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NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • When a father goes missing, his family’s desperate search leads them to question everything they know about him and one another in this thrilling page-turner, a deeply moving portrait of a family in crisis from the award-winning author of Miracle Creek. OPRAH DAILY’S #1 NOVEL OF THE YEAR • ONE OF PEOPLE’S TEN BEST BOOKS OF THE YEAR • A WASHINGTON POST, BOOKPAGE, KIRKUS REVIEWS, NEW YORK POST, GOOD HOUSEKEEPING, BOOK RIOT,CHICAGO PUBLIC LIBRARY, REAL SIMPLE, CRIMEREADS, AND SHE READSBEST BOOK OF THE YEAR
Belletrist Book Club Pick • Finalist for the New American Voices Award • Finalist for the Virginia Literary Award • “This is a story with so many twists and turns I was riveted through the last page.”—Jodi Picoult “A brilliant, satisfying, compassionate mystery that is as much about language and storytelling as it is about a missing father. I loved this book.”—Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow “I fell in love with the fascinating, brilliant family at the center of this riveting book.”—Ann Napolitano, author of Hello Beautiful “We didn’t call the police right away.” Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut, Miracle Creek, Angie Kim turns the missing-person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.
NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BOOK CLUB PICK • When a father goes missing, his family’s desperate search leads them to question everything they know about him and one another in this thrilling page-turner, a deeply moving portrait of a family in crisis from the award-winning author of Miracle Creek. OPRAH DAILY’S #1 NOVEL OF THE YEAR • ONE OF PEOPLE’S TEN BEST BOOKS OF THE YEAR • A WASHINGTON POST, BOOKPAGE, KIRKUS REVIEWS, NEW YORK POST, GOOD HOUSEKEEPING, BOOK RIOT,CHICAGO PUBLIC LIBRARY, REAL SIMPLE, CRIMEREADS, AND SHE READSBEST BOOK OF THE YEAR
Belletrist Book Club Pick • Finalist for the New American Voices Award • Finalist for the Virginia Literary Award • “This is a story with so many twists and turns I was riveted through the last page.”—Jodi Picoult “A brilliant, satisfying, compassionate mystery that is as much about language and storytelling as it is about a missing father. I loved this book.”—Gabrielle Zevin, author of Tomorrow, and Tomorrow, and Tomorrow “I fell in love with the fascinating, brilliant family at the center of this riveting book.”—Ann Napolitano, author of Hello Beautiful “We didn’t call the police right away.” Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut, Miracle Creek, Angie Kim turns the missing-person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverOne
Locke, Bach, and K-pop
We didn’t call the police right away. Later, I would blame myself, wonder if things might have turned out differently if I hadn’t shrugged it off, insisting Dad wasn’t missing missing but just delayed, probably still in the woods looking for Eugene, thinking he’d run off somewhere. Mom says it wasn’t my fault, that I was merely being optimistic, but I know better. I don’t believe in optimism. I believe there’s a fine line (if any) between optimism and willful idiocy, so I try to avoid optimism altogether, lest I fall over the line mistakenly.
My twin brother, John, keeps trying to make me feel better, too, saying we couldn’t have known something was wrong because it was such a typical morning, which is an asinine thing to say because why would you assume things can’t go wrong simply because they haven’t yet? Life isn’t geometry; terrible, life-changing moments don’t happen predictably, at the bottom of a linear slope. Tragedies and accidents are tragic and accidental precisely because of their unexpectedness. Besides, labeling anything about our family “typical”—I just have to shake my head. I’m not even thinking about the typical-adjacent stuff like John’s and my boy-girl twin thing, our biracial mix (Korean and white), untraditional parental gender roles (working mom, stay-at-home dad), or different last names (Parson for Dad + Park for Mom = the mashed-up Parkson for us kids)—not common, certainly, but hardly shocking in our area these days. Where we’re indubitably, inherently atypical is with my little brother Eugene’s dual diagnosis: autism and a rare genetic disorder called mosaic Angelman syndrome (AS), which means he can’t talk, has motor difficulties, and—this is what fascinates many people who’ve never heard of AS—has an unusually happy demeanor with frequent smiles and laughter.
