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NEW YORK TIMES BESTSELLER • “A complex period tapestry inscribed with the age-old tragedy of love and death.”—The New York Times Book Review
“I finally understand what the poets have written. In spring, moved to passion; in autumn only regret.”
In seventeenth-century China, in an elaborate villa on the shores of Hangzhou’s West Lake, Peony lives a sheltered life. One night, during a theatrical performance in her family’s garden, Peony catches sight of an elegant, handsome man and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow, the living world and the afterworld. Eventually expelled from all she’s known, Peony is thrust into a realm where hungry ghosts wander the earth, written words have the power to hurt and kill, and dreams are as vivid as waking life. Lisa See’s novel, based on actual historical events, evokes vividly another time and place—where three generations of women become enmeshed in a dramatic story, uncover past secrets and tragedies, and learn that love can transcend death. Peony in Love will make you ache in heart and mind for young Peony and all the women of the world who want to be heard. BONUS: This edition contains an excerpt from Lisa See's Shanghai Girls. Praise for Peony in Love “Electrifying . . . a fascinating and often surprising story of women helping women, women hurting women and women misunderstanding each other.”—The Miami Herald “See mines an intriguing vein of Chinese history . . . weaving fact and fiction into a dense romantic tapestry of time and place as she meditates on the meaning of love, the necessity of self-expression and the influence of art.”—Los Angeles Times
“A transporting read, to lost worlds earthly and otherwise.”—Chicago Tribune
“A quietly beautiful tale that sneaks into the reader’s heart . . . Not since Susie Salmon of Alice Sebold’s The Lovely Bones has a ghostly narrator been as believable and empathetic.”—San Antonio Express-News
“There’s much here to be savored and a great deal to be learned.”—The Washington Post Book World
NEW YORK TIMES BESTSELLER • “A complex period tapestry inscribed with the age-old tragedy of love and death.”—The New York Times Book Review
“I finally understand what the poets have written. In spring, moved to passion; in autumn only regret.”
In seventeenth-century China, in an elaborate villa on the shores of Hangzhou’s West Lake, Peony lives a sheltered life. One night, during a theatrical performance in her family’s garden, Peony catches sight of an elegant, handsome man and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow, the living world and the afterworld. Eventually expelled from all she’s known, Peony is thrust into a realm where hungry ghosts wander the earth, written words have the power to hurt and kill, and dreams are as vivid as waking life. Lisa See’s novel, based on actual historical events, evokes vividly another time and place—where three generations of women become enmeshed in a dramatic story, uncover past secrets and tragedies, and learn that love can transcend death. Peony in Love will make you ache in heart and mind for young Peony and all the women of the world who want to be heard. BONUS: This edition contains an excerpt from Lisa See's Shanghai Girls. Praise for Peony in Love “Electrifying . . . a fascinating and often surprising story of women helping women, women hurting women and women misunderstanding each other.”—The Miami Herald “See mines an intriguing vein of Chinese history . . . weaving fact and fiction into a dense romantic tapestry of time and place as she meditates on the meaning of love, the necessity of self-expression and the influence of art.”—Los Angeles Times
“A transporting read, to lost worlds earthly and otherwise.”—Chicago Tribune
“A quietly beautiful tale that sneaks into the reader’s heart . . . Not since Susie Salmon of Alice Sebold’s The Lovely Bones has a ghostly narrator been as believable and empathetic.”—San Antonio Express-News
“There’s much here to be savored and a great deal to be learned.”—The Washington Post Book World
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Excerpt from Chapter 1- Riding the Wind
Two days before my sixteenth birthday, I woke up so early that my maid was still asleep on the floor at the foot of my bed. I should have scolded Willow, but I didn’t because I wanted a few moments alone to savor my excitement. Beginning tonight, I would attend a production of The Peony Pavilion mounted in our garden. I loved this opera and had collected eleven of the thirteen printed versions available. I liked to lie in bed and read of the maiden Liniang and her dream lover, their adventures, and their ultimate triumph. But for three nights, culminating on Double Seven–the seventh day of the seventh month, the day of the lovers’ festival, and my birthday–I would actually see the opera, which was normally forbidden to girls and women. My father had invited other families for the festivities. We’d have contests and banquets. It was going to be amazing. Willow sat up and rubbed her eyes. When she saw me staring at her, she scrambled to her feet and offered good wishes. I felt another flutter of anticipation, so I was particular when Willow bathed me, helped me into a gown of lavender silk, and brushed my hair. I