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Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte's Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator-one about a white photographer, the other about a Filipino schoolteacher. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino's If on a Winter's Night a Traveler, Julio Cortazar's Hopscotch, and Nabokov's Pale Fire. But at its heart this is a novel of emotional power that grapples with our endless ability to erase the past. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.
Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte's Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator-one about a white photographer, the other about a Filipino schoolteacher. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino's If on a Winter's Night a Traveler, Julio Cortazar's Hopscotch, and Nabokov's Pale Fire. But at its heart this is a novel of emotional power that grapples with our endless ability to erase the past. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Gina Apostol is the author of the novels Insurrecto, Gun Dealers' Daughter, Bibliolepsy, and The Revolution According to Raymundo Mata. She is the winner of two Philippine National Book Awards, the PEN/Open Award, and the Rome Prize. She lives in New York City and western Massachusetts.
Reviews-
Starred review from September 3, 2018 Apostol (Gun Dealer’s Daughter) fearlessly probes the long shadow of forgotten American imperialism in the Philippines in her ingenious novel of competing filmmakers. Chiara Brasi, daughter of the director of The Unintended, a Vietnam War movie shot in the Philippines, comes to Manila to make her own film. She hires Magsalin, a translator, to take her to the Philippine island of Samar (near where Magsalin was born) and the town of Balangiga, site of a brutal American massacre of revolutionaries in 1901 during the Philippine-American War. Chiara and Magsalin craft two very different scripts for the film. One script focuses on Cassandra Chase, a well-connected photographer who travels to the Philippines to produce stereographs of the American military’s actions. She faces extreme hostility from the soldiers, including the inexperienced and devoutly Catholic Capt. Thomas Connell. The second script more elusively follows Caz, a Filipino school teacher, who mourns the death of an eccentric film director she had an affair with in the 1970s. This is a complex and aptly vertiginous novel that deconstructs how humans tell stories and decide which versions of events are remembered; names repeat between scripts, and directors suddenly interrupt what feels like historical narration. Apostol’s layers of narrative, pop culture references, and blurring of history and fiction make for a profound and unforgettable journey into the past and present of the Philippines.
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