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NATIONAL BESTSELLER • From the bestselling author of The Circle • The true story of one family, caught between America’s two biggest policy disasters: the war on terror and the response to Hurricane Katrina. "Eggers’ tone is pitch-perfect—suspense blended with just enough information to stoke reader outrage and what is likely to be a typical response: How could this happen in America? ... It’s the stuff of great narrative nonfiction.” —The New York Times Book Review Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family’s unthinkable struggle with forces beyond wind and water.
NATIONAL BESTSELLER • From the bestselling author of The Circle • The true story of one family, caught between America’s two biggest policy disasters: the war on terror and the response to Hurricane Katrina. "Eggers’ tone is pitch-perfect—suspense blended with just enough information to stoke reader outrage and what is likely to be a typical response: How could this happen in America? ... It’s the stuff of great narrative nonfiction.” —The New York Times Book Review Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family’s unthinkable struggle with forces beyond wind and water.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
On moonless nights the men and boys of Jableh, a dusty fishing town on the coast of Syria, would gather their lanterns and set out in their quietest boats. Five or six small craft, two or three fishermen in each. A mile out, they would arrange the boats in a circle on the black sea, drop their nets, and, holding their lanterns over the water, they would approximate the moon.
The fish, sardines, would begin gathering soon after, a slow mass of silver rising from below. The fish were attracted to plankton, and the plankton were attracted to the light. They would begin to circle, a chain linked loosely, and over the next hour their numbers would grow. The black gaps between silver links would close until the fishermen could see, below, a solid mass of silver spinning.
Abdulrahman Zeitoun was only thirteen when he began fishing for sardines this way, a method called lampara, borrowed from the Italians. He had waited years to join the men and teenagers on the night boats, and he'd spent those years asking questions. Why only on moonless nights? Because, his brother Ahmad said, on moon-filled nights the plankton would be visible everywhere, spread out all over the sea, and the sardines could see and eat the glowing organisms with ease. But without a moon the men could make their own, and could bring the sardines to the surface in stunning concentrations. You have to see it, Ahmad told his little brother. You've never seen anything like this.
And when Abdulrahman first witnessed the sardines circling in the black he could not believe the sight, the beauty of the undulating silver orb below the white and gold lantern light. He said nothing, and the other fishermen were careful to be quiet, too, paddling without motors, lest they scare away the catch. They would whisper over the sea, telling jokes and talking about women and girls as they watched the fish rise and spin beneath them. A few hours later, once the sardines were ready, tens of thousands of them glistening in the refracted light, the fishermen would cinch the net and haul them in.
They would motor back to the shore and bring the sardines to the fish broker in the market before dawn. He would pay the men and boys, and would then sell the fish all over western Syria - Lattakia, Baniyas, Damascus. The fishermen would split the money, with Abdulrahman and Ahmad bringing their share home. Their father had passed away the year before and their mother was of fragile health and mind, so all funds they earned fishing went toward the welfare of the house they shared with ten siblings.
Abdulrahman and Ahmad didn't care much about the money, though. They would have done it for free.
Thirty-four years later and thousands of miles west, Abdulrahman Zeitoun was in bed on a Friday morning, slowly leaving the moonless Jableh night, a tattered memory of it caught in a morning dream. He was in his home in New Orleans and beside him he could hear his wife Kathy breathing, her exhalations not unlike the shushing of water against the hull of a wooden boat. Otherwise the house was silent. He knew it was near six o'clock, and the peace would not last. The morning light usually woke the kids once it reached their second-story windows. One of the four would open his or her eyes, and from there the movements were brisk, the house quickly growing loud. With one child awake, it was impossible to keep the other three in bed.
Kathy woke to a thump upstairs, coming from one of the kids' rooms. She listened closely, praying silently for rest. Each morning there was a delicate period, between six and six-thirty, when there was a chance, however remote, that...
Au sujet de l’auteur-
DAVE EGGERS is the author of many books, among them The Circle, The Eyes and the Impossible, The Monk of Mokha, A Hologram for the King, What Is the What, and The Museum of Rain. He is the cofounder of 826 Valencia, a youth writing and tutoring center which has inspired dozens of similar nonprofit organizations around the world, and the founder of McSweeney's, an independent publisher. He has been a finalist for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award, and is the recipient of the Dayton Literary Peace Prize, the Muhammad Ali Humanitarian Award for Education, and the American Book Award.
Critiques-
Timothy Egan, The New York Times Book Review
"Imagine Charles Dickens, his sentimentality in check but his journalistic eyes wide open, roaming New Orleans after it was buried by Hurricane Katrina. . . . Eggers' tone is pitch-perfect--suspense blended with just enough information to stoke reader outrage and what is likely to be a typical response: How could this happen in America? . . . It's the stuff of great narrative nonfiction. . . . Fifty years from now, when people want to know what happened to this once-great city during a shameful episode of our history, they will still be talking about a family named Zeitoun."
The Times-Picayune (New Orleans)
"[A] heartfelt book, so fierce in its fury, so beautiful in its richly nuanced, compassionate telling of an American tragedy, and finally, so sweetly, stubbornly hopeful."
Neil Steiberg, Chicago Sun-Times
"Zeitoun offers a transformative experience to anyone open to it, for the simple reasons that it is not heavy-handed propaganda, not eat-your-peas social analysis, but an adventure story, a tale of suffering and redemption, almost biblical in its simplicity, the trials of a good man who believes in God and happens to have a canoe. Anyone who cares about America, where it is going and where it almost went, before it caught itself, will want to read this thrilling, heartbreaking, wonderful book."
Dan Baum, San Francisco Chronicle
"Which makes you angrier--the authorities' handling of Hurricane Katrina or the treatment of Arabs since Sept. 11, 2001? Can't make up your mind? Dave Eggers has the book for you. . . . Zeitoun is a warm, exciting and entirely fresh way of experiencing Hurricane Katrina. . . . Eggers makes this account completely new, and so infuriating I found myself panting with rage."
O, The Oprah Magazine
"A masterpiece of compassionate reporting about a shameful time in our history."
Chris Nashawaty, Entertainment Weekly
"Eggers's sympathy for Zeitoun is as plain and real as his style in telling the man's story. He doesn't try to dazzle with heartbreaking pirouettes of staggering prose; he simply lets the surreal and tragic facts speak for themselves. And what they say about one man and the city he loves and calls home is unshakably poignant--but not without hope."
Andrew O'Hehir, Salon
"Zeitoun is a story about the Bush administration's two most egregious policy disasters--the War on Terror and the response to Hurricane Katrina--as they collide with each other and come crashing down on one family. Eggers tells the story entirely from the perspective of Abdulrahman and Kathy Zeitoun, although he says he has vigorously double-checked the facts and removed any inaccuracies from their accounts. At first, as a reader, I felt some resistance to this tactic--could the Zeitouns possibly be as wholesome and all-American as Eggers depicts them?--but the sheer momentum, emotional force and imagistic power of the narrative finally sweep such objections away."
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