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Musicophilia

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Musicophilia

Tales of Music and the Brain

de Oliver Sacks

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Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In MUSICOPHILIA, he examines the powers of music through the individual experiences of patients, musicians, and everyday people. He explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in MUSICOPHILIA, Oliver Sacks tells us why.

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From the book
A Bolt from the Blue: Sudden MusicophiliaTony Cicoria was forty-two, very fit and robust, a former college football player who had become a well-regarded orthopedic surgeon in a small city in upstate New York. He was at a lakeside pavilion for a family gathering one fall afternoon. It was pleasant and breezy, but he noticed a few storm clouds in the distance; it looked like rain.He went to a pay phone outside the pavilion to make a quick call to his mother (this was in 1994, before the age of cell phones). He still remembers every single second of what happened next: "I was talking to my mother on the phone. There was a little bit of rain, thunder in the distance. My mother hung up. The phone was a foot away from where I was standing when I got struck. I remember a flash of light coming out of the phone. It hit me in the face. Next thing I remember, I was flying backwards."Then—he seemed to hesitate before telling me this—"I was flying forwards. Bewildered. I looked around. I saw my own body on the ground. I said to myself, 'Oh shit, I'm dead.' I saw people converging on the body. I saw a woman—she had been standing waiting to use the phone right behind me—position herself over my body, give it CPR. . . . I floated up the stairs—my consciousness came with me. I saw my kids, had the realization that they would be okay. Then I was surrounded by a bluish-white light . . . an enormous feeling of well-being and peace. The highest and lowest points of my life raced by me. No emotion associated with these . . . pure thought, pure ecstasy. I had the perception of accelerating, being drawn up . . . there was speed and direction. Then, as I was saying to myself, 'This is the most glorious feeling I have ever had'—SLAM! I was back."Dr. Cicoria knew he was back in his own body because he had pain—pain from the burns on his face and his left foot, where the electrical charge had entered and exited his body—and, he realized, "only bodies have pain." He wanted to go back, he wanted to tell the woman to stop giving him CPR, to let him go; but it was too late—he was firmly back among the living. After a minute or two, when he could speak, he said, "It's okay—I'm a doctor!" The woman (she turned out to be an intensive-care-unit nurse) replied, "A few minutes ago, you weren't."The police came and wanted to call an ambulance, but Cicoria refused, delirious. They took him home instead ("it seemed to take hours"), where he called his own doctor, a cardiologist. The cardiologist, when he saw him, thought Cicoria must have had a brief cardiac arrest, but could find nothing amiss with examination or EKG. "With these things, you're alive or dead," the cardiologist remarked. He did not feel that Dr. Cicoria would suffer any further consequences of this bizarre accident.Cicoria also consulted a neurologist—he was feeling sluggish (most unusual for him) and having some difficulties with his memory. He found himself forgetting the names of people he knew well. He was examined neurologically, had an EEG and an MRI. Again, nothing seemed amiss.A couple of weeks later, when his energy returned, Dr. Cicoria went back to work. There were still some lingering memory problems—he occasionally forgot the names of rare diseases or surgical procedures—but all his surgical skills were unimpaired. In another two weeks, his memory problems disappeared, and that, he thought, was the end of the matter.What then happened still fills Cicoria with amazement, even now, a dozen years later. Life had returned to normal, seemingly, when "suddenly, over two or three days,...

Au sujet de l’auteur-

Oliver Sacks was born in 1933 in London and was educated at Queen's College, Oxford. He completed his medical training at San Francisco's Mount Zion Hospital and at UCLA before moving to New York. Familiar to the readers of The New Yorker and The New York Review of Books, Dr. Sacks spent more than fifty years working as a neurologist and wrote many books, including The Man Who Mistook His Wife for a Hat, Musicophilia, and Hallucinations, about the strange neurological predicaments and conditions of his patients. The New York Times referred to him as "the poet laureate of medicine," and over the years he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, The American Academy of Arts and Sciences, and the Royal College of Physicians. His memoir On the Move was published shortly before his death in August 2015.

JOHN LEE's highly innovative work in the fields of emotional intelligence, anger management, and emotional regression has made him an in-demand consultant, teacher, trainer, coach, and speaker. His contributions in the fields of recovery, relationships, men’s issues, spirituality, parenting, and creativity have put him in the national spotlight for over 20 years. Lee has been featured on Oprah, 20/20, Barbara Walters’ The View, CNN, PBS, and NPR. He has been interviewed by Newsweek, the New York Times, the Los Angeles Times, and dozens of other national magazines and radio talk shows.For over 25 years, Lee has conducted private and group sessions on a variety of issues working with men, women, couples, and families. He lectures, gives workshops and trainings in cities all over the world, delivering sensitive, yet sophisticated material to audiences in a humorous and simple way everyone can understand. His lectures have been branded as “hilariously entertaining, deeply compassionate, yet filled with ‘tell it like it is!’”Lee served as a professor at the University of Texas and at the University of Alabama before becoming a writer, bestselling author, life coach, and personal consultant. He currently resides on breathtaking Lookout Mountain in Mentone, Alabama with his three happy dogs.

Critiques-

John Lee's rich, rolling baritone conveys the empirical enthusiasm and underlying compassion that are the foremost characteristics of neurologist Oliver Sacks's books. In his latest work, Sacks observes the magical ways patients experience music after undergoing some sort of neurological trauma: an amnesiac who cannot remember anything but Bach fugues, a psychoanalyst bedeviled by musical hallucinations, otherwise mute stroke victims whose only articulation comes through song. Sacks's penetrating and lyrical insights, as well as his warmth and sense of wonder, are captured by Lee in an inspired reading. The added bonus, particularly given the subject matter, is the deep resonance of Lee's voice and his gift for a storyteller's inflection--something akin to music itself. M.O. (c) AudioFile 2008, Portland, Maine
October 15, 2007
Neurologist and professor Sacks, best known for his books Awakenings and The Man Who Mistook His Wife for a Hat, dedicates his latest effort to the relationship between music and unusual brain disorders. Embracing the notion that neurology is an inherently British phenomenon, foreign to the New World, Sacks's book is read by impeccably polished actor Prebble (PW's 2006 Narrator of the Year). As befitting so urbane and smooth a reader, Prebble sounds as if his shirt had just been starched and his lab coat carefully pressed before beginning. With nary a word out of place, Prebble steps onto the stage, playing the good Dr. Sacks for this one-time-only performance. Simultaneous release with the Knopf hardcover (Reviews, Aug. 27).
Neurologist Sacks, author of the acclaimed AWAKENINGS and THE MAN WHO MISTOOK HIS WIFE FOR A HAT, again mines his own medical practice and his wide knowledge of his specialty--this time in order to bring us "tales of music and the brain." The case studies included here illuminate the multifarious and often surprising ways in which music and the brain interact--whether for ill, as in a patient suffering from musical hallucinations, for example, or an obsession with music following an injury, or for good, as in Parkinson's patients and others who find themselves relieved or otherwise helped by music therapy. The narrator, British-born Simon Prebble, is a good choice for this material. (Sacks, too, is British.) The reading is clear and crisp, as is the production. M.G. (c) AudioFile 2008, Portland, Maine
August 27, 2007
Sacks is an unparalleled chronicler of modern medicine, and fans of his work will find much to enjoy when he turns his prodigious talent for observation to music and its relationship to the brain. The subtitle aptly frames the book as a series of medical case studies—some in-depth, some abruptly short. The tales themselves range from the relatively mundane (a song that gets stuck on a continuing loop in one's mind) through the uncommon (Tourette's or Parkinson's patients whose symptoms are calmed by particular kinds of music) to the outright startling (a man struck by lightning subsequently developed a newfound passion and talent for the concert piano). In this latest collection, Sacks introduces new and fascinating characters, while also touching on the role of music in some of his classic cases (the man who mistook his wife for a hat makes a brief appearance). Though at times the narrative meanders, drawing connections through juxtaposition while leaving broader theories to be inferred by the reader, the result is greater than the sum of its parts. This book leaves one a little more attuned to the remarkable complexity of human beings, and a bit more conscious of the role of music in our lives.
Michiko Kakutani, The New York Times "Dr. Sacks writes not just as a doctor and a scientist but also as a humanist with a philosophical and literary bent. . . [his] book not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind."
American Scholar "Oliver Sacks turns his formidable attention to music and the brain . . . He doesn't stint on the science . . . but the underlying authority of Musicophilia lies in the warmth and easy command of the author's voice."
--Mark Coleman, Los Angeles Times
"His work is luminous, original, and indispensable . . . Musicophilia is a Chopin mazurka recital of a book, fast, inventive and weirdly beautiful . . . Yet what is most awe-inspiring is his observational empathy."
Peter D. Kramer, The Washington Post "Curious, cultured, caring, in his person Sacks justifies the medical profession and, one is tempted to say, the human race . . . Sacks is, in short, the ideal exponent of the view that responsiveness to music is intrinsic to our makeup. He is also the ideal guide to the territory he covers. Musicophilia allows readers to join Sacks where he is most alive, amid melodies and with his patients."
The New York Times Book Review "
"Readers will be grateful that Sacks . . . is happy to revel in phenomena that he cannot yet explain."
Elle "The persuasive essays about composers, patients, savants, and ordinary people . . . offer captivating variations on the central premise that human beings are 'exquisitely tuned' to the illuminating yet ultimately mysterious powers of music."
Salon "With the exception of Lewis Thomas, no physician has ever written better about his trade."
Newsweek "A gifted writer and a neurologist, Sacks spins one fascinating tale after another to show what happens when music and the brain mix it up."

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