Starred review from January 30, 2017
As teenagers, the Van Gogh brothers, Vincent and Theo, pledged to “be companions in the search for meaning in life and meaning in art.” In this intensive exploration of their turbulent lives, Heiligman (Charles and Emma) focuses on their complex relationship and anchoring mutual bond. Writing in present tense, she follows them from their childhood closeness as two of six children of a Protestant pastor in the heavily Catholic Dutch village of Zundert into their contrasting adulthoods in France: painter Vincent’s life was precarious and erratic, while art dealer Theo’s was more stable and decorous, if often lonely. Heiligman tells the brothers’ story in short chapters, sometimes just scenes, and occasionally offers what she calls “croquis” (sketches) to give a better sense of “someone whose whole being cannot be captured on paper in one steady view. Like Theo.” She also recounts, in exhaustive detail, Vincent’s frequent cycles of descent into mental illness and subsequent rebounds, as well as the way the brothers alternately clashed with and clung to each other. Extensive back matter includes a character list, timeline, bibliography, endnotes, and author’s note. Ages 14–up. Agent: Susan Ginsberg, Writers House.

Starred review from February 15, 2017
As she did in Charles and Emma (2009), her biography of the Darwins, Heiligman renders a nuanced portrait of the complex, devoted, and enduring relationship between the Van Gogh brothers. Though Vincent and Theo unmistakably looked like brothers, they could not have been more opposite in habits and temperament; still, they pledged to each other as teenagers "to keep the bond between them strong and intimate." Heiligman explains: "They will be more than brothers, more than friends. They will be companions in the search for meaning in life and meaning in art....And they will, when needed, carry each other's parcels." She reveals their unfailing devotion to this pledge by drawing on the hundreds of letters they exchanged in their tragically short lifetimes, quoting extensively and adeptly integrating them into the narrative. She frames the story of their relationship as a series of gallery exhibits (introducing each with a black-and-white reproduction of a representative piece) and varies her writing style to reflect Vincent's work in different media such as sketching, drawing, and painting. Some depictions are vivid and richly textured, like Vincent's oil paintings, while others are lean and sharp, like his sketches and drawings. Her exegesis of a lesser-known painting, The Laakmolen near The Hague (The Windmill), which she sees as essential to understanding the brothers' relationship, features typically painstaking description and analysis. It and several others are reproduced in a full-color insert (not seen for review). A remarkably insightful, profoundly moving story of fraternal interdependence and unconditional love. (timeline, author's note, biography, source notes, index) (Biography. 14-18)

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Starred review from March 1, 2017

Gr 7 Up-Central to understanding the artist Vincent van Gogh was his relationship with his younger brother Theo, recorded for posterity in the nearly 700 surviving letters they wrote to each other. Here, Heiligman delivers an exquisitely told, heartfelt portrayal of that deep emotional and intellectual bond. It was an attachment solidified in the brothers' youth and, at times, a volatile one, given the artist's passionate, often obsessive connection to his work and his financial insecurity. Despite Vincent's fluctuating moods and fragile mental health, Theo's support and love never flagged, even when his other responsibilities and personal health issues intervened. The author frames their lives in "galleries," from their childhoods to their early deaths, delicately detailing their work, frustrations, successes, differences, and difficulties. Interspersed are croquis-impressionistic sketches of events and family members, friends, lovers, and fellow artists. Despite knowing how this story ends, readers will be deeply moved by Heiligman's portrayal of the brothers' poignant relationship, experiencing with them its highs and lows. Reproductions of van Gogh's sepia ink drawings open the sections, and a color insert of reproductions is included. An extensive bibliography and source notes conclude this well-documented title. Jan Greenberg and Sandra Jordan's compelling Vincent van Gogh: Portrait of an Artist takes a more straightforward approach to the artist's life and features quality reproductions. VERDICT A breathtaking achievement that will leave teens eager to learn more. Libraries would be wise to purchase a volume of the brothers' letters along with this book.-Daryl Grabarek, School Library Journal

Copyright 2017 School Library Journal, LLC Used with permission.

