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The Storyteller
Couverture de The Storyteller
The Storyteller
An astonishing novel about redemption and forgiveness from the "amazingly talented writer" (HuffPost) and #1 New York Times bestselling author Jodi Picoult.
Some stories live forever...

Sage Singer is a baker. She works through the night, preparing the day's breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother's death. When Josef Weber, an elderly man in Sage's grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can't.

Everything changes on the day that Josef confesses a long-buried and shame­ful secret and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With the integrity of the closest friend she's ever had clouded, Sage begins to question the assumptions and expectations she's made about her life and her family. In this searingly honest novel, Jodi Picoult gracefully explores the lengths to which we will go in order to keep the past from dictating the future.
An astonishing novel about redemption and forgiveness from the "amazingly talented writer" (HuffPost) and #1 New York Times bestselling author Jodi Picoult.
Some stories live forever...

Sage Singer is a baker. She works through the night, preparing the day's breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother's death. When Josef Weber, an elderly man in Sage's grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can't.

Everything changes on the day that Josef confesses a long-buried and shame­ful secret and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With the integrity of the closest friend she's ever had clouded, Sage begins to question the assumptions and expectations she's made about her life and her family. In this searingly honest novel, Jodi Picoult gracefully explores the lengths to which we will go in order to keep the past from dictating the future.
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  • OverDrive Read
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  • Disponible:
    0
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    0
Niveaux-
  • Niveau ATOS:
    5.7
  • Lexile Measure:
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    4


 
Prix remportés-
Extraits-
  • From the book

    On the second Thursday of the month, Mrs. Dombrowski brings her dead husband to our therapy group.

    It's just past 3:00 p.m., and most of us are still filling our paper cups with bad coffee. I've brought a plate of baked goods--last week, Stuart told me that the reason he keeps coming to Helping Hands isn't the grief counseling but my butterscotch pecan muffins--and just as I am

    setting them down, Mrs. Dombrowski shyly nods toward the urn she is holding. "This," she tells me, "is Herb. Herbie, meet Sage. She's the one I told you about, the baker."

    I stand frozen, ducking my head so that my hair covers the left side of my face, like I usually do. I'm sure there's a protocol for meeting a spouse who's been cremated, but I'm pretty much at a loss. Am I supposed to say hello? Shake his handle?

    "Wow," I finally say, because although there are few rules to this group, the ones we have are steadfast: be a good listener, don't judge, and don't put boundaries on someone else's grief. I know this better than anyone. After all, I've been coming for nearly three years now.

    "What did you bring?" Mrs. Dombrowksi asks, and I realize why she's toting her husband's urn. At our last meeting, our facilitator--Marge--had suggested that we share a memory of whatever it was we had lost. I see that Shayla is clutching a pair of knit pink booties so tightly her knuckles are white. Ethel is holding a television remote control. Stuart has--again--brought in the bronze death mask of his first wife's face. It has made an appearance a few times at our group, and it was the creepiest thing I'd ever seen--until now, when Mrs. Dombrowski has brought along Herb.

    Before I have to stammer my answer, Marge calls our little group to order. We each pull a folding chair into the circle, close enough to pat someone on the shoulder or reach out a hand in support. In the center sits the box of tissues Marge brings to every session, just in case.

    Often Marge starts out with a global question--Where were you when 9/11 happened? It gets people talking about a communal tragedy, and that sometimes makes it easier to talk about a personal one. Even so, there are always people who don't speak. Sometimes months go by before I even know what a new participant's voice sounds like.

    Today, though, Marge asks right away about the mementos we've brought. Ethel raises her hand. "This was Bernard's," she says, rubbing the television remote with her thumb. "I didn't want it to be--God knows I tried to take it away from him a thousand times. I don't even have the TV this works with, anymore. But I can't seem to throw it out."

    Ethel's husband is still alive, but he has Alzheimer's and has no idea who she is anymore. There are all sorts of losses people suffer--from the small to the large. You can lose your keys, your glasses, your virginity. You can lose your head, you can lose your heart, you can lose your mind. You can relinquish your home to move into assisted living, or have a child move overseas, or see a spouse vanish into dementia. Loss is more than just death, and grief is the gray shape-shifter of emotion.

    "My husband hogs the remote," Shayla says. "He says it's because women control everything else."

    "Actually, it's instinct," Stuart says. "The part of the brain that's territorial is bigger in men than it is in women. I heard it on John Tesh."

    "So that makes it an inviolable truth?" Jocelyn rolls her eyes. Like me, she is in her twenties. Unlike me, she has no patience for anyone over the age of forty.

    "Thanks for sharing your memento," Marge says, quickly interceding. "Sage, what did you bring today?"

    I feel my cheeks burn as all eyes...

Au sujet de l’auteur-
  • Jodi Picoult received an AB in creative writing from Princeton and a master's degree in education from Harvard. The recipient of the 2003 New England Book Award for her entire body of work, she is the author of twenty-seven novels, including the #1 New York Times bestsellers House Rules, Handle With Care, Change of Heart, and My Sister's Keeper, for which she received the American Library Association's Margaret A. Edwards Award. She lives in New Hampshire with her husband and three children. Visit her website at JodiPicoult.com.
Critiques-
  • Publisher's Weekly

    January 21, 2013
    Picoult (Change of Heart) reconfigures themes from her other bestsellers for her uneven new morality tale. Twenty-five-year-old reclusive baker Sage Singer befriends the elderly Josef Weber, who shares something shocking from his past and asks her to help him die, a request that pins Sage between morality and retribution. Sage, a Jew who now considers herself an atheist, begins to think more deeply about faith. Picoult examines the links between family identity, religion, humanity, and how it all figures in difficult decisions. The three-parter is narrated by several characters, including Sage’s grandmother Minka, who survived the Holocaust. Snippets of a novel Minka wrote focus on a bloodthirsty beast, a metaphor for life in a death camp. Picoult’s formulaic approach to Minka’s accounts of the Holocaust is a cheap shot, but the author appreciates Sage’s moral bind. Nearly half of the book is devoted to a verbose, sad recounting of Minka’s time during the war, but the real conflict lies within Sage. That conflict, and the complexity of a character who discovers herself through the trials of Josef and Minka, is the book’s saving grace. Agent: Laura Gross, the Laura Gross Literary Agency.

  • Library Journal

    May 15, 2013
    When Sage, the granddaughter of a Holocaust survivor, learns that a well-respected member of her community is a former SS officer who evaded justice for 70 years, she must choose between forgiveness and retribution. This recording features five skilled actors who perform a wide range of accents and languages well. The use of multiple voices deepens the already compelling story's impact. Unfortunately, the technical execution is not as impressive. Exaggerated gaps between tracks are distracting. VERDICT Although the subject matter is a departure from Picoult's previous work, her fans won't be disappointed. ["[Picoult's] myriad fans are in for satisfying doses of everything they've come to expect from her: compulsive readability, impeccable research, and a gut-wrenching Aha! of an ending," read the starred review of the Emily Bestler: Atria hc, "LJ" 2/1/13.]--Julie Judkins, Univ. of Michigan, Ann Arbor

    Copyright 2013 Library Journal, LLC Used with permission.

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