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Six women—mothers, daughters, sisters—gone missing. Inspired by the unsolved murders of the Chillicothe Six, this harrowing novel tells the story of two sisters, both of whom could be the next victims, from the internationally best-selling author of Betty. "Capture[s] what goes horribly wrong when women don’t fit a customary victim profile...McDaniel artfully evokes each facet of their common humanity, the sinuous landscape, and defiant community in the face of evil." —Oprah Daily Arcade and Daffodil are twins born one minute apart. With their fiery red hair and thirst for escape, they form an unbreakable bond nurtured by their grandmother’s stories. Together, they disappear into their imaginations and forge a world all their own. But what the two sisters can’t escape are the generational ghosts that haunt their family. Growing up in the shadow of their rural Ohio town, the sisters cling tightly to one another. Years later, Arcade wrestles with the memories of her early life, just as a local woman is discovered drowned in the river. Soon, more bodies are found. As her friends disappear around her, Arcade is forced to reckon with the past while the killer circles closer. Arcade’s promise to keep herself and her sister safe becomes increasingly desperate and the powerful riptide of the savage side becomes more difficult to survive. Drawing from the true story of women killed in Chillicothe, Ohio, acclaimed novelist and poet Tiffany McDaniel has written a moving literary testament and fearless elegy for missing women everywhere.
Six women—mothers, daughters, sisters—gone missing. Inspired by the unsolved murders of the Chillicothe Six, this harrowing novel tells the story of two sisters, both of whom could be the next victims, from the internationally best-selling author of Betty. "Capture[s] what goes horribly wrong when women don’t fit a customary victim profile...McDaniel artfully evokes each facet of their common humanity, the sinuous landscape, and defiant community in the face of evil." —Oprah Daily Arcade and Daffodil are twins born one minute apart. With their fiery red hair and thirst for escape, they form an unbreakable bond nurtured by their grandmother’s stories. Together, they disappear into their imaginations and forge a world all their own. But what the two sisters can’t escape are the generational ghosts that haunt their family. Growing up in the shadow of their rural Ohio town, the sisters cling tightly to one another. Years later, Arcade wrestles with the memories of her early life, just as a local woman is discovered drowned in the river. Soon, more bodies are found. As her friends disappear around her, Arcade is forced to reckon with the past while the killer circles closer. Arcade’s promise to keep herself and her sister safe becomes increasingly desperate and the powerful riptide of the savage side becomes more difficult to survive. Drawing from the true story of women killed in Chillicothe, Ohio, acclaimed novelist and poet Tiffany McDaniel has written a moving literary testament and fearless elegy for missing women everywhere.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
Chapter 1
The power of a flower is that she can tower. —Daffodil Poet
The first sin was believing we would never die. The second sin was believing we were alive in the first place.
When a woman disappears, how is she remembered? By her beautiful smile? Her pretty face? The drugs in her system? Or by the johns who all have dope breath and graceless desires?
In Chillicothe, Ohio, there is the familiar quarrel. The same quarrel that is known through once-pastoral fields, where industry was made and generations were supported by grandfathers and fathers working in the paper mill until they came home at night to become the captains of the dinner table while our mothers were women of immortal hands who picked up our dropped prayers and answered them.
But it was all a myth, these gods in ordinary folk. No more real than the heroes of ancient Greece. Chillicothe, Ohio, it turned out, was full of mortals.
The land had once been called Chala-ka-tha by the Indigenous tribes who had lived there for thousands of years before European settlers came to steal it and rename it something the white tongue could own. Chillicothe.
In their white ways, they industrialized the land. Chillicothe rose in building and pitched roof, competing with the surrounding hills. In her newfound kingdom, she had been the first capital of Ohio, before that, too, was taken away. Remnants were found in the presence of a couple of department stores, the aisles married to the turning wheel of shopping carts and Sunday coupons. Beneath the harsh breath of development and asphalt, there existed the rounded tops of the trees blowing in the wind and the traces of those who had come centuries before.