wanted to look perfect; I wanted to act perfectly. A girl on the edge of sixteen knows how pretty she is, and as I looked in the mirror I burned with the knowledge. My hair was black and silky. When Willow brushed it, I felt the strokes from the top of my head all the way down my back. My eyes were shaped like bamboo leaves; my brows were like gentle brushstrokes limned by a calligrapher. My cheeks glowed the pale pink of a peony petal. My father and mother liked to comment on how appropriate this was, because my name was Peony. I tried, as only a young girl can, to live up to the delicateness of my name. My lips were full and soft. My waist was small and my breasts were ready for a husband’s touch. I wouldn’t say I was vain. I was just a typical fifteen-year-old girl. I was secure in my beauty but had enough wisdom to know it was only fleeting. My parents adored me and made sure I was educated–highly educated. I lived a rarefied and precious existence, in which I arranged flowers, looked pretty, and sang for my parents’ entertainment. I was so privileged that even my maid had bound feet. As a small girl, I believed that all the gatherings we held and all the treats we ate during Double Seven were a celebration for me. No one corrected my mistake, because I was loved and very, very spoiled. I took a breath and let it out slowly– happy. This would be my last birthday at home before I married out, and I was going to enjoy every minute. I left my room in the Unmarried Girls’ Hall and headed in the direction of our ancestral hall to make offerings to my grandmother. I’d spent so much time getting ready that I made a quick obeisance. I didn’t want to be late for breakfast. My feet couldn’t take me as fast as I wanted to go, but when I saw my parents sitting together in a pavilion overlooking the garden, I slowed. If Mama was late, I could be late too. “Unmarried girls should not be seen in public,” I heard my mother say. “I’m even concerned for my sisters-in-law. You know I don’t encourage private excursions. Now to bring outsiders in for this performance . . .” She let her voice trail off. I should have hurried on, but the opera meant so much to me that I stayed, lingering out of sight behind the twisted trunks of a wisteria...
Au sujet de l’auteur-
Lisa See is the New York Times bestselling author of Snow Flower and the Secret Fan, Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles. Visit the author’s website: www.LisaSee.com. To schedule a speaking engagement, please contact American Program Bureau at www.apbspeakers.com
Critiques-
Starred review from April 23, 2007 S et in 17th-century China, See’s fifth novel is a coming-of-age story, a ghost story, a family saga and a work of musical and social history. As Peony, the 15-year-old daughter of the wealthy Chen family, approaches an arranged marriage, she commits an unthinkable breach of etiquette when she accidentally comes upon a man who has entered the family garden. Unusually for a girl of her time, Peony has been educated and revels in studying The Peony Pavilion , a real opera published in 1598, as the repercussions of the meeting unfold. The novel’s plot mirrors that of the opera, and eternal themes abound: an intelligent girl chafing against the restrictions of expected behavior; fiction’s educative powers; the rocky path of love between lovers and in families. It figures into the plot that generations of young Chinese women, known as the lovesick maidens, became obsessed with The Peony Pavilion , and, in a Werther -like passion, many starved themselves to death. See (Snow Flower and the Secret Fan , etc.) offers meticulous depiction of women’s roles in Qing and Ming dynasty China (including horrifying foot-binding scenes) and vivid descriptions of daily Qing life, festivals and rituals. Peony’s vibrant voice, perfectly pitched between the novel’s historical and passionate depths, carries her story beautifully—in life and afterlife.
Starred review from May 15, 2007 In 17th-century China, pampered daughters of wealthy families emulated the romantic tragedy depicted in the popular operaThe Peony Pavilion . These teenagers, known as the lovesick maidens, starved themselves to death, writing of romantic perfection. Such is the basis for See's extraordinary new novel. During a performance ofThe Peony Pavilion on her family's estate, 15-year-old Peony (the real-life Chen Tong) has a chaste but daringly forbidden chance encounter with a young poet just as she is about to enter into an arranged marriage. Now unable to bear being wed to a stranger, Peony refuses all sustenance while she writes her thoughts of romance in the margins of the play's script. At her death, Peony, trapped in the afterworld as a tortured "hungry ghost," infiltrates her beloved's subsequent marriages, seeking respite from her torment. See takes another little-known chapter of Chinese history, flavors it with the minutely researched customs and superstitions of the time, and produces a soaring, stunning novel of Chinese women who gave voice to their creative endeavors, no matter what the cost. Highly recommended. [See Prepub Alert, LJ 3/1/07.]Beth E. Andersen, Ann Arbor Dist. Lib., MI
Copyright 2007 Library Journal, LLC Used with permission.
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