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GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.
When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.
When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
On the morning of the worst, most earth-shattering day of Ray McMillian’s life, he ordered room service: scrambled eggs for two, one side of regular bacon (for Nicole), one side of vegan sausage (for him), one coffee (for Nicole), one orange juice (for him).
Later, he would try to second-guess those choices and a thousand others that, in hindsight, vibrated in his memory: What if he’d ordered French toast instead of eggs? What if grapefruit juice instead of orange? What if no juice at all?
Breakfast had materialized before he’d gotten out of the shower. He’d lost track of time, caught up in the fingering of the Tchaikovsky Concerto’s triple-stops, and water sluiced down for ten minutes while he gaped at the tiny bar of hotel soap.
When he’d walked naked out of the bathroom, the aroma of bacon wreathed the suite. The breakfast tray was waiting on the tiny dining table, the dishes’ lids still in place. “I didn’t even hear them come in,” he said. If only every morning room service could magically deliver eggs and sausage.
Nicole was curled up in one of the armchairs, watching CNN. She twisted and untwisted a lock of auburn hair, the eighth-note tattoo above her wrist rhythmically flickering and disappearing. “You never hear anything.” Another bombing in Jerusalem, and a hurricane bearing down on Indonesia. “I have a confession,” she said, not looking away from the TV.
“What did you do this time?” She wasn’t looking at him, so he took a giant step forward and blocked her view of Indonesia. Gave her something else to look at.
“I stole five bucks from your wallet to tip her. Hope that was okay.” She eyed his nakedness. “You gonna eat like that?”
“Do I need clothes to eat?” He leered at her.
“This definitely works for me,” she said. “I was just trying to figure out if you were going to get dressed now or if you want to eat, or—”
“We need to be out of here within an hour. You need to finish packing.”
“I’m already packed,” she said. “You’re the snail in this race.”
Ray slid on underwear and a T-shirt, grabbed a plate of food, lay back on the messed-up bed. He propped the plate on his stomach.
Afterward, he relived all the other choices of the morning: cluelessly packing his suitcase, scouring the suite one more time, pulling up his roller bag’s handle. He slung the violin case over his right shoulder (should he have put it on the left?), gestured for Nicole to go first with her two roller bags. The door clicked shut behind them, sealing the suite—and what remained—inside.
Down the elevator, through the Saint Jacques lobby, checking out, tipping the doorman, who flagged down a cab for each of them: Nicole’s, first, to Penn Station. He hefted her suitcases into the trunk, leaving his own roller bag on the sidewalk, the violin case slung securely on his shoulder.
She turned to him, pressed her hand against his chest. Her warmth spread through his shirt, her touch like pizzicato—plucking violin strings with fingers he could feel shudder down his spine. “I meant to tell you,” she said, “when you’re playing the Mozart, I think you’re playing the second movement too fast. Just try taking it maybe two clicks slower? Really milk it.”
“You think? Because Ben Amundsen said to keep the tempo bright.”
“I know, but you play so much more...
Au sujet de l’auteur-
Brendan Nicholaus Slocumb was raised in Fayetteville, North Carolina, and holds a degree in music education (with concentrations in violin and viola) from the University of North Carolina at Greensboro. For more than twenty years he has been a public and private school music educator and has performed with orchestras throughout Northern Virginia, Maryland, and Washington, DC. He is currently working on his second novel.
Critiques-
December 20, 2021 Black violinist Ray McMillian, the hero of Slocumb’s gripping debut, receives a $5 million ransom demand for his Stradivarius violin after the instrument is stolen from his New York City hotel room a few weeks before he’s due to perform in the prestigious Tchaikovsky Competition. When the police, the FBI, and the insurance company’s investigator hit dead ends, the case comes to a standstill. Flashback to Ray’s high school years in Charlotte, N.C., where he must deal with pervasive racism—and his mother nagging him to drop out and get a job. Meanwhile, his grandmother, who supports his musical aspirations, gives him her grandfather’s violin. At college, where he receives a full scholarship, Ray endures prejudice from fellow students, and a luthier repairing the heirloom discovers it’s a Stradivarius. This revelation leads members of the Marks clan, whose ancestors enslaved Ray’s ancestors, to claim the violin belongs to them. Legal battles over the violin’s ownership ensue. The tension builds as the competition looms, and Ray struggles to shake off doubts, not get caught in false leads, and focus on finding the missing violin. Slocumb sensitively portrays Ray’s resilience in the face of extreme racism. The author is off to a promising start. Agent: Jeff Kleinman, Folio Literary Management.
From the riveting opening words, JD Jackson delivers a pitch-perfect performance of this sparkling debut novel by Slocumb, a classical musician and music educator. In this story, Ray's beloved Grandma Nora helps him cope with the systemic, vicious racism he faces as a young Black boy interested in classical music by giving him PopPop's fiddle, the violin given to her grandfather by the plantation owner who enslaved him. His family is unaware of its staggering value, even as Ray becomes a virtuoso violinist. Weeks before he is due to perform in the prestigious Tchaikovsky Competition, his instrument disappears. Jackson's sonorous, well-modulated delivery smooths the narrative's back-and-forth flow from the present-day search for the violin to Ray's past. The measured pacing also builds incredible suspense. Lovely classical music and Slocumb's narration of the author's note add value to the audio production. VERDICT A highly recommended purchase; this twisty heist thriller is also a poignant coming-of-age story, making it an excellent choice for many young adults, especially those interested in music.--Beth Farrell
Copyright 2022 Library Journal, LLC Used with permission.
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JD Jackson richly narrates the story of Ray McMillian, a young, Black man from a poor Southern family who is an unlikely classical violinist. Ray played a pitiful school-owned violin until his grandmother gave him her great-grandfather's old fiddle, which turned out to be a precious Stradivarius. Jackson describes Ray's persistent and humbling journey through the cutthroat world of classical music, in which non-whites are often unwelcome. Jackson also shines in depicting Ray's loving grandmother and his no-nonsense, gracious musical mentor. When Ray's violin is stolen before the world's most important competition, he begins a desperate search to recover it. The production is enhanced by brief musical bridges and an insightful epilogue narrated by the author, whose violin career is not unlike Ray's. N.M.C. © AudioFile 2022, Portland, Maine
