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“Powerful . . . As haunting a postapocalyptic universe as Cormac McCarthy [created] in The Road, and as devastating a look as the fallout that national events have on an American family as Philip Roth did in The Plot Against America. . . . Omar El Akkad’s debut novel, American War, is an unlikely mash-up of unsparing war reporting and plot elements familiar to readers of the recent young-adult dystopian series The Hunger Games and Divergent.” —Michiko Kakutani, The New York Times An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle—a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself. Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.
“Powerful . . . As haunting a postapocalyptic universe as Cormac McCarthy [created] in The Road, and as devastating a look as the fallout that national events have on an American family as Philip Roth did in The Plot Against America. . . . Omar El Akkad’s debut novel, American War, is an unlikely mash-up of unsparing war reporting and plot elements familiar to readers of the recent young-adult dystopian series The Hunger Games and Divergent.” —Michiko Kakutani, The New York Times An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle—a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself. Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
I was happy then. The sun broke through a pilgrimage of clouds and cast its unblinking eye upon the Mississippi Sea.
The coastal waters were brown and still. The sea’s mouth opened wide over ruined marshland, and every year grew wider, the water picking away at the silt and sand and clay, until the old riverside plantations and plastics factories and marine railways became unstable. Before the buildings slid into the water for good, they were stripped of their usable parts by the delta’s last holdout residents. The water swallowed the land. To the southeast, the once-glorious city of New Orleans became a well within the walls of its levees. The baptismal rites of a new America.
A little girl, six years old, sat on the porch of her family's home under a clapboard awning. She held a plastic container of honey, which was made in the shape of a bear. From the top of its head golden liquid slid out onto the cheap pine floorboard.
The girl poured the honey into the wood’s deep knots and watched the serpentine manner in which the liquid took to the contours of its new surroundings. This is her earliest memory, the moment she begins.
And this is how, in those moments when the bitterness subsides, I choose to remember her. A child.
I wish I had known her then, in those years when she was still unbroken.
“Sara Chestnut, what do you think you're doing?” said the girl's mother, standing behind her near the door of the shipping container in which the Chestnuts made their home. “What did I tell you about wasting what's not yours to waste?”
“Sorry, Mama.”
“Did you work to buy that honey, hmm? No, I didn't think you did. Go get your sister and get your butt to breakfast before your daddy leaves.”
“OK, Mama,” the girl said, handing back the half-empty container. She ducked past her mother, who patted dirt from the seat of her fleur-de-lis dress.
Her name was Sara T. Chestnut but she called herself Sarat. The latter was born of a misunderstanding at the schoolhouse earlier that year. The new kindergarten teacher accidentally read the girl's middle initial as the last letter of her first name—Sarat. To the little girl's ears, the new name had a bite to it. Sara ended with an impotent exhale, a fading ahh that disappeared into the air. Sarat snapped shut like a bear trap. A few months later, the school shut down, most of the teachers and students forced northward by the encroaching war. But the name stuck. Sarat.
A hundred feet from the western riverbank, the Chestnuts lived in a corrugated steel container salvaged from a nearby shipyard. Wedges of steel plating anchored to cement blocks below the ground held the home in place. At the corners, a brown rust crept slowly outwards, incubated in ceaseless humidity.
A lattice of old-fashioned solar panels lined the entirety of the roof, save for one corner occupied by a rainwater tank. A tarp rested near the panels. When storms approached, the tarp was pulled over the roof with ropes tied to its ends and laced through hooks. By guiding the rainfall away from the panels to the tank and, when it overfilled, toward the land and river below, the family was able to collect drinking water and defend their home from rust and decay.
Sometimes, during winter storms, the family took shelter on the porch, where the awning sagged and leaked, but spared them the unbearable acoustics of the...
Au sujet de l’auteur-
OMAR EL AKKAD was born in Cairo, Egypt and grew up in Doha, Qatar until he moved to Canada with his family. He is an award-winning journalist and author who has traveled around the world to cover many of the most important news stories of the last decade. His reporting includes dispatches from the NATO-led war in Afghanistan, the military trials at Guantànamo Bay, the Arab Spring revolution in Egypt and the Black Lives Matter movement in Ferguson, Missouri. He is a recipient of Canada's National Newspaper Award for investigative reporting and the Goff Penny Memorial Prize for Young Canadian Journalists, as well as three National Magazine Award honorable mentions. He lives in Portland, Oregon.
Critiques-
Starred review from February 20, 2017 El Akkad’s debut novel transports us to a terrifyingly plausible future in which the clash between red states and blue has become deadly and the president has been murdered over a contentious fossil fuels bill. In 2074, Sarah T. Chestnut—called Sarat—comes of age in the neutral state of Louisiana, where she is slowly drawn into the conflict after the death of her father, performing guerrilla operations for the South. Soon she is enmeshed in a resistance movement masterminded by the Dixie militants operating along the Tennessee River, venturing into quarantined South Carolina battlegrounds and Georgia shantytowns alongside spies, assassins, and revolutionaries, like the commanding Adam Bragg and his Salt Lake Boys. Sarat finds brief happiness with Layla, a displaced bar owner from Valdosta, Georgia, but this is only the beginning of Sarat’s war, as she is interred in the nightmarish Camp Saturday before being exiled in the wake of a devastating plague. Now an old and broken woman, Sarat must seek redemption in the wreckage of the New World. Part family chronicle, part apocalyptic fable, American War is a vivid narrative of a country collapsing in on itself, where political loyalties hardly matter given the ferocity of both sides and the unrelenting violence that swallows whole bloodlines and erodes any capacity for mercy or reason. This is a very dark read; El Akkad creates a world all too familiar in its grisly realism.
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Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen
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This audiobook, vividly imagined by journalist Omar El Akkad and narrated by Dion Graham, transports listeners to a near-future America ravaged by war. In 2074, the Second American Civil War ignites, primarily over the federal outlawing of fossil fuels. As the red and blue states once again clash, young Sarah T. Chestnut (she's called Sarat) and her family eke out a living in the much-diminished and neutral state of Louisiana. But soon enough the Chestnuts are displaced and forced into a refugee camp, marking the start of their family's historic role in the war. Graham infuses the Chestnuts' story with urgency and heart, and he reads the official documents recounting the war with chilling veracity--making this dystopian vision of America feel all too real. A.T.N. © AudioFile 2017, Portland, Maine
