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*A New York Times Bestseller* From New York Times bestselling author Fiona Davis, an utterly addictive new novel that will transport you from New York City’s most glamorous party to the labyrinth streets of Cairo and back. Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. That is until an unbearable tragedy strikes. New York City, 1978: Nineteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.” Meanwhile, Charlotte is now leading a quiet life as the associate curator of the Met’s celebrated Department of Egyptian Art. She’s consumed by her research on Hathorkare—a rare female pharaoh dismissed by most other Egyptologists as unimportant. The night of the gala: One of the Egyptian art collection’s most valuable artifacts goes missing, and there are signs Hathorkare’s legendary curse might be reawakening. Annie and Charlotte team up to search for the missing antiquity, and a desperate hunch leads the unlikely duo to one place Charlotte swore she’d never return: Egypt. But if they have any hope of finding the artifact, Charlotte will need to confront the demons of her past—which may mean leading them both directly into danger.
*A New York Times Bestseller* From New York Times bestselling author Fiona Davis, an utterly addictive new novel that will transport you from New York City’s most glamorous party to the labyrinth streets of Cairo and back. Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. That is until an unbearable tragedy strikes. New York City, 1978: Nineteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.” Meanwhile, Charlotte is now leading a quiet life as the associate curator of the Met’s celebrated Department of Egyptian Art. She’s consumed by her research on Hathorkare—a rare female pharaoh dismissed by most other Egyptologists as unimportant. The night of the gala: One of the Egyptian art collection’s most valuable artifacts goes missing, and there are signs Hathorkare’s legendary curse might be reawakening. Annie and Charlotte team up to search for the missing antiquity, and a desperate hunch leads the unlikely duo to one place Charlotte swore she’d never return: Egypt. But if they have any hope of finding the artifact, Charlotte will need to confront the demons of her past—which may mean leading them both directly into danger.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the cover
CHAPTER TWO
Charlotte
EGYPT, 1936 When Charlotte Cross signed up to study abroad in Egypt for four months, she did not expect her responsibilities to include administering antivenom to counteract cobra bites. As the only undergraduate among an international team of professional archaeologists and PhD candidates, she was there to observe, assist, and pretty much stay out of the way as the others excavated the ruins of a small walled village where ancient Egyptian artisans and craftsmen had once resided.
So far, the majority of the artifacts unearthed from the villagers’ brick homes were flakes of limestone covered with writing, called ostraