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The epic new novel from the internationally acclaimed and best-selling author of 1Q84
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.
The epic new novel from the internationally acclaimed and best-selling author of 1Q84
In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverPrologue
Today when I awoke from a nap the faceless man was there before me. He was seated on the chair across from the sofa I’d been sleeping on, staring straight at me with a pair of imaginary eyes in a face that wasn’t.
The man was tall, and he was dressed the same as when I had seen him last. His face-that-wasn’t-a-face was half hidden by a wide-brimmed black hat, and he had on a long, equally dark coat.
“I came here so you could draw my portrait,” the faceless man said, after he’d made sure I was fully awake. His voice was low, toneless, flat. “You promised you would. You remember?”
“Yes, I remember. But I couldn’t draw it then because I didn’t have any paper,” I said. My voice, too, was toneless and flat. “So to make up for it I gave you a little penguin charm.”
“Yes, I brought it with me,” he said, and held out his right hand. In his hand—which was extremely long—he held a small plastic penguin, the kind you often see attached to a cell phone strap as a good-luck charm. He dropped it on top of the glass coffee table, where it landed with a small clunk.
“I’m returning this. You probably need it. This little penguin will be the charm that should protect those you love. In exchange, I want you to draw my portrait.”
I was perplexed. “I get it, but I’ve never drawn a portrait of a person without a face.”
My throat was parched.
“From what I hear, you’re an outstanding portrait artist. And there’s a first time for everything,” the faceless man said. And then he laughed. At least, I think he did. That laugh-like voice was like the empty sound of wind blowing up from deep inside a cavern.
He took off the hat that hid half of his face. Where the face should have been, there was nothing, just the slow whirl of a fog.
I stood up and retrieved a sketchbook and a soft pencil from my studio. I sat back down on the sofa, ready to draw a portrait of the man with no face. But I had no idea where to begin, or how to get started. There was only a void, and how are you supposed to give form to something that does not exist? And the milky fog that surrounded the void was continually changing shape.
“You’d better hurry,” the faceless man said. “I can’t stay here forlong.”
My heart was beating dully inside my chest. I didn’t have much time. I had to hurry. But my fingers holding the pencil just hung there in midair, immobilized. It was as though everything from my wrist down into my hand were numb. There were several people I had to protect, and all I was able to do was draw pictures. Even so, there was no way I could draw him. I stared at the whirling fog. “I’m sorry, but your time’s up,” the man without a face said a little while later. From his faceless mouth, he let out a deep breath, like pale fog hovering over a river.
“Please wait. If you give me just a little more time—”
The man put his black hat back on, once again hiding half of his face.“One day I’ll visit you again. Maybe by then you’ll be able to draw me. Until then, I’ll keep this penguin charm.”
Then he vanished. Like a mist suddenly blown away by a freshening breeze, he vanished into thin air. All that remained was the unoccupied chair and the glass table. The penguin charm was gone from the tabletop.
It all seemed like a short dream. But I knew very well that it wasn’t. If this was a dream,...
Critiques-
August 13, 2018 Murakamiâs latest (following Men Without Women) is a meticulous yet gripping novel whose escalating surreal tone complements the authorâs tight focus on the domestic and the mundane. The unnamed narrator, a talented but unambitious portrait-painter in Tokyo, discovers his wife is having an affair, quits painting, and embarks on a meandering road trip. The narratorâs friend offers to let him stay in the home of his father, Tomohiko Amada, a famous, now-senile painter whose difficult secret from 1930s Vienna unfurls over the course of the book. Once situated on the quiet, mysterious mountainside outside Odawara, the narrator begins teaching painting classes and finds a hidden, violent painting of Amadaâs in the attic called Killing Commendatore, an allegorical adaptation of Don Giovanni. He begins two affairsâone with an older woman who sparks the novel whenever she appearsâand is commissioned by the enigmatic Mr. Menshiki to paint his portrait. Menshiki is preoccupied with a 13-year-old girl named Mariyeâan intriguing character, but one whom the book has an unfortunate tendency to sexualize. At night, the narrator is haunted by a ringing bell coming from a covered pit near his house. This eventually leads him to a magical realm that includes impish physical manifestations of ideas and metaphors. His discovery provokes a pivotal, satisfying moment in his artistic development on the way to a protracted, mystic denouement. The story never rushes, relishing digressions into Bruce Springsteen, the simple pleasures of freshly cooked fish, and the way artists sketch. As the narrator uncovers his talents, the reading experience becomes more propulsive. Murakamiâs sense of humor helps balance the otherworldly and the prosaic, making this a consistently rewarding novel. 250,000-copy announced first printing.
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A struggling portrait artist who is trying to change his career direction is the focus of this new audiobook from acclaimed Japanese novelist Haruki Murakami. Narrator Kirby Heyborne employees a measured tone and pace as the story weaves a fantastic tale featuring an imaginary character and a nod to the theme of capitalism explored in THE GREAT GATSBY. Heyborne handles the more fantastic incidents with the authority and assuredness needed for the listener to accept the imaginary twists and turns. Expect the unexpected from the author of IQ84 and KAFKA ON THE SHORE in this extraordinary work of scope and imagination. R.O. © AudioFile 2018, Portland, Maine
