From the New York Times bestselling author of Eleanor & Park and Fangirl, comes a hilarious, heart-wrenching take on love, marriage, and magic phones.
Georgie McCool knows her marriage is in trouble. That it's been in trouble for a long time. She still loves her husband, Neal, and Neal still loves her, deeply-but that almost seems beside the point now.
Maybe that was always beside the point.
Two days before they're supposed to visit Neal's family in Omaha for Christmas, Georgie tells Neal that she can't go. She's a TV writer, and something's come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her-Neal is always a little upset with Georgie-but she doesn't expect to him to pack up the kids and go without her.
When her husband and the kids leave for the airport, Georgie wonders if she's finally done it. If she's ruined everything.
That night, Georgie discovers a way to communicate with Neal in the past. It's not time travel, not exactly, but she feels like she's been given an opportunity to fix her marriage before it starts. . . .
Is that what she's supposed to do?
Or would Georgie and Neal be better off if their marriage never happened?
From the New York Times bestselling author of Eleanor & Park and Fangirl, comes a hilarious, heart-wrenching take on love, marriage, and magic phones.
Georgie McCool knows her marriage is in trouble. That it's been in trouble for a long time. She still loves her husband, Neal, and Neal still loves her, deeply-but that almost seems beside the point now.
Maybe that was always beside the point.
Two days before they're supposed to visit Neal's family in Omaha for Christmas, Georgie tells Neal that she can't go. She's a TV writer, and something's come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her-Neal is always a little upset with Georgie-but she doesn't expect to him to pack up the kids and go without her.
When her husband and the kids leave for the airport, Georgie wonders if she's finally done it. If she's ruined everything.
That night, Georgie discovers a way to communicate with Neal in the past. It's not time travel, not exactly, but she feels like she's been given an opportunity to fix her marriage before it starts. . . .
Is that what she's supposed to do?
Or would Georgie and Neal be better off if their marriage never happened?
Reviews-
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May 26, 2014
Rowell follows up children’s novels Fangirl and Eleanor and Park, both released in 2013, with an adult novel about the ups and downs of marriage. Georgie McCool (yes, that’s her real name) is a successful TV writer with a handsome writing partner and a chance to finally take her career to the next level; she’s just been offered her own pilot, which means no more writing jokes for characters she didn’t invent. The only problem? Her husband, Neal, is growing increasingly discontent with Georgie’s endless work and his status as stay-at-home dad to their daughters, Noomi and Alice. When Georgie cancels the family trip over Christmas, Neal takes the girls and leaves Georgie behind. This is where the story gets interesting. When Georgie calls Neal’s home, she doesn’t reach the husband who’s on the verge of leaving her—she reaches the moody cartoonist she fell in love with during college, a past version of the current Neal. This magical plot device allows Georgie to investigate what drove her and Neal apart in flashbacks, and consider whether they were ever truly happy. Rowell is, as always, a fluent and enjoyable writer—the pages whip by. Still, something about the relationship between Georgie and Neal feels hollow, like it’s missing the complexity of adult love, despite the plot’s special effects. First printing of 100,000. -
July 28, 2014
Rowell’s touching romance has a supernatural twist, a telephonic portal that allows TV comedy writer Georgie to time travel back and forth from the present day to the period before she was married using a vintage rotary-dial telephone. Georgie and her husband, Neal, are struggling in their marriage at the beginning of the book. Georgie forgoes the family Christmas vacation to stay behind for work, while Neal, whose understated irritation is deftly implied by narrator Lowman, takes the planned trip with the kids. When Georgie can’t reach Neal, she discovers a magic landline that allows her present-day self to talk to a younger, bachelor version of Neal. Lowman captures the sweetness and vulnerability of their college courtship; there are intimate moments, spoken slowly and seductively, that are lovely and voyeuristic, including the couple’s first kiss. When Georgie coos Neal’s name, the heat is tangible. Lowman nimbly distinguishes between her women characters, capturing their confidence and quirkiness. Neal’s voice can be flat and is less appealing, but he isn’t supposed to be as charismatic as Georgie. Fans will enjoy this fresh take on the time warp. A St. Martin’s hardcover. -
In a low, confidential voice, narrator Rebecca Lowman introduces us to Georgie McCool, a sitcom writer whose marriage is in trouble. Separated from her family at Christmas and camping out at her mother's house, Georgie discovers that the old rotary phone in her childhood bedroom can somehow, magically, connect her to the 15-years-ago version of her husband, Neal. Some early sections of the book might call for a slightly zippier delivery, as when Georgie's trading quips with her writing partner and best friend, Seth. But Lowman's tone is perfect for the intimate, late-night phone conversations between Georgie and Neal. Rowell's writing deftly avoids cliché, and the book's action builds cleverly. Listeners might find themselves a bit breathless for the final two hours as Lowman skillfully sweeps us along to the satisfying, romantic, hopeful conclusion. J.M.D. © AudioFile 2014, Portland, Maine
