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All the Broken Places
Cover of All the Broken Places
All the Broken Places
A Novel
Borrow Borrow
“You can’t prepare yourself for the magnitude and emotional impact of this powerful novel.” —John Irving, #1 New York Times bestselling author of The World According to Garp
“Exceptional, layered and compelling…This book moves like a freight train.” —Amy Bloom, New York Times bestselling author of In Love
From the New York Times bestselling author John Boyne, a devastating, beautiful story about a woman who must confront the sins of her own terrible past, and a present in which it is never too late for bravery

Ninety-one-year-old Gretel Fernsby has lived in the same well-to-do mansion block in London for decades. She lives a quiet, comfortable life, despite her deeply disturbing, dark past. She doesn’t talk about her escape from Nazi Germany at age 12. She doesn’t talk about the grim post-war years in France with her mother. Most of all, she doesn’t talk about her father, who was the commandant of one of the Reich’s most notorious extermination camps. 
Then, a new family moves into the apartment below her. In spite of herself, Gretel can’t help but begin a friendship with the little boy, Henry, though his presence brings back memories she would rather forget. One night, she witnesses a disturbing, violent argument between Henry’s beautiful mother and his arrogant father, one that threatens Gretel’s hard-won, self-contained existence.
All The Broken Places moves back and forth in time between Gretel’s girlhood in Germany to present-day London as a woman whose life has been haunted by the past.  Now, Gretel faces a similar crossroads to one she encountered long ago. Back then, she denied her own complicity, but now, faced with a chance to interrogate her guilt, grief and remorse, she can choose  to save a young boy. If she does, she will be forced to reveal the secrets she has spent a lifetime protecting. This time, she can make a different choice than before—whatever the cost to herself….
“You can’t prepare yourself for the magnitude and emotional impact of this powerful novel.” —John Irving, #1 New York Times bestselling author of The World According to Garp
“Exceptional, layered and compelling…This book moves like a freight train.” —Amy Bloom, New York Times bestselling author of In Love
From the New York Times bestselling author John Boyne, a devastating, beautiful story about a woman who must confront the sins of her own terrible past, and a present in which it is never too late for bravery

Ninety-one-year-old Gretel Fernsby has lived in the same well-to-do mansion block in London for decades. She lives a quiet, comfortable life, despite her deeply disturbing, dark past. She doesn’t talk about her escape from Nazi Germany at age 12. She doesn’t talk about the grim post-war years in France with her mother. Most of all, she doesn’t talk about her father, who was the commandant of one of the Reich’s most notorious extermination camps. 
Then, a new family moves into the apartment below her. In spite of herself, Gretel can’t help but begin a friendship with the little boy, Henry, though his presence brings back memories she would rather forget. One night, she witnesses a disturbing, violent argument between Henry’s beautiful mother and his arrogant father, one that threatens Gretel’s hard-won, self-contained existence.
All The Broken Places moves back and forth in time between Gretel’s girlhood in Germany to present-day London as a woman whose life has been haunted by the past.  Now, Gretel faces a similar crossroads to one she encountered long ago. Back then, she denied her own complicity, but now, faced with a chance to interrogate her guilt, grief and remorse, she can choose  to save a young boy. If she does, she will be forced to reveal the secrets she has spent a lifetime protecting. This time, she can make a different choice than before—whatever the cost to herself….
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  • From the cover Part 1

    The Devil's Daughter

    London 2022 / Paris 1946

    One

    If every man is guilty of all the good he did not do, as Voltaire suggested, then I have spent a lifetime convincing myself that I am innocent of all the bad. It has been a convenient way to endure decades of self-imposed exile from the past, to see myself as a victim of historical amnesia, acquitted from complicity, and exonerated from blame.

    My final story begins and ends, however, with something as trivial as a box cutter. Mine had broken a few days earlier and, finding it a useful tool to keep in a kitchen drawer, I paid a visit to my local hardware shop to purchase a new one. Upon my return, a letter was waiting for me from an estate agent, a similar one delivered to every resident of Winterville Court, politely informing each of us that the flat below my own was being put up for sale. The previous occupant, Mr. Richardson, had lived in Flat One for some thirty years but died shortly before Christmas, leaving the dwelling empty. His daughter, a speech therapist, resided in New York and, to the best of my knowledge, had no plans to return to London, so I had made my peace with the fact that it would not be long before I was forced to interact with a stranger in the lobby, perhaps even having to feign an interest in his or her life or be required to divulge small details about my own.

    Mr. Richardson and I had enjoyed the perfect neighborly relationship in that we had not exchanged a single word since 2008. In the early years of his residence, we'd been on good terms and he had occasionally come upstairs for a game of chess with my late husband, Edgar, but somehow, he and I had never moved past the formalities. He always addressed me as "Mrs. Fernsby" while I referred to him as "Mr. Richardson." The last time I set foot in his flat had been four months after Edgar's death, when he invited me for supper and, having accepted the invitation, I found myself on the receiving end of an amorous advance, which I declined. He took the rejection badly and we became as near to strangers as two people who coexist within a single building can be.

    My Mayfair residence is listed as a flat but that is a little like describing Windsor Castle as the Queen's weekend bolthole. Each apartment in our building-there are five in total, one on the ground floor, then two on both floors above-is spread across fifteen hundred square feet of prime London real estate, each with three bedrooms, two and a half bathrooms, and views over Hyde Park that value them, I am reliably informed, at somewhere between £2 and £3 million apiece. Edgar came into a substantial amount of money a few years after we married, an unexpected bequest from a spinster aunt, and while he would have preferred to move to a more peaceful area outside Central London, I had done some research of my own and was determined not only to live in Mayfair but to reside in this particular building, should it ever prove possible. Financially, this had seemed unlikely but then, one day, like a deus ex machina, Aunt Belinda passed away and everything changed. I'd always planned on explaining to Edgar the reason why I was so desperate to live here, but somehow never did, and I rather regret that now.

    My husband was very fond of children but I agreed only to one, giving birth to our son, Caden, in 1961. In recent years, as the property has increased in value, Caden has encouraged me to sell and purchase something smaller in a less expensive part of town, but I suspect this is because he worries that I might live to be a hundred and he is keen to receive a portion of his inheritance while he is still young enough to enjoy it....
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  • AudioFile Magazine Narrator Helen Lloyd portrays 91-year-old Gretel Fernsby, who lives in present-day London. Kristin Atherton portrays the young Gretel, daughter of the Nazi commandant of a concentration camp. Lloyd and Atherton alternate chapters revealing events from Gretel's past, which she has kept secret all these years. Both narrators use British accents devoid of German or French inflection. Atherton clips the younger Gretel's sentences, making her sound cold and brusque. As the present-day Gretel is presented with a dilemma involving a neighbor's abused child, Lloyd gradually reveals a character who is filled with guilt, a feeling of complicity, and grief for her role during the Holocaust. While Gretel's memories can be difficult to listen to, the conflict presented by her opportunity for atonement allows Lloyd to shine. M.B.K. © AudioFile 2023, Portland, Maine
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