Home to what had been the rich culture of the First Peoples, Chillicothe was a primal place of geometric earthworks and burial mounds. Ripe with fossilized shark teeth, obsidian, and shells from the faraway ocean, the earthworks were magic to someone like me. As a child, I would dig, beneath the seething beetles and below the earthworms, into the deep cool and native soil, hoping to uncover the buried trace of the beautiful and the hidden.
Some folks look at a place by how it is. I like to look at a place by how it would be discovered in the future. What artifacts would Chillicothe, Ohio, leave in the dark ground if it were lost to time? There would be leather straps from the purses of the women who visited the cosmetic counters every Easter sale, plastic straws from the never-ending selection of fast-food joints, camo jackets from the predators, feathers from the nests of the prey. There would be old Tecumseh brochures, family photos from fabric-covered albums, earmarked pages from the Bible, and used needles to remind us we were not perfect.
Most of all, there would be layers. Layers of fury, of beauty, of the hours that shrivel like dry grass. On top of that, as the crowning deposit, there would be the sawdust from the paper mill. Maybe there would even be the smell, mixed into the soil, hardened with the rocks, renewed with each inhale. Locals called the odor coming from the paper mill the smell of money. But for the ones who were not born and raised in Chillicothe, they held their noses and said, “Damn this town stinks.”
There our entire lives, my sister Daffy and me figured it was what the whole world smelled like. A mixture of rotten eggs, hot garbage, and the toxic fumes that wood makes when it is forced to become paper. This odor would spew from the red-and-white-striped stacks, up into the sky, choking the birds. It would fall back down like a blanket upon us and cling to our clothes, hair, and homes.
It was in the...
Critiques-
Starred review from December 19, 2022 McDaniel’s stunning latest (after Betty) draws on a string of real-life unsolved murders and disappearances in Chillicothe, Ohio. The economically depressed town reeks of funk from the paper mill and an equally pungent stench of despair. Twin sisters Arcade and Daffy retreat into their fierce imaginations while growing up in the 1980s, despite their parents being addicted to heroin. Their resilience persists even after their father dies from an overdose: Daffy shows promise as a swimmer and poet, Arcade as an amateur archaeologist. By the time the two become teens, they too succumb to heroin addiction and turn to sex work to support their habit. They form fervent friendships with a group of other young women, calling themselves the “Chillicothe Queens,” though their “crowns” are the blissful highs of heroin. After a woman turns up dead in the river, followed by others including some of the twins’ friends, Arcade grows increasingly desperate to save them from a similar fate. McDaniel portrays the twins and the others in their group as almost preternaturally bright, full of knowledge and wonder, making for an aching contrast to their traumas of addiction, abuse, violence, and loss. It’s a striking portrayal of women fighting for their lives, and one readers won’t soon forget.
McDaniel's (Betty; The Summer That Melted Everything) latest is based on the actual unsolved murders of the Chillicothe Six, a group of six women who went missing between 2014 and 2015; four were found dead, and two are still unaccounted for. Whose lives count? When someone seen as undesirable dies, is it worth an investigation? Chillicothe, OH, was once the epitome of an idyllic Midwestern town. Then opioids took hold, and like so many other places in rural Ohio, the town fell to pieces. The story focuses on twins Arc and Daffy, who are creative and full of promise but must fend for themselves as those around them are consumed by poverty, addiction, and hopelessness. Amid these desperate circumstances, women begin to go missing, and it seems the sisters and their friends may be in danger themselves. McDaniel, who has a personal connection to one of the missing people, sensitively portrays the women, asking what they might have been if they had not met untimely ends. Narrator Catherine Taber gives voice and heart to each woman, emphasizing McDaniel's point that these women mattered. VERDICT This haunting and elegant story is perfect for true-crime fans. A thought-provoking and important addition to any audio collection.--Heather Davidson Maneiro
Copyright 2023 Library Journal, LLC Used with permission.
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