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Nagasaki
Couverture de Nagasaki
Nagasaki
Life After Nuclear War
Emprunter Emprunter
“[A] reminder of just how horrible nuclear weapons are.”—The Wall Street Journal
A devastating read that highlights man’s capacity to wreak destruction, but in which one also catches a glimpse of all that is best about people.”—San Francisco Chronicle
“A poignant and complex picture of the second atomic bomb’s enduring physical and psychological tolls. Eyewitness accounts are visceral and haunting. . . . But the book’s biggest achievement is its treatment of the aftershocks in the decades since 1945.” —The New Yorker

The enduring impact of a nuclear bomb, told through the stories of those who survived: necessary reading as the threat of nuclear war emerges again.

 
On August 9, 1945, three days after the atomic bombing of Hiroshima, the United States dropped a second atomic bomb on Nagasaki, a small port city on Japan’s southernmost island. An estimated 74,000 people died within the first five months, and another 75,000 were injured.
Nagasaki takes readers from the morning of the bombing to the city today, telling the first-hand experiences of five survivors, all of whom were teenagers at the time of the devastation. Susan Southard has spent years interviewing hibakusha (“bomb-affected people”) and researching the physical, emotional, and social challenges of post-atomic life. She weaves together dramatic eyewitness accounts with searing analysis of the policies of censorship and denial that colored much of what was reported about the bombing both in the United States and Japan.
 
A gripping narrative of human resilience, Nagasaki will help shape public discussion and debate over one of the most controversial wartime acts in history.

WINNER of the J. Anthony Lukas Book Prize and the Dayton Literary Peace Prize
FINALIST for the Ridenhour Book Prize • Chautauqua Prize • William Saroyan International Prize for Writing PEN Center USA Literary Award 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Economist • The Washington Post • American Library Association • Kirkus Reviews

“[A] reminder of just how horrible nuclear weapons are.”—The Wall Street Journal
A devastating read that highlights man’s capacity to wreak destruction, but in which one also catches a glimpse of all that is best about people.”—San Francisco Chronicle
“A poignant and complex picture of the second atomic bomb’s enduring physical and psychological tolls. Eyewitness accounts are visceral and haunting. . . . But the book’s biggest achievement is its treatment of the aftershocks in the decades since 1945.” —The New Yorker

The enduring impact of a nuclear bomb, told through the stories of those who survived: necessary reading as the threat of nuclear war emerges again.

 
On August 9, 1945, three days after the atomic bombing of Hiroshima, the United States dropped a second atomic bomb on Nagasaki, a small port city on Japan’s southernmost island. An estimated 74,000 people died within the first five months, and another 75,000 were injured.
Nagasaki takes readers from the morning of the bombing to the city today, telling the first-hand experiences of five survivors, all of whom were teenagers at the time of the devastation. Susan Southard has spent years interviewing hibakusha (“bomb-affected people”) and researching the physical, emotional, and social challenges of post-atomic life. She weaves together dramatic eyewitness accounts with searing analysis of the policies of censorship and denial that colored much of what was reported about the bombing both in the United States and Japan.
 
A gripping narrative of human resilience, Nagasaki will help shape public discussion and debate over one of the most controversial wartime acts in history.

WINNER of the J. Anthony Lukas Book Prize and the Dayton Literary Peace Prize
FINALIST for the Ridenhour Book Prize • Chautauqua Prize • William Saroyan International Prize for Writing PEN Center USA Literary Award 

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Economist • The Washington Post • American Library Association • Kirkus Reviews

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  • From the book

    PREFACE

    In the summer of 1986, I received a last-minute call asking me to step in as a substitute interpreter for Taniguchi Sumiteru, a fifty-seven-year-old survivor of the 1945 Nagasaki atomic bombing. Taniguchi was in Washington, D.C., as part of a speaking tour in the United States. I had just met him the night before when I attended one of his talks. Over the next two days, I spent more than twenty hours with Taniguchi, listening to and interpreting his story in public presentations and private conversations.

    Years earlier I had lived in Yokohama, just south of Tokyo, as an international scholarship student. At sixteen, I was placed with a traditional Japanese family and attended an all-girls high school in the neighboring city of Kamakura, Japan’s ancient capital. Nearly everything was foreign to me, including the language—and I had little knowledge of the Pacific War and the atomic bombings that had taken place thirty years earlier. Later that year, after my language skills and integration into Japanese life had improved, I traveled to Nagasaki for the first time during my high school’s senior class trip to southern Japan. Inside the Nagasaki Atomic Bomb Museum, I stood arm in arm with friends who had embraced me as their own, staring at photographs of burned adults and children and the crushed and melted household items on display. In one of the glass cases, a helmet still had the charred flesh of a person’s scalp stuck inside.

    The memory of Nagasaki stayed with me into adulthood. And yet, as I listened to Taniguchi speak in a dimly lit church hall near downtown D.C., I realized how ignorant I still was of the history of the Pacific War, the development of the atomic bombs, and the human consequences of their use.

