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At the Water's Edge
Cover of At the Water's Edge
At the Water's Edge
A Novel
Borrow Borrow
NEW YORK TIMES BESTSELLER • “A daring story of adventure, friendship, and love in the shadow of WWII” (Harper’s Bazaar) from the renowned author of Ape House and Water for Elephants

“Gripping, compelling . . . Gruen’s characters are vividly drawn and her scenes are perfectly paced.”—The Boston Globe

In January 1945, when Madeline Hyde and her husband, Ellis, are cut off financially by his father, a retired army colonel who is ashamed of his son’s inability to serve, Ellis decides that the only way to regain his father’s favor is to succeed where the Colonel very publicly failed—by hunting down the famous Loch Ness monster. Leaving her sheltered world behind, Maddie reluctantly follows Ellis and his best friend, Hank, to a remote village in the Scottish Highlands. Gradually, the friendships Maddie forms with the townspeople open her up to a larger world than she knew existed. Maddie begins to see that nothing is as it first appears, and as she embraces a fuller sense of who she might be, she becomes aware not only of darker forces around her but of life’s surprising possibilities.
NEW YORK TIMES BESTSELLER • “A daring story of adventure, friendship, and love in the shadow of WWII” (Harper’s Bazaar) from the renowned author of Ape House and Water for Elephants

“Gripping, compelling . . . Gruen’s characters are vividly drawn and her scenes are perfectly paced.”—The Boston Globe

In January 1945, when Madeline Hyde and her husband, Ellis, are cut off financially by his father, a retired army colonel who is ashamed of his son’s inability to serve, Ellis decides that the only way to regain his father’s favor is to succeed where the Colonel very publicly failed—by hunting down the famous Loch Ness monster. Leaving her sheltered world behind, Maddie reluctantly follows Ellis and his best friend, Hank, to a remote village in the Scottish Highlands. Gradually, the friendships Maddie forms with the townspeople open her up to a larger world than she knew existed. Maddie begins to see that nothing is as it first appears, and as she embraces a fuller sense of who she might be, she becomes aware not only of darker forces around her but of life’s surprising possibilities.
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  • Chapter One Chapter One

    Scottish Highlands, January 14, 1945

    “Oh God, make him pull over,” I said as the car slung around yet another curve in almost total darkness.

    It had been nearly four hours since we’d left the naval base at Aultbea, and we’d been careening from checkpoint to checkpoint since. I truly believe those were the only times the driver used the brakes. At the last checkpoint, I was copiously sick, narrowly missing the guard’s boots. He didn’t even bother checking our papers, just lifted the red and white pole and waved us on with a look of disgust.

    “Driver! Pull over,” said Ellis, who was sitting in the backseat between Hank and me.

    “I’m afraid there is no ‘over,’ ” the driver said in a thick Highland accent, his R’s rolling magnificently. He came to a stop in the middle of the road.

    It was true. If I stepped outside the car I would be ankle-deep in thorny vegetation and mud, not that it would have done any more to destroy my clothes and shoes. From head to toe I was steeped in sulfur and cordite and the stench of fear. My stockings were mere cobwebs stretched around my legs, and my scarlet nails were broken and peeling. I hadn’t had my hair done since the day before we’d sailed from the shipyard in Philadelphia. I had never been in such a state.

    I leaned out the open door and gagged while Ellis rubbed my back. Wet snow collected on the top of my head.

    I sat up again and pulled the door shut. “I’m sorry. I’m finished. Do you think you can take those things off the headlights? I think it would be better if I could see what’s coming.” I was referring to the slotted metal plates our one-eyed driver had clipped on before we’d left the base. They limited visibility to about three feet ahead of us.

    “Can’t,” he called back cheerfully. “It’s the Blackout.” As he cranked up through the gears, my head lurched back and forth. I leaned over and cradled my face in my hands.

    Ellis patted my shoulder. “We should be nearly there. Do you think fresh air would help?”

    I sat up and let my head flop against the back of the torn leather seat. Ellis reached across and rolled the window down a crack. I turned toward the cold air and closed my eyes.

    “Hank, can you please put out your cigarette?”

    He didn’t answer, but a whoosh of frigid air let me know he had tossed it out the window.

    “Thank you,” I said weakly.

