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“I finally understand what the poets have written. In spring, moved to passion; in autumn, only regret.”
For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own. Peony’s mother is against her daughter’s attending the production. But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet even hidden from view, Peony catches sight of an elegant, handsome man–and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow, as Lisa See’s haunting new novel, based on actual historical events, takes listeners back to seventeenth-century China. Steeped in traditions and ritual, PEONY IN LOVE explores, beautifully, the many manifestations of love, and ultimately, addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.
“I finally understand what the poets have written. In spring, moved to passion; in autumn, only regret.”
For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own. Peony’s mother is against her daughter’s attending the production. But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet even hidden from view, Peony catches sight of an elegant, handsome man–and is immediately overcome with emotion. So begins Peony’s unforgettable journey of love and destiny, desire and sorrow, as Lisa See’s haunting new novel, based on actual historical events, takes listeners back to seventeenth-century China. Steeped in traditions and ritual, PEONY IN LOVE explores, beautifully, the many manifestations of love, and ultimately, addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Excerpt from Chapter 1- Riding the Wind
Two days before my sixteenth birthday, I woke up so early that my maid was still asleep on the floor at the foot of my bed. I should have scolded Willow, but I didn’t because I wanted a few moments alone to savor my excitement. Beginning tonight, I would attend a production of The Peony Pavilion mounted in our garden. I loved this opera and had collected eleven of the thirteen printed versions available. I liked to lie in bed and read of the maiden Liniang and her dream lover, their adventures, and their ultimate triumph. But for three nights, culminating on Double Seven–the seventh day of the seventh month, the day of the lovers’ festival, and my birthday–I would actually see the opera, which was normally forbidden to girls and women. My father had invited other families for the festivities. We’d have contests and banquets. It was going to be amazing. Willow sat up and rubbed her eyes. When she saw me staring at her, she scrambled to her feet and offered good wishes. I felt another flutter of anticipation, so I was particular when Willow bathed me, helped me into a gown of lavender silk, and brushed my hair. I wanted to look perfect; I wanted to act perfectly. A girl on the edge of sixteen knows how pretty she is, and as I looked in the mirror I burned with the knowledge. My hair was black and silky. When Willow brushed it, I felt the strokes from the top of my head all the way down my back. My eyes were shaped like bamboo leaves; my brows were like gentle brushstrokes limned by a calligrapher. My cheeks glowed the pale pink of a peony petal. My father and mother liked to comment on how appropriate this was, because my name was Peony. I tried, as only a young girl can, to live up to the delicateness of my name. My lips were full and soft. My waist was small and my breasts were ready for a husband’s touch. I wouldn’t say I was vain. I was just a typical fifteen-year-old girl. I was secure in my beauty but had enough wisdom to know it was only fleeting. My parents adored me and made sure I was educated–highly educated. I lived a rarefied and precious existence, in which I arranged flowers, looked pretty, and sang for my parents’ entertainment. I was so privileged that even my maid had bound feet. As a small girl, I believed that all the gatherings we held and all the treats we ate during Double Seven were a celebration for me. No one corrected my mistake, because I was loved and very, very spoiled. I took a breath and let it out slowly– happy. This would be my last birthday at home before I married out, and I was going to enjoy every minute. I left my room in the Unmarried Girls’ Hall and headed in the direction of our ancestral hall to make offerings to my grandmother. I’d spent so much time getting ready that I made a quick obeisance. I didn’t want to be late for breakfast. My feet couldn’t take me as fast as I wanted to go, but when I saw my parents sitting together in a pavilion overlooking the garden, I slowed. If Mama was late, I could be late too. “Unmarried girls should not be seen in public,” I heard my mother say. “I’m even concerned for my sisters-in-law. You know I don’t encourage private excursions. Now to bring outsiders in for this performance . . .” She let her voice trail off. I should have hurried on, but the opera meant so much to me that I stayed, lingering out of sight behind the twisted trunks of a wisteria...
Au sujet de l’auteur-
Lisa See is the New York Times bestselling author of China Dolls, Dreams of Joy, Shanghai Girls, Peony in Love, Snow Flower and the Secret Fan, Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles.
Janet Song has performed with numerous theater companies throughout the United States. Her recent shows include Twelfth Night, Nora, and Medea. She is the recipient of a Drama-Logue Award for her performance in Morticians in Love at the Celebration Theatre in Los Angeles.
Critiques-
Janet Song's lovely smoky voice is the perfect medium for this deeply compelling story, inspired by real events in seventeenth-century China. Peony is a cloistered daughter of the prosperous Chen family in the years just following the bloody end of the Ming Dynasty and the ascension of the Manchus. Her obsession with the iconic opera THE PEONY PAVILLION, about a girl much like herself who dies of love for a man she's forbidden to marry, sets this fascinating tale in motion. Song inhabits Peony with such subtlety and grace that you are only rarely aware that acting is occurring; instead you seem to live inside Peony's head, looking directly at her gorgeous, haunted, and vanished world. An outstanding performance and a flawless production. B.G. Winner of AudioFile Earphones Award (c) AudioFile 2007, Portland, Maine
Starred review from April 23, 2007 S et in 17th-century China, See’s fifth novel is a coming-of-age story, a ghost story, a family saga and a work of musical and social history. As Peony, the 15-year-old daughter of the wealthy Chen family, approaches an arranged marriage, she commits an unthinkable breach of etiquette when she accidentally comes upon a man who has entered the family garden. Unusually for a girl of her time, Peony has been educated and revels in studying The Peony Pavilion , a real opera published in 1598, as the repercussions of the meeting unfold. The novel’s plot mirrors that of the opera, and eternal themes abound: an intelligent girl chafing against the restrictions of expected behavior; fiction’s educative powers; the rocky path of love between lovers and in families. It figures into the plot that generations of young Chinese women, known as the lovesick maidens, became obsessed with The Peony Pavilion , and, in a Werther -like passion, many starved themselves to death. See (Snow Flower and the Secret Fan , etc.) offers meticulous depiction of women’s roles in Qing and Ming dynasty China (including horrifying foot-binding scenes) and vivid descriptions of daily Qing life, festivals and rituals. Peony’s vibrant voice, perfectly pitched between the novel’s historical and passionate depths, carries her story beautifully—in life and afterlife.
This magical, mystical, floridly romantic ghost story is set in seventeenth-century China. Peony, almost 16 and betrothed to a man she has never met, meets her true love, poet Wu Ren, during a performance of her favorite opera, "The Peony Pavilion." Its heroine, Liniang, dies of "lovesickness." As her marriage approaches, Peony, like Liniang, starves herself to death, discovering, on her deathbed that her husband-to-be is Wu Ren. Peony spends the next 29 years haunting, and helping, Wu Ren's two wives. Sedately paced but lively, enhanced by period music, this ghost story is more entertaining than scary. Jodi Long's solid portrayal of Peony's heartbreaking romantic deprivations goes a long way to suspend disbelief, and Long's feisty older women add comic moments. M.T.B. (c) AudioFile 2008, Portland, Maine
Starred review from February 1, 2008 Teenaged Peony lives in late 16th-century China, protected by her wealthy family, her entire life arranged for marriage and the birth of sons. Prior to her marriage, she overhears passages from the famous opera "The Peony Pavilion" and has a brief but life-altering conversation with a very handsome manboth strictly forbidden to an unmarried maiden. The "love-sickness" brought on by these secrets leads to Peony's death by self-starvation, as she pines for the man whose name she does not know. After her death, owing to a lapse in protocol, Peony is condemned to wander the earth as a "hungry ghost." The descriptions of her ghostly existence over the decades are interwoven with her devotion to the poet she could have married, the women he later marries, other wanderers, and "The Peony Pavilion" itself. As the book reveals, during the Manchu Dynasty women were oppressed severely, even in death; the foot-binding process depicted here is truly horrible. The writing is compellingly exotic and vivid, and listeners are drawn into this world by the beautiful voice of Janet Song, who brings Peony's journey to life. Highly recommended for public libraries, especially those with collections for young adults.Barbara Valle, El Paso P.L., TX
Copyright 2008 Library Journal, LLC Used with permission.
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Janet Song's lovely smoky voice is the perfect medium for this deeply compelling story, inspired by real events in seventeenth-century China. Peony is a cloistered daughter of the prosperous Chen family in the years just following the bloody end of the Ming Dynasty and the ascension of the Manchus. Her obsession with the iconic opera THE PEONY PAVILLION, about a girl much like herself who dies of love for a man she's forbidden to marry, sets this fascinating tale in motion. Song inhabits Peony with such subtlety and grace that you are only rarely aware that acting is occurring; instead you seem to live inside Peony's head, looking directly at her gorgeous, haunted, and vanished world. An outstanding performance and a flawless production. B.G. Winner of AudioFile Earphones Award (c) AudioFile 2007, Portland, Maine
