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May 2, 2011
Obreht, named last year as one of the New Yorker's 20 novelists to watch under the age of 40, makes her debut with this magical-realist evocation of a country in wartime. The author, herself an immigrant to the U.S. from the former Yugoslavia, transforms a young woman's memories of her grandfather's stories into a kaleidoscopic portrait of her former country's traumatic history. The book is read in tag-team fashion by Susan Duerden and Robin Sachs. Sachs sounds gravelly, grouchy, and well-pickled in various alcoholic libations; Duerden is British, plummy, arch, and delicate in her intonations, reverberating into near-Cockney working-class tone. The unlikely combination is surprisingly pleasing, nicely matching the contrast between Obreht's elaborate storytelling conceit and its grubby, homely details. A Random hardcover.
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Starred review from January 17, 2011
The sometimes crushing power of myth, story, and memory is explored in the brilliant debut of Obreht, the youngest of the New Yorker's 20-under-40. Natalia Stefanovi, a doctor living (and, in between suspensions, practicing) in an unnamed country that's a ringer for Obreht's native Croatia, crosses the border in search of answers about the death of her beloved grandfather, who raised her on tales from the village he grew up in, and where, following German bombardment in 1941, a tiger escaped from the zoo in a nearby city and befriended a mysterious deaf-mute woman. The evolving story of the tiger's wife, as the deaf-mute becomes known, forms one of three strands that sustain the novel, the other two being Natalia's efforts to care for orphans and a wayward family who, to lift a curse, are searching for the bones of a long-dead relative; and several of her grandfather's stories about Gavran Gailé, the deathless man, whose appearances coincide with catastrophe and who may hold the key to all the stories that ensnare Natalia. Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure.
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January 15, 2011
Young physician navigating postwar chaos in the Balkans tries to make sense of the mysterious death of her beloved grandfather.
En route to a rural orphanage with plans on inoculating a group of motherless local kids, 28-year-old Natalia gets the sudden, sad news that her grandfather, a well-respected doctor, has passed away. That he died far from home, in a village that appears on no map, raises several questions, in spite of the fact that the old man had been suffering from cancer. Natalia takes it upon herself to investigate the clinic he was last seen in, and collect his affects, while trying to fulfill her medical obligations to the orphans. A clear-eyed realist who came of age during the bloody dissolution of the former Yugoslavia, she is nonetheless enchanted by a story from her grandfather's childhood, which is interwoven with the modern-day narrative. During World War II, his tiny hometown was menaced by a semi-tame tiger who had escaped from a zoo. According to legend, the animal was befriended by the butcher's wife, a young deaf-mute who fed him meat. After her abusive husband disappears, the superstitious villagers suspect that the beast himself is the father of her unborn child, complicating life for the tiger as well as the girl, who happens to be Muslim. They send a famed hunter after the tiger, who, like the butcher, assumes an uncertain fate. In a timeless parallel, the modern-day villagers that Natalia is trying to help have a mystical tale of their own, and she is enlisted to help them find closure in a most unusual way. Haunted as it is by the specter of civil war, this confident debut steers clear of specific blame for any particular group, concentrating instead on the stories people tell themselves to explain the unthinkable. While at times a bit too dense and confusing, Obreht's remarkable story showcases a young talent with a bright future.
A compassionate, mystical take on the real price of war.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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Starred review from January 1, 2011
In the torn-up Balkans, as medic Natalia is preparing to cross what was once not a border to help vaccinate orphans, she learns that her distinguished physician grandfather has died in an obscure clinic not far from where she's going. No one knows what he was doing there, though Natalia does know he was seriously ill. This incident opens up Obreht's dizzyingly nuanced yet crisp, muscularly written narrative by allowing Natalia to introduce two stories (fables? truth?) that her grandfather related to her. One concerns the "deathless man" her grandfather sometimes encountered, who collected the souls of the dead. The other concerns a tiger that escaped from the zoo during World War II and made its way to the village where her grandfather lived as a boy. Attempts to kill the tiger fail, but the butcher's abused, deaf-mute wife seems mystically connected to the great beast, rousing the villagers' fear and anger. That tiger--and others seen later at the zoo--looms here as a symbol of defiant, struggling hope as the deathless man continues his task. VERDICT Demanding one's full attention, this complex, humbling, and beautifully crafted debut from one of The New Yorker's 20 Under 40 is highly recommended for anyone seriously interested in contemporary fiction. [See Prepub Alert, LJ 10/1/10.]--Barbara Hoffert, Library Journal
Copyright 2011 Library Journal, LLC Used with permission.
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Starred review from February 15, 2011
Not even Obrehts place on the New Yorkers current 20 under 40 list of exceptional writers will prepare readers for the transporting richness and surprise of this gripping novel of legends and loss in a broken land. Drawing on the former Yugoslavias fabled past and recent bloodshed, Belgrade-born Obreht portrays two besieged doctors. Natalia is on an ill-advised good will medical mission at an orphanage on what is suddenly the other side, now that war has broken out, when she learns that her grandfather, a distinguished doctor forced out of his practice by ethnic divides, has died far from home. She is beset by memories, particularly of her grandfather taking her to the zoo to see the tigers. We learn the source of his fascination in mesmerizing flashbacks, meeting the village butcher, the deaf-mute Muslim woman he married, and a tiger who escaped the city zoo after it was bombed by the Germans. Of equal mythic mystery is the story of the deathless man. Moments of breathtaking magic, wildness, and beauty are paired with chilling episodes in which superstition overrides reason; fear and hatred smother compassion; and inexplicable horror rules. Every word, every scene, every thought is blazingly alive in this many-faceted, spellbinding, and rending novel of death, succor, and remembrance.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)
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Lorrie Moore, New Yorker online
"Of the books I read this year by people I've never laid eyes on, the most peculiar and brilliant may have been The Tiger's Wife, by Téa Obreht. Constructed from anecdote and fable, it is sometimes written in a kind of medical poetry, its main characters being doctors whose attention to the permeable line between life and death suits the tales of old and new Yugoslavia that Obreht wishes to tell."
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NPR.org, Alan Cheuse's Top 5 Fiction Picks of 2011
"Stunning...Obreht writes with an angel's pen on this tiger's tale within the novel, and on myriad other matters, from birth, death and immortality, creating a skein of descriptive passages flush with brilliant detail and ringing with lyrical diction."
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Elizabeth Taylor, Chicago Tribune Editor's Choice
"Attention all book groups: The Tiger's Wife is an ideal book for discussion, and not only because of the handy reader's guide included, or because of the nifty conversation between Pulitzer Prize winner Jennifer Egan and Tea Obreht...A beguiling blend of realism, myth and legend, this novel possesses a presence and force, essential ingredients for a novel that is very much rooted in reality yet transcends time."
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Colum McCann
"Téa Obreht is the most thrilling literary discovery in years."
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T. C. Boyle
"A novel of surpassing beauty, exquisitely wrought and magical. Téa Obreht is a towering new talent."
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Ann Patchett
"A marvel of beauty and imagination. Téa Obreht is a tremendously talented writer."