Sorry, I’m getting sidetracked. It’s one of my biggest faults and something I’m trying to work on. (To be honest, I don’t like shutting it down entirely because sometimes, those tangents can end up being important and/or fun. For example, my honors thesis, Philosophy of Music and Algorithmic Programming: Locke, Bach, and K-pop vs. Prokofiev, Sartre, and Jazz Rap, grew from a footnote in my original proposal. Also, I can’t help it; it’s the way my mind works. So here’s a compromise: I’ll put my side points in footnotes. If you love fun little detours like Dad and me, you can read them. If you find footnotes annoying (like John) or want to know what happened ASAP (like Mom), you can skip them. If you’re undecided, you can try a few, mix and match.)
So, anyway, I was talking about the police. The fact is, I knew something was wrong. We all did. We didn’t want to call the police because we didn’t want to say it out loud, much the same way I’m going around and around now, fixating on this peripheral issue of calling the police instead of just saying what happened.
Here goes: my fifty-year-old father, Adam Parson, is missing. At 9:30 a.m. on Tuesday, June 23, 2020, he and my fourteen-year-old brother Eugene hiked to the nearby River Falls Park, the same as they had done most mornings since I’d been home from college for the quarantine. We know they made it to the park; witnesses have come forward, a dozen hikers and dog-walkers who saw them together at various points around the waterfall trail as late as 11:10 a.m. At...
Critiques-
July 24, 2023 Kim’s bittersweet second novel (following Miracle Creek) intertwines an intimate family drama, a missing-persons mystery, and a philosophical rumination on happiness. Korean American college student Mia Parkson and her twin brother, John, are spending the Covid-19 lockdown at their parents’ house in suburban Virginia. One morning, their autistic 14-year-old brother, Eugene, races home from a hike with their father, his clothing spattered with blood. Their father is nowhere to be found, and Eugene—who is nonverbal—isn’t able to say what happened. While Mia and her family help authorities sift a bewildering array of clues, Mia studies analytical notes her father left behind, which posit that the experience of happiness is relative to an expected outcome—leading her to wonder whether her father is subjecting them all to an elaborate social experiment. Meanwhile, the Parksons investigate therapies Eugene has been undergoing that suggest they have underestimated his intelligence and ability to communicate—a revelation that dovetails with Mia’s own complex thoughts on how factors including race, language, and emotion all impact people’s interpretation of information and ability to relate to one another. Readers will be fascinated with how Kim bends the structure of a whodunit to serve a broader exploration of the dynamics of human relations and moved by her skill at wresting joy from tragedy. Agent: Susan Golomb, Writers House.
Starred review from June 10, 2024
Kim's (Miracle Creek) richly layered novel brings together philosophy, family drama, love, and hope. Korean American college student Mia Parkson usually has an answer for everything. The overly analytical 20-year-old is not concerned when her father disappears--at least not at first. When her brother, Eugene, who has a dual diagnosis of autism and Angelman syndrome, runs home alone from a walk in the park, concern grows in the family, especially since Eugene can't articulate what happened. As the clock ticks on the investigation, the family, confined by the beginning days of COVID lockdowns and quarantines, must face their secrets if they wish to uncover the truth of their patriarch's whereabouts. An ensemble featuring Shannon Tyo, Sean Patrick Hopkins, and Thomas Pruyn narrates this complex yet hopeful look at the intricacies of a family facing a personal tragedy and an international crisis. Kim provides a sincere and moving note at the end. VERDICT Although the novel is marketed as a mystery, this lushly atmospheric listen will have broad appeal. Share with fans of Celeste Ng and those who appreciate layered family drama that explores race, language, and neurodivergence.--Elyssa Everling
Copyright 2024 Library Journal, LLC Used with permission.
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