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Our Women on the Ground
Couverture de Our Women on the Ground
Our Women on the Ground
Essays by Arab Women Reporting from the Arab World
Emprunter Emprunter
Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour
“A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times

A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers. 
In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood.
INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck
Nineteen Arab women journalists speak out about what it’s like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour
“A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old clichés.” —Dwight Garner, The New York Times

A growing number of intrepid Arab and Middle Eastern sahafiyat—female journalists—are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers. 
In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it’s like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region’s women and provide an urgently needed perspective on a part of the world that is frequently misunderstood.
INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck
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    1
  • Copies de la bibliothèque:
    1
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  • Lexile Measure:
    1130
  • Niveau d'intérêt:
  • Difficulté du texte:
    8 - 9


Extraits-
  • From the cover

    The Woman Question

    Hannah Allam

    When I speak before Western audiences about my years covering the war in Iraq as a journalist for McClatchy Newspapers, someone inevitably asks, "What was it like to be a woman over there?"

    "Well, I've never been there as a man, so I'm not sure I can compare," is the clever way some of my friends reply to the same question.

    I remind myself to borrow the line, but I can never quite remember to use it because when I hear the question, I see faces. Ban. Shatha. Sahar. Faten. Huda. Alaa. Jinan. Raghad. I think of the slivers of Iraq that they and many other women showed me, spaces that were off-limits to my male colleagues. Kitchens where meals were prepared without electricity. A bedroom with a mortar crater in the ceiling. A beauty salon that banned political talk so customers could get their hair done in peace. "Ladies' hours" at the Babylon Hotel swimming pool, where sunshine hit bare skin and the war lurked just over a tall concrete barrier.

    Reporting on Iraq through the eyes of its women was illuminating, but, perhaps more important, it was more representative of the population as a whole. Years of bloodshed had left Iraq with a population that was more than half women, many of them heads of households because their men were dead or missing or exiled. When the "woman question" comes up at public talks, I explain the importance of covering women's stories by evoking the grisly math of car bombings.

    At the height of the sectarian war, in 2006, car bombings were so commonplace that we stopped reporting on them unless twenty or more people were killed. For a year I didn't bother to set my alarm before going to sleep because I knew I'd be awakened every morning by a thunderous boom. It wasn't unusual to record daily car bomb death tolls of eighty or more. Because the most frequent targets were government and police buildings, the vast majority of the casualties were men.

    Consider those numbers for a moment: eighty dead men meant eighty new widows and dozens of newly fatherless children. Every day. That meant that each week, more than five hundred Iraqi women suddenly became the sole providers for their families, setting their own devastation aside to keep their children fed and housed. They sold their wedding gold to buy bread. They felt like burdens on the extended families who took them in.

    At their most desperate, some women entered into so-called temporary marriages that weren't intended to last long. Essentially, these marriages were prostitution with a thin religious veneer: men with money to spare would pay the women in exchange for sex, but because the couple was technically "married," however briefly, the arrangement was deemed legitimate according to some Shi'a Islamic rulings.

    A widow named Nisreen told me her hands shook and her face reddened with shame when she signed a temporary marriage contract in exchange for fifteen dollars a month plus groceries and clothes for her five children.

    "My son calls me a bad woman, a prostitute. My children have no idea I did this for their sake," Nisreen said.

    Before I first traveled to Iraq in the summer of 2003, I read an article in Rolling Stone in which a U.S. military officer marveled at the toughness of Iraqi women and mused that the advance might not have been so easy had U.S. forces faced the country's women. It was a comment meant to emasculate the men as much as it praised the women, and I would hear many versions of it when I was around U.S. troops.

    Even in the Middle East, where there is no shortage of heartache, Iraqi women are known to be particularly tough. The guttural Iraqi accent only underlines that...

Critiques-
  • AudioFile Magazine Narrator Soneela Nankani delivers a clear and authentic performance of this essay collection by Arab women journalists. Most of the media coverage of the Arab world is created by Western journalists, but the Arab women featured in this collection have significantly better access to what is happening in their own countries. Nankani's narration is sensitive and emotional yet straightforward as she recounts the very real horrors these women face on the job. She maintains a conversational tone that invites listeners to change their ideas of what it means to be an Arab woman. Though the transitions between each work would benefit from a longer pause, these essays make for a truly compelling listen. A.K.R. © AudioFile 2019, Portland, Maine
  • Publisher's Weekly

    June 17, 2019
    Lebanese-British journalist Hankir compiles essays by 19 female reporters from across the Middle East, including Syria, Iraq, Yemen, Sudan, Libya, Palestine, and Egypt. Some are veteran journalists, others just emerging in their fields. Many risked their lives at the centers of conflict zones, such as Hannah Allam, who focused on the “tragic and resilient Iraqi women, a metaphor for the country itself” while covering the Iraq War for McClatchy Newspapers, and Nour Malas, who reported on the Syrian refugee crisis as she grappled with her Syrian identity and the destruction of her ancestral homeland. Others offer cultural critiques: Eman Helal chronicles sexual harassment in Egypt; Donna Abu Nasr evokes the changing state of women’s rights in Saudi Arabia (“when I saw women selling underwear” in Riyadh, she writes, “I choked up”); and Amira Al-Sharif describes her “unusual situation” as a single female photographer in her 30s, working in her native Yemen, where photography is a “man’s job” and most Yemenis get married in their teens. Offering a blend of memoir, war reporting, cultural commentary, history, and politics, these powerful essays deliver insightful analysis of the upheavals in the Middle East from committed and skilled writers. Agent: Jessica Papin, Dystel, Goderich and Bourret.

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Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen

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