusses da Vinci's artistic and scientific endeavors, all manner of fascinating connections begin to emerge. With the strong advantage of having four-color images of Leonardo's work placed throughout his text, Isaacson can both show and tell, writing with assurance about the different influences on the artist's works, where his passions lay and overlapped. Leonardo's fascination with anatomical structure informed his paintings; his profound interest in math and the transformation of shapes influenced his inventions. His delight in staging theatricals led to dramas that offered interpretations of his allegorical art and drawings. Encompassing in its coverage, robust in its artistic explanations, yet written in a smart, conversational tone, this is both a solid introduction to the man and a sweeping saga of his genius.(Reprinted with permission of Booklist, copyright 2017, American Library Association.) -
Starred review from October 15, 2017
Acclaimed biographer Isaacson (Steve Jobs; The Innovators) delves into the 15th and 16th centuries to examine the insatiable energy of Leonardo da Vinci (1452-1519). Primarily relying on da Vinci's notebooks (more than 7,200 pages) for his research, as they help to understand da Vinci as a person, the author argues early and often that his subject was not the most brilliant man who ever lived, simply the most curious one. For example, in his journals, da Vinci reminds himself to "describe the tongue of the woodpecker." The illegitimate son of a wealthy notary in Vinci, a town outside Florence, Italy, da Vinci had a fascination with science and art from a young age. This melding of subjects was a main component of Renaissance life. This book examines da Vinci's birth, young adulthood, sexuality, works (e.g., The Last Supper, The Mona Lisa), and contemporaries such as Michelangelo and Cesare Borgia (on whom Machiavelli's The Prince was based). Lastly, Isaacson explores the polymath's enduring impact. The time line, illustrations, notes, and index help to make this work a great reference tool. VERDICT Fans of Isaacson's previous epic works, the Renaissance, and da Vinci will find this a must-read biography.--Jason L. Steagall, Gateway Technical Coll. Lib., Elkhorn, WI
Copyright 2017 Library Journal, LLC Used with permission.
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May 15, 2017
What do Steve Jobs, Albert Einstein, and Benjamin Franklin have in common with Leonardo da Vinci? Isaacson, a best-selling, always-on-the-book-pages biographer, takes on the master artist/inventor/genius-for-all-seasons by drawing on recent revelations about his life and work and studying his voluminous notebooks.
Copyright 2017 Library Journal, LLC Used with permission.
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October 15, 2017
Acclaimed biographer Isaacson (Steve Jobs; The Innovators) delves into the 15th and 16th centuries to examine the insatiable energy of Leonardo da Vinci (1452-1519). Primarily relying on da Vinci's notebooks (more than 7,200 pages) for his research, as they help to understand da Vinci as a person, the author argues early and often that his subject was not the most brilliant man who ever lived, simply the most curious one. For example, in his journals, da Vinci reminds himself to "describe the tongue of the woodpecker." The illegitimate son of a wealthy notary in Vinci, a town outside Florence, Italy, da Vinci had a fascination with science and art from a young age. This melding of subjects was a main component of Renaissance life. This book examines da Vinci's birth, young adulthood, sexuality, works (e.g., The Last Supper, The Mona Lisa), and contemporaries such as Michelangelo and Cesare Borgia (on whom Machiavelli's The Prince was based). Lastly, Isaacson explores the polymath's enduring impact. The time line, illustrations, notes, and index help to make this work a great reference tool. VERDICT Fans of Isaacson's previous epic works, the Renaissance, and da Vinci will find this a must-read biography.--Jason L. Steagall, Gateway Technical Coll. Lib., Elkhorn, WI
Copyright 2017 Library Journal, LLC Used with permission.
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January 22, 2018
Screen, television, and stage actor Molina (Raiders of the Lost Ark, Not Without My Daughter), elegantly narrates Isaacson’s sweeping biography of Leonardo da Vinci. Molina effortlessly navigates Italian place names and surnames, and there is a sharp intelligence throughout his performance, as he joins Isaacson in peeling back the layers of a man whose surviving notebooks are crammed with fantastic designs but only contain tantalizing hints of a personal life. Isaacson manages to piece together chronologically the artist’s life from his apprenticeship at age 14 in Florence under Andrea del Verrochio to his death in France in 1519, focusing primarily on his evolution as an artist. Isaacson reads the foreword and the conclusion, in which he ruminates on the legacy of an artist whose trail of unfinished projects vastly outnumbers his completed works. The only hiccup in this excellent audio production is that the nearly 150 illustrations mentioned throughout are available in PDF form but are not easily accessible for those listening on the go. Still, it’s a great performance by Molina and a pleasure to listen to. A Simon & Schuster hardcover.