Starred review from February 15, 2017
Grades 9-12 *Starred Review* Vincent van Gogh is perhaps one of the best-known artists today, but it's likely he wouldn't be nearly as famous had it not been for his brother Theo, an art dealer who supported his troubled brother and championed his paintings until his own untimely death, only months after Vincent's. While each brother had a pivotal career in his own right, Heiligman (Charles and Emma, 2009) plumbs their correspondence, both to each other and beyond, and zeroes in on their relationship, which was fraught with a brotherly combination of competition, frustration, and, ultimately, adoration. Structured as a sort of gallery of key moments in the brothers' lives, the book covers their childhood and the influence of their tight-knit family; Vincent's peripatetic, sometimes scandalous pursuit of a vocation; Theo's dogged commitment to not only his own career but cultivating Vincent's; and their ultimate demises, both of which are heartbreaking in their own ways. In fittingly painterly language, Heiligman offers vivid descriptions of Vincent's artwork and life, which grow more detailed and colorful as Vincent's own artistic style becomes richer and more refined, particularly during the intense, almost manic flurry of work he produced in his last few years. This illuminating glimpse into the Van Goghs' turbulent lives and historical period will add compelling depth to readers' understanding of the iconic painter. Art-loving teens will be captivated.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

Starred review from March 1, 2017
Heiligman (Charles and Emma, rev. 1/09) again examines the impact of a family member on her main subject, this time unpacking the friendship between artist Vincent van Gogh and his brother Theo. After vividly setting the stage with brief sections that introduce Vincent and Theo near the end of their lives, Heiligman takes readers back to their beginnings. We learn of other siblings and of supportive parents; we gain a sense of their childhoods in their father's parsonage. Structured as a walk through an art museum, the book proceeds through the years, each section a gallery: Gallery Two: Dangers (18731875); Gallery Three: Missteps, Stumbles (18751879). We see Vincent moving restlessly from one job to another, at times acting and dressing oddly, walking huge distances when short on funds, coping with unrequited love, and slowly embracing the life of an artist. We see Theo, the art dealer, struggling with his own trials, consistently supporting Vincent throughout his life. Heiligman mostly employs a present-tense, purposely staccato narration that effectively heightens the brothers' emotional intensity, their sufferings and pleasures (physical, emotional, intellectual, aesthetic, and spiritual), and, most of all, Vincent's wild and original art. The layout, which incorporates sketches, subheads, and a generous use of white space, is a calming counterpoint to the turbulent narrative. Documenting the author's research involving visits to sites, along with academic and primary sources, the extensive back matter includes a list of significant people, a timeline, a bibliography, thorough citations, and an author's note. The result is a unique and riveting exploration of art, artists, and brotherly love. monica edinger

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)

March 1, 2017
Heiligman (Charles and Emma, rev. 1/09) again examines the impact of a family member on her main subject, this time unpacking the friendship between artist Vincent van Gogh and his brother Theo. After vividly setting the stage with brief sections that introduce Vincent and Theo near the end of their lives, Heiligman takes readers back to their beginnings. We learn of other siblings and of supportive parents; we gain a sense of their childhoods in their father's parsonage. Structured as a walk through an art museum, the book proceeds through the years, each section a gallery: Gallery Two: Dangers (18731875); Gallery Three: Missteps, Stumbles (18751879). We see Vincent moving restlessly from one job to another, at times acting and dressing oddly, walking huge distances when short on funds, coping with unrequited love, and slowly embracing the life of an artist. We see Theo, the art dealer, struggling with his own trials, consistently supporting Vincent throughout his life. Heiligman mostly employs a present-tense, purposely staccato narration that effectively heightens the brothers' emotional intensity, their sufferings and pleasures (physical, emotional, intellectual, aesthetic, and spiritual), and, most of all, Vincent's wild and original art. The layout, which incorporates sketches, subheads, and a generous use of white space, is a calming counterpoint to the turbulent narrative. Documenting the author's research involving visits to sites, along with academic and primary sources, the extensive back matter includes a list of significant people, a timeline, a bibliography, thorough citations, and an author's note. The result is a unique and riveting exploration of art, artists, and brotherly love. monica edinger

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)