    Twenty minutes later, when the car finally came to a stop and the driver cut the engine, I was so desperate for solid ground I spilled out before the driver could get his own door open, never mind mine. I landed on my knees.

    “Maddie!” Ellis said in alarm.

    “I’m all right,” I said.

    There was a fast-moving cloud cover under a nearly full moon, and by its light I first laid eyes on our unlikely destination.

    I climbed to my feet and reeled away from the car, thinking I might be sick again. My legs propelled me toward the building, spinning ever faster. I crashed into the wall, then slid down until I was crouching against it.

    In the distance, a sheep bleated.

    . . .

    To say that I wished I wasn’t there would be a ludicrous understatement, but I’d only ever had the illusion of choice:

    We have to do this, Hank had said. It’s for Ellis.

    To refuse would have been tantamount to betrayal, an act of calculated cruelty. And so, because of my husband’s war with his...
About the Author-
  • Sara Gruen is the #1 New York Times and USA Today bestselling author of At the Water's Edge, Water for Elephants, Ape House, Riding Lessons, and Flying Changes. Her works have been translated into forty-three languages and have sold more than ten million copies worldwide. Water for Elephants was adapted into a major motion picture starring Reese Witherspoon, Rob Pattinson, and Christoph Waltz in 2011. She lives in western North Carolina with her husband and three sons, along with their dogs, cats, horses, birds, and the world’s fussiest goat.
Reviews-
  • Publisher's Weekly

    March 23, 2015
    Gruen’s (Water for Elephants) riveting fifth novel follows Philadelphia socialite Madeline Hyde; her husband, Ellis; and his best friend, Hank, on a quest to Loch Ness in January 1945 as they seek proof of the legendary monster, which Ellis’s father allegedly photographed 13 years earlier. Once the trio is ensconced in the tiny village of Drumnadrochit, Hank and Ellis begin disappearing for days at a time, leaving Maddie alone back at the inn with no ration card, no practical skills, and no emergency gear. She soon bonds with the locals—even Angus, the inn’s brooding, standoffish owner—and her newfound friendships help her cope with household chores and air raids alike. As the days drag on, Maddie begins to uncover truths about her family, as well as secrets about Ellis, that force her to reimagine her entire life as she knows it. A slow start gives way to mystery upon mystery, building to a gripping climax. Though some aspects, particularly an ambiguous brush with the supernatural, are a little pedestrian, Gruen’s beautiful setting and deeply sympathetic characters ensure a memorable read for new and returning fans alike.

  • Kirkus

    January 15, 2015
    Three spoiled brats from Philadelphia go to Scotland to look for the Loch Ness monster in the middle of World War II."I pointed out, as gently as I could, what I'd hoped was obvious: that it made no sense whatsoever to throw ourselves into the middle of an ocean crawling with U-boats on a quest to find a monster that probably didn't even exist," explains Maddie Hyde as she embarks on that very journey with her husband and their best friend. If only she could have gotten this across to Gruen (Ape House, 2010, etc.), who is not likely to replicate the success of the best-selling Water for Elephants (2006) with this silly novel. Unlike the other brave boys of their generation, Ellis and Hank are not off fighting Hitler; they are 4-F due to color blindness and flat feet, respectively. Instead of hanging around town being sneered at by their friends and family, they scoop up Maddie and take off for Scotland, where their dubious plan is to redeem the reputation of Ellis' father, who supposedly faked a sighting of Nessie a decade earlier, by this time really finding the monster. After a gruesome trip through the Battle of the Atlantic, they arrive at the tiny village of Drumnadrochit, where they take rooms at a run-down public house run by a crew from Central Casting: a gruff, wild-looking innkeeper, a beautiful red-haired barmaid, etc. While Ellis and Hank spend their days getting wildly drunk and monster-hunting, Maddie befriends the locals and learns to make a bed and mash potatoes. Various types of forbidden love, deception and skullduggery ensue. Gruen's handling of air raids, food rations, sad telegrams and reports from the front makes the thinness of the story's premise all the more awkward. At heart, this is an unlikely romance novel. A little too unlikely.

    COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    February 15, 2015
    Lacking a strong cast of sympathetic protagonists, Gruen's latest is slightly off target. Though she combines historical fiction, romance, and fable to good effect, and her narrative description is often sublime, a cast of extremely unlikable main characters prohibits the author from scoring the literary bull's-eye she achieved in Water for Elephants (1992). In 1945, three admittedly spoiled brats, who humiliated themselves and their families on the social circuit, take off for a lark in the Scottish Highlands. While hunting for the elusive Loch Ness monster as a way of redeeming themselves and their fortunes, married Maddie and Ellis and perennial sidekick Hank are also faced with the daunting task of sorting out their own issues, including their own unresolved love triangle. As Maddie connects with the environment and the locals, her self-awareness deepens, while Ellis and Hank seem to regress. Though the waning days of WWII initially seem like a strange backdrop for this tale, as Maddie shows signs of emotional growth, it begins to make more sense as an effective narrative counterpoint. Though flawed, this ambitious novel is a natural for the book-club set.HIGH-DEMAND BACKSTORY: Since she scored an undisputed literary and best-selling bull's-eye with Water for Elephants, anything Gruen writes is destined to fly off the shelves.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

  • BookPage "Breathtaking . . . a daring story of adventure, friendship, and love in the shadow of WWII."--Harper's Bazaar "A gripping, compelling story . . . [Sara] Gruen's characters are vividly drawn and her scenes are perfectly paced."--The Boston Globe "A page-turner of a novel that rollicks along with crisp historical detail."--Fort Worth Star-Telegram "Powerfully evocative."--USA Today "Gruen is a master at the period piece--and [this] novel is just another stunning example of that craft."--Glamour "A captivating tale."--Us Weekly "Utterly winning."--The Miami Herald "A compelling, enthralling read, a novel which captivates and rewards, paying off in a series of emotional and narrative twists . . . comfort reading of the highest order."--The Globe and Mail "A super steamy love story."--Good Housekeeping "[Gruen] conveys the lure of the Scottish Highlands. . . . At the Water's Edge captivates with its drama, intrigue and glimpses of both the dark and light of humanity."
  • Booklist "A heartwarming story about life, and the places it can potentially take you."--InStyle "A natural for the book-club set."
  • Kristin Hannah, New York Times bestselling author of The Nightingale "If I needed a reminder why I am such a fan of Sara Gruen's books, her latest novel provides plenty. Unique in its setting and scope, this impeccably researched historical fiction is full of the gorgeous prose I've come to expect from this author. And even after the final page, its message still resonates with me: The monsters we seek may be right in front of us. In fact, the only fault I can find with this book is that I've already finished it."--Jodi Picoult, New York Times bestselling author of Leaving Time "I devoured this book. Once again Sara Gruen has proven herself to be one of America's most compelling storytellers. You might be tempted to rush to get to the answers at the end--but don't, or you'll miss the delectable journey that is Gruen's prose."--Kathryn Stockett, New York Times bestselling author of The Help "Magical . . . At the Water's Edge skillfully transports us to a small, tenacious Scottish village in the grip of war, and into the heart of Madeline Hyde, a woman who is a stranger to herself until forces convene to rock her awake. Sara Gruen is a wizard at capturing the essence of her historical setting, and does so here in spades, but it's Maddie's unexpected transformation that grounds and drives the novel. As her husband and best friend search the surface of the Loch, desperate for a sign of the elusive creature, Maddie learns to plumb her own depths, and comes fully alive to the world around her."--Paula McLain, New York Times bestselling author of The Paris Wife "At the Water's Edge is a rich, beautiful novel. Elegantly written and compulsively readable, it is at once a gripping love story, a profound examination of the effects of war on ordinary women, and a compelling portrait of female friendship. While delving into powerful themes, Sara Gruen never loses sight of what matters: her characters. This story of one privileged young woman, coming of age in a time of impossible upheaval and terrible choices, will keep you riveted until the very last page."
  • Joshilyn Jackson, New York Times bestselling author of Someone Else's Love Story "Intoxicating . . . Sara Gruen has an exquisite eye for detail, and she evokes the haunted--and haunting--Scottish landscape with her signature passion, freshness, and scope. Atmospheric and gritty, the compelling tale of Madeline's struggle to redefine herself in a world gone mad will linger long after you turn the final page. I love this marvelous, marvelous book."
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