    Taniguchi was sharply dressed in a gray suit, a white dress shirt, and a deep purple and navy striped tie. On his left lapel he wore a pin—a white origami crane set against a red background. His thick black hair was combed neatly to the side. Small—maybe five foot six—and noticeably thin, he told his story quietly, the syllables toppling one upon another: At 11:02 a.m. on August 9, 1945, sixteen-year-old Taniguchi was on his bicycle delivering mail in the northwestern section of the city when a plutonium bomb fell from the sky and exploded over a Nagasaki neighborhood of about thirty thousand residents. “In the flash of the explosion,” he said, his voice trembling, “I was blown off the bicycle from behind and slapped down against the ground. The earth seemed to shiver like an earthquake.” Although he was over a mile away, the extraordinary heat of the bomb torched Taniguchi’s back. After a few moments, he lifted his head to see that the children who had been playing near him were dead.

    As he spoke, Taniguchi held up a photograph of himself taken five months after the blast during his protracted stay at a hospital north of Nagasaki. In the photograph he is lying on his stomach, emaciated. Down one arm and from neck to buttocks where his back would be, there is no skin or flesh, only exposed muscle and tissue, raw and red. As Taniguchi finished his speech, he made eye contact with his audience for the first time. “Let there be no more Nagasakis,” he appealed. “I call on you to work together to build a world free of nuclear weapons.”

    After his presentation, I drove Taniguchi to the small house outside of D.C. where he was staying. We sat on the front porch; the light from the front hallway allowed us to see each other only in shadow. I plied Taniguchi with questions about the bombing and the weeks, months, and years that followed....

Critiques-
  • Publisher's Weekly

    May 18, 2015
    Southard, founder and director of the Arizona-based Essential Theatre, presents a vivid (if gruesome) group portrait of five hibakusha, or “atomic bomb affected people,” 70 years after the U.S. dropped atomic bombs on Hiroshima and Nagasaki. Her long acquaintance with the survivors and facility with the Japanese language result in an invaluable snapshot of that harrowing moment in history. Opening with a description of Nagasaki circa 1945, “an L-shaped city built along two rivers,” Southard dramatically depicts how its 240,000 residents toiled to support a hopeless military effort. The Japanese had been deluded into believing that Nagasaki would be spared, as it was home to “the largest Christian community in the nation.” Zeroing in on the crucial event, Southard movingly focuses on her subjects’ experiences against the backdrop of the Manhattan Project, the whitewashing of the bombing’s aftermath by the U.S. government, and the tug-of-war over autopsy specimens, which was finally resolved in 1973 by President Nixon. While the hibakusha initially chose to remain silent, a doctor named Akizuki Tatsuichiro pushed for transparency, organizing the Nagasaki Testimonial Society. This group, having reached old age, continues to share stories at public events around the world. Southard offers valuable new information and context, and her work complements John Hersey’s 1946 classic, Hiroshima. Photos. Agent: Richard Balkin, Ward & Balkin Agency.

  • Kirkus

    Starred review from April 15, 2015
    Intense, deeply detailed, and compassionate account of the atomic bomb's effects on the people and city of Nagasaki, then and now. The generation of hibakusha, or atomic-bomb survivors, is sadly passing away, as journalist and artistic director Southard (Essential Theatre, Tempe, Arizona) acknowledges in her tracking of the experiences of five who were teenagers in the once-thriving port city of Nagasaki on Aug. 9, 1945. As the 70th anniversary of the dropping of the bomb over Nagasaki approaches, the author aims to enlighten her American audience, whose largely unequivocal stance about the rightness of forcing Japan to capitulate and the ignorance regarding radiation exposure the U.S. government took great pains to promote have kept readers unaware, she believes, of the magnitude of this nuclear annihilation-"a scale that defies imagination." These five teenagers, and many like them, had all been enlisted in the war effort, as had their families in Nagasaki, one of Japan's first Westernized cities, containing the largest Christian population. One of the teens delivered mail, one was a streetcar operator, and several worked in the Mitsubishi factories that lined the river. When the bomb obliterated the Urakami Valley, where many of them lived, all lost family members and were horribly injured and scarred for life. Southard's descriptions stick to the eyewitness accounts of these and other survivors, and they are tremendously moving, nearly unbearable to read, and accompanied by gruesome photos. She alternates first-person accounts-e.g., reports by the Japanese doctors who first treated the burns and identified the subsequent radiation "sickness"-with an outline of the political developments at the war's conclusion. The author emphasizes the postwar censorship imposed by the U.S. occupying force in Japan regarding the discussion of the bombing or radiation effects (see George Weller's First into Nagasaki), as well as the bravery of the hibakusha, who were determined to speak the truth. A valiant, moving work of research certain to provoke vigorous discussion.

    COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    Starred review from May 15, 2015

    Published to mark the 70th anniversary of the atomic bombing of the Japanese cities of Hiroshima and Nagasaki, this account is an investigation of the decades-long impact of the explosion that defined the end of World War II. Using the first-person narratives of hibakusha ("bomb-affected people"), playwright Southard (formerly creative writing, Arizona State Univ.) works her way from the morning of August 9, 1945 through the occupation and escalation of the Cold War to reveal the horrific destruction that was censored in both Japan and America for decades. While the bulk of the investigation relies on the story of the survivors who were caught in the explosion, Southard's documentation of the censorship of images and film depicting the after effects and medical tests run during the occupation reveals a darker side of America's military occupation after the war. This book provides the material and personal stories of one of the darkest days in human history. Southard's research uncovers the way the American military mistreated Japanese citizens and provided misinformation about the results of nuclear blasts to the rest of the world. VERDICT One of the definitive histories of the end of World War II. Essential.--John Rodzvilla, Emerson Coll., Boston

    Copyright 2015 Library Journal, LLC Used with permission.

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