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As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.|A New York Times bestseller A Washington Post bestseller A Los Angeles Times bestseller Named a "Best Essay Collection of the Decade" by Literary Hub A Book Riot "Favorite Summer Read of 2020" A Food Tank Fall 2020 Reading Recommendation
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.|A New York Times bestseller A Washington Post bestseller A Los Angeles Times bestseller Named a "Best Essay Collection of the Decade" by Literary Hub A Book Riot "Favorite Summer Read of 2020" A Food Tank Fall 2020 Reading Recommendation
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Au sujet de l’auteur-
Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teaching of Plants and Gathering Moss: A Natural and Cultural History of Mosses. She lives in Syracuse, New York, where she is a SUNY Distinguished Teaching Professor of Environmental Biology, and the founder and director of the Center for Native Peoples and the Environment.
Critiques-
August 19, 2013 With deep compassion and graceful prose, botanist and professor of plant ecology Kimmerer (Gathering Moss) encourages readers to consider the ways that our lives and language weave through the natural world. A mesmerizing storyteller, she shares legends from her Potawatomi ancestors to illustrate the culture of gratitude in which we all should live. In such a culture, “Everyone knows that gifts will follow the circle of reciprocity and flow back to you again... The grass in the ring is trodden down in a path from gratitude to reciprocity. We dance in a circle, not in a line.” Kimmerer recalls the ways that pecans became a symbol of abundance for her ancestors: “Feeding guests around the big table recalls the trees’ welcome to our ancestors when they were lonesome and tired and so far from home.” She reminds readers that “we are showered every day with gifts, but they are not meant for us to keep... Our work and our joy is to pass along the gift and to trust that what we put into the universe will always come back.”
August 1, 2013
Kimmerer (environmental & forest biology, State Univ. of New York Coll. of Environmental Science & Forestry, Syracuse) was awarded the 2005 John Burroughs Medal for outstanding nature writing for her first book, Gathering Moss. In these beautifully written essays, she explores the natural world, wedding the scientific method with the traditional knowledge of indigenous people. Kimmerer herself is a member of the Citizen Potawatomi Nation. Bringing together memoir, history, and science, she examines the botanical world, from pecans to sweetgrass to lichens to the three sisters (corn, beans, and squash), also describing moments of her past, such as boiling down maple sap to make syrup with her children. She shares her efforts to reclaim her culture through studying the language and learning to weave baskets. Intertwined throughout is the history of the injustices perpetrated against indigenous people and the land. Kimmerer writes of investigating the natural world with her students and her efforts to protect and restore plants, animals, and land. A trained scientist who never loses sight of her Native heritage, she speaks of approaching nature with gratitude and giving back in return for what we receive. VERDICT Anyone who enjoys reading about natural history, botany, protecting nature, or Native American culture will love this book.--Sue O'Brien, Downers Grove P.L., IL
Copyright 2013 Library Journal, LLC Used with permission.
Elizabeth Gilbert, author of Eat, Pray, Love and The Signature of All Things
"Robin Wall Kimmerer is writer of rare grace. She writes about the natural world from a place of such abundant passion that one can never quite see the world the same way after having seen it through Kimmerer's eyes. She is a great teacher, and her words are a hymn of love to the world."
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