Au sujet de l’auteur-

• J.K. ROWLING is best known as the author of the seven Harry Potter books, which were published between 1997 and 2007. The enduringly popular adventures of Harry, Ron and Hermione have gone on to sell over 500 million copies, be translated into over 80 languages and made into eight blockbuster films. Alongside the Harry Potter series, she also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief and Lumos, and The Tales of Beedle the Bard, in aid of Lumos. J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry's story in a stage play, Harry Potter and the Cursed Child, which opened in London in 2016 and is now playing worldwide. In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them, the first in a series featuring Magizoologist Newt Scamander, which was inspired by the original companion volume. J.K. Rowling has also written a standalone novel, The Casual Vacancy, and is the author of the Strike crime series under the pseudonym Robert Galbraith. Both have been adapted for television. She has received many awards and honours, including an OBE and a Companion of Honour for services to literature and philanthropy. She lives in Scotland with her family.

Critiques-

• Harry is 15, angry and alienated. Gone is the eager, wet-behind-the-ears boy wizard. He's morphed into a surly teenager. The story is slow to start, but a peerless performance by Jim Dale spins even long passages of exposition into gold. Once Harry reaches Hogwarts, the pace accelerates and the fun begins. Voldemort is secretly marshalling the dark wizards for war, the new Dark Arts teacher runs Hogwarts like a fascist state, and Harry learns of an ancient prophecy explaining his psychic connection to Voldemort. More thoughtful, missing the playfulness of earlier adventures, this artful coming-of-age story provides the perfect backdrop for Harry's adolescent angst and awakening consciousness. Dale's wizardry transports listeners to places Muggle and magical, and Rowling's inventive plot shifts and fresh characters make this "must listening" for older Potter fans. S.J.H. Winner of AudioFile Earphones Award, Winner of 2004 ALA/ YALSA Recording, 2004 Audie Award Winner (c) AudioFile 2003, Portland, Maine
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  Starred review from June 30, 2003
  Year five at Hogwarts is no fun for Harry. Rowling may be relying upon readers to have solidified their liking for her hero in the first four books, because the 15-year-old Harry Potter they meet here is quite dour after a summer at the Dursleys' house on Privet Drive, with no word from pals Hermione or Ron. When he reunites with them at last, he learns that The Daily Prophet
  has launched a smear campaign to discredit Harry's and Dumbledore's report of Voldemort's reappearance at the end of book four, Harry Potter and the Goblet of Fire. Aside from an early skirmish with a pair of dementors, in which Harry finds himself in the position of defending not only himself but his dreaded cousin, Dudley, there is little action until the end of these nearly 900 pages. A hateful woman from the Ministry of Magic, Dolores Umbridge (who, along with minister Cornelius Fudge nearly succeeds in expelling Harry from Hogwarts before the start of the school year), overtakes Hogwarts—GrandPré's toadlike portrait of her is priceless—and makes life even more miserable for him. She bans him from the Quidditch team (resulting in minimal action on the pitch) and keeps a tight watch on him. And Harry's romance with his crush from the last book, Cho Chang, turns out to be a major waterworks (she cries when she's happy, she cries shen she's sad). Readers get to discover the purpose behind the Order of the Phoenix and more is revealed of the connection between Harry and You-Know-Who. But the showdown between Harry and Voldemort feels curiously anticlimactic after the stunning clash at the close of book four. Rowling favors psychological development over plot development here, skillfully exploring the effects of Harry's fall from popularity and the often isolating feelings of adolescence. Harry suffers a loss and learns some unpleasant truths about his father, which result in his compassion for some unlikely characters. (The author also draws some insightful parallels between the Ministry's exercise of power and the current political climate.) As hope blooms at story's end, those who have followed Harry thus far will be every bit as eager to discover what happens to him in his sixth and seventh years. Ages 9-12.

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  Starred review from July 14, 2003
  Dale again takes the reins as nimble voice master and gallops away with a splendid performance of Rowling's fifth tome about the beloved boy wizard. Full credit is due Dale for creating—and keeping track of—an enormous cast (134, to be precise) of distinct voices; he achieves impressive continuity of character from one novel to the next. But perhaps most notable here is Dale's development of protagonist Harry's evolution from wide-eyed, affable boy to an often angry and disillusioned teenager. Obviously at home in Rowling's world, Dale effortlessly follows the story into darker and more complex waters. Plot turns include further intrigue amongst the wizard hierarchy, the arrival of a new, suspect Defense of the Dark Arts professor, and the main characters' navigation through increasing social and academic pressures. Though Harry, Ron and Hermione are gradually sounding a bit older, and inevitably wiser, Dale keeps their cores intact, so as not to lose listeners along the way. Ages 9-up. Simultaneous release with the Scholastic/Levine hardcover.

• The Times A marriage made in heaven, Stephen Fry reading Harry Potter.

Informations sur le titre+

• Éditeur

  Pottermore Publishing

• OverDrive Listen

  Date de publication:

Informations relatives aux droits numériques+