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Based on the thrilling real-life story of a socialite spy and astonishing woman who killed a Nazi with her bare hands and went on to become one of the most decorated women in WWII—from the New York Times bestselling author of I Was Anastasia and The Frozen River. "Will fascinate readers of World War II history and thrill fans of fierce, brash, independent women." —Lisa Wingate, #1 New York Times bestselling author of Before We Were Yours Told in interweaving timelines organized around the four code names Nancy used during the war, Code Name Hélène is a spellbinding and moving story of enduring love, remarkable sacrifice and unfaltering resolve that chronicles the true exploits of a woman who deserves to be a household name. It is 1936 and Nancy Wake is an intrepid Australian expat living in Paris who has bluffed her way into a reporting job for Hearst newspaper when she meets the wealthy French industrialist Henri Fiocca. No sooner does Henri sweep Nancy off her feet and convince her to become Mrs. Fiocca than the Germans invade France and she takes yet another name: a code name. As Lucienne Carlier, Nancy smuggles people and documents across the border. Her success and her remarkable ability to evade capture earns her the nickname The White Mouse from the Gestapo. With a five million franc bounty on her head, Nancy is forced to escape France and leave Henri behind. When she enters training with the Special Operations Executives in Britain, her new comrades are instructed to call her Helene. And finally, with mission in hand, Nancy is airdropped back into France as the deadly Madam Andree, where she claims her place as one of the most powerful leaders in the French Resistance, armed with a ferocious wit, her signature red lipstick, and the ability to summon weapons straight from the Allied Forces. But no one can protect Nancy if the enemy finds out these four women are one and the same, and the closer to liberation France gets, the more exposed she—and the people she loves—become. Don't miss Ariel Lawhon's new book, The Frozen River!
Based on the thrilling real-life story of a socialite spy and astonishing woman who killed a Nazi with her bare hands and went on to become one of the most decorated women in WWII—from the New York Times bestselling author of I Was Anastasia and The Frozen River. "Will fascinate readers of World War II history and thrill fans of fierce, brash, independent women." —Lisa Wingate, #1 New York Times bestselling author of Before We Were Yours Told in interweaving timelines organized around the four code names Nancy used during the war, Code Name Hélène is a spellbinding and moving story of enduring love, remarkable sacrifice and unfaltering resolve that chronicles the true exploits of a woman who deserves to be a household name. It is 1936 and Nancy Wake is an intrepid Australian expat living in Paris who has bluffed her way into a reporting job for Hearst newspaper when she meets the wealthy French industrialist Henri Fiocca. No sooner does Henri sweep Nancy off her feet and convince her to become Mrs. Fiocca than the Germans invade France and she takes yet another name: a code name. As Lucienne Carlier, Nancy smuggles people and documents across the border. Her success and her remarkable ability to evade capture earns her the nickname The White Mouse from the Gestapo. With a five million franc bounty on her head, Nancy is forced to escape France and leave Henri behind. When she enters training with the Special Operations Executives in Britain, her new comrades are instructed to call her Helene. And finally, with mission in hand, Nancy is airdropped back into France as the deadly Madam Andree, where she claims her place as one of the most powerful leaders in the French Resistance, armed with a ferocious wit, her signature red lipstick, and the ability to summon weapons straight from the Allied Forces. But no one can protect Nancy if the enemy finds out these four women are one and the same, and the closer to liberation France gets, the more exposed she—and the people she loves—become. Don't miss Ariel Lawhon's new book, The Frozen River!
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
PART ONE
Nancy Grace Augusta Wake
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. —Victor Hugo, Les Misérables
Chapter 1
Hélène
Benson Military Airfield, England
February 29, 1944
I have gone by many names.
Some of them are real—I was given four at birth alone—but most are carefully constructed personas to get me through checkpoints and across borders. They are lies scribbled on forged travel documents. Typed neatly in government files. Splashed across wanted posters. My identity is an ever-shifting thing that adapts to the need at hand.
Tonight, I am Hélène and I am going home.
It is February 29. Leap Day. The irony of this is not lost on me, because I am about to jump out of an aeroplane for the first time. I’ve only just been lifted into the belly of the Liberator bomber like a clumsily wrapped package. Me in slacks, blouse, and silk stockings beneath my coveralls, tin hat, and British army boots. The camel-haired coat and parachute pack don’t do much to help the ensemble. But this isn’t a fashion show and I’m not here to make friends, so I don’t care that every man on this plane is looking at me as though I don’t belong. Besides, I’m hungover. And I think I might throw up.
There are only four of us on this flight: an RAF pilot, a dispatcher, “Hubert”—my partner on this mission—and myself. A motley crew indeed. I settle into the jump seat across from Hubert and we watch with trepidation as the aperture in the floor closes. There’s a grinding of gears and the clank of metal and then we’re locked inside. I very much regret that third bottle of wine I shared with the boys last night. Headquarters delayed the mission by an entire day so we would have extra time to memorize key details of our cover story, which meant that, for the second night in a row, we raucously celebrated our looming departure and likely death. By the end of it we were singing “Blood on the Risers” at the top of our lungs, and now I can’t get the stupid song out of my head.
“Gory, gory what a helluva way to die . . . ,” I hum, only to find the pilot staring at me with a bemused grin. I shrug. It’s the truth. This would be a helluva way to die. Too late now, though, because all four engines shudder to life with an angry bellow.
I begin counting as the plane rumbles across the aerodrome. Ten. Twenty. Thirty—good grief, when will this thing ever get off the ground?—forty. And then my stomach drops as we lurch into the air like a drunken seabird. The Liberator heaves and rumbles its way into the low-hanging clouds over the English countryside, sounding all the while as though someone has tossed a pound of bolts into a meat grinder.
Once we’re through the clouds and the engines dim to a lesser roar, the dispatcher looks at me and shouts, “Witch?”
Under normal circumstances I would be offended, but Witch is my code name for this flight. I nod in the affirmative.
He turns back to his control panel and radios Command. “Witch on board”—a pause and then a glance at Hubert—“Pudding as well. Approximately two hours until the drop.”
Poor guy, it’s not his fault. He’s not been given our real code names, much less our actual names....
Critiques-
February 24, 2020 Lawhon, who masterfully combined fact and fiction in I Was Anastasia, does so again with this gripping thriller based on the life of Nancy Wake, an Australian expat who worked as a reporter for Hearst in Paris just before WWII and later as a spy for the British. Lawhon throws readers into the middle of the action, as Nancy, under the alias Hélène, prepares to parachute from an RAF plane into France to help the Resistance in 1944, carrying in her head memorized lists of vital data, including bridges targeted for destruction and safe house addresses. After she lands, the story flashes back eight years, as Nancy struggles for respect and recognition as a journalist; despite her firsthand observations of Nazi brutality in 1930s Vienna, her editor is reluctant to publish a story about what she’s seen. Frequent jumps in time draw out the arc of Wake’s remarkable life; despite her statement early on that women’s weapons of warfare were limited to “silk stockings and red lipstick,” by the end she’s proven herself skillful at physical combat as well. Lawhon’s vivid, fast-paced narrative will keep readers turning the pages, and a detailed afterword makes plain how much of the account is factual. This entertaining tale does justice to Lawhon’s larger-than-life subject.
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