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THE GLOBAL BESTSELLER • Soon to be a BBC One and HBO Max limited four-part series, starring Gugu Mbatha-Raw (The Morning Show; Misbehaviour) and multiple Golden Globe, BAFTA, and Emmy-nominated actor David Oyelowo (Selma; Les Misérables)
“A pitch-perfect novel of psychological suspense” (Lee Child) that spins one woman’s seemingly good fortune, and another woman’s mysterious fate, through a kaleidoscope of duplicity, death, and deception Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before. Praise for The Girl Before “Dazzling, startling, and above all cunning—a pitch-perfect novel of psychological suspense.”—Lee Child “The Girl Before generates a fast pace. . . . [J. P.] Delaney intersperses ethics questions on stand-alone pages throughout the book. . . . The single most ingenious touch is that we’re not provided either woman’s answers.”—The New York Times “J. P. Delaney builds the suspense.”—Vanity Fair “Immediate guarantee: You will not be able to put this book down. . . . Fans of Gone Girl and The Girl on the Train will realize that there’s not only more where that came from, but it’s also more thrilling.”—American Booksellers Association
THE GLOBAL BESTSELLER • Soon to be a BBC One and HBO Max limited four-part series, starring Gugu Mbatha-Raw (The Morning Show; Misbehaviour) and multiple Golden Globe, BAFTA, and Emmy-nominated actor David Oyelowo (Selma; Les Misérables)
“A pitch-perfect novel of psychological suspense” (Lee Child) that spins one woman’s seemingly good fortune, and another woman’s mysterious fate, through a kaleidoscope of duplicity, death, and deception Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before. Praise for The Girl Before “Dazzling, startling, and above all cunning—a pitch-perfect novel of psychological suspense.”—Lee Child “The Girl Before generates a fast pace. . . . [J. P.] Delaney intersperses ethics questions on stand-alone pages throughout the book. . . . The single most ingenious touch is that we’re not provided either woman’s answers.”—The New York Times “J. P. Delaney builds the suspense.”—Vanity Fair “Immediate guarantee: You will not be able to put this book down. . . . Fans of Gone Girl and The Girl on the Train will realize that there’s not only more where that came from, but it’s also more thrilling.”—American Booksellers Association
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
1. Please make a list of every possession you consider essential to your life.
Then: Emma
It’s a lovely little flat, the agent says with what could almost pass for genuine enthusiasm. Close to the amenities. And there’s that private bit of roof. That could become a sun terrace, subject of course to the landlord’s consent.
Nice, Simon agrees, trying not to catch my eye. I’d known the flat was no good as soon as I walked in and saw that six-foot stretch of roof below one of the windows. Si knows it too but he doesn’t want to tell the agent, or at least not so soon it’ll seem rude. He might even hope that if I listen to the man’s stupid patter long enough I’ll waver. The agent’s Simon’s kind of guy: sharp, brash, eager. He probably reads the magazine Simon works for. They were exchanging sports chat before we even got up the stairs.
And here you have a decent-sized bedroom, the agent’s saying. With ample—
It’s no good, I interrupt, cutting short the charade. It’s not right for us.
The agent raises his eyebrows. You can’t be too choosy in this market, he says. This’ll be gone by tonight. Five viewings today, and it’s not even on our website yet.
It’s not secure enough, I say flatly. Shall we go?
There are locks on all the windows, he points out, plus a Chubb on the door. Of course, you could install a burglar alarm, if security’s a particular concern. I don’t think the landlord would have any objection.
He’s talking across me now, to Simon. Particular concern. He might as well have said, Oh, is the girlfriend a bit of a drama queen?
I’ll wait outside, I say, turning to leave.
Realizing he’s blundered, the agent adds, If it’s the area that’s the problem, perhaps you should have a look farther west.
We already have, Simon says. It’s all out of our budget. Apart from the ones the size of a tea bag.
He’s trying to keep the frustration out of his voice, but the fact that he needs to riles me even more.
There’s a one-bedroom in Queen’s Park, the agent says. A bit grotty, but . . .
We looked at it, Simon says. In the end we felt it was just a bit too close to that estate. His tone makes it clear that we means “she.”
Or there’s a third-floor just come on in Kilburn—
That too. There was a drainpipe next to one of the windows.
The agent looks puzzled.
Someone could have climbed it, Simon explains.
Right. Well, the rental season’s only just started. Perhaps if you wait a bit.
The agent has clearly decided we’re time-wasters: He too is sidling toward the door. I go and stand outside, on the landing, so he won’t come near me.
We’ve already given notice on our old place, I hear Simon say. We’re running out of options. He lowers his voice. Look, mate, we were burgled. Five weeks ago. Two men broke in and threatened Emma with a knife. You can see why she’d be a bit jumpy.
Oh, the agent says. Shit. If someone did that to my girlfriend I don’t know what I’d do. Look, this might be a long shot, but . . . His voice trails off.
Yes? Simon says.
Has anyone at the office mentioned One Folgate Street to you?
I don’t think so. Has it just come on?
Not exactly, no.
The agent seems unsure whether to pursue this or not.
But it’s available? Simon persists.
Technically, yes, the agent says....
Critiques-
October 24, 2016 In the pseudonymous Delaney’s riveting psychological thriller, first Emma Matthews and then Jane Cavendish take up residence at One Folgate Street in London. The house, a masterpiece of minimalist architecture designed by the enigmatic Edward Monkford, is let only to tenants willing to abide by his stringent rules, which reduce life to its basics. This setup appeals to people looking for order, like Emma, who’s trying to recover from a brutal attack that’s hastening the end of her relationship with a man who adores her. Later, it is Jane, grief-stricken by the stillbirth of her daughter, who seeks asylum within One Folgate’s walls. Both find themselves drawn to the house’s creator and its tragic history. Were the deaths of Edward’s family members accidental? Or were they murdered for not conforming to Edward’s obsessive need for order? Writing with precision and grace, Delaney strips away the characters’ secrets until the raw truth of each is revealed. That Emma and Jane act in often foolhardy ways hasn’t prevented rights sales in more than 30 markets and movie rights to Universal with Ron Howard directing. Agent: Caradoc King, United Artists (U.K.).
February 27, 2017 Jane Cavendish and Emma Williams, searching London for a cheap safe place to live, are entranced by what appears to be a bargain, a unique minimalist house automatically controlled by cutting-edge technology. Both are equally entranced by the house’s architect, Edward Monkford, a darkly handsome control freak who demands that voluminous stipulations be met before he turns over the Fitbit-like wristband that automatically opens the front door. The first of many twists in this psychological thriller from Delaney is that, though both perspectives are written in the present tense, Emma’s takes place in the past. Actors Fox (reading Jane’s sections) and Williams (reading Emma’s sections) move the frequently shifting plot along at a swift clip, clearly distinguishing the differing emotions of the two main characters even as they go through their similar paces. The amazing automated house, almost as prominent as its inhabitants, does everything but speak. But while Fox and Williams are not called upon to give voice to the brick-and-mortar character, they are totally successful in capturing the atmosphere that the cold, indifferent, slightly terrifying building creates. A Ballantine hardcover.
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JP Delaney's intricate psychological thriller immediately entangles us, and the gifted narrators keep us spellbound. One Folgate Street, a minimalist architectural wonder, is available to the tenant who willingly goes through a rigorous application process and agrees to live by a demanding set of rules. Edward Monkford, the inscrutable world- famous designer, has created a technologically advanced "smart" house that monitors everything via sensors and cameras. Beginning each chapter, a male voice delivers Monkford's outrageous application questions, while in alternating chapters we hear the stories of two damaged women who fall for Monkford's mystique. Finty Williams is vital and convincing delineating Emma's unreliable persona, and Emilia Fox offers a sympathetic, intelligent Jane as she uncovers what really happened to THE GIRL BEFORE. Absolutely riveting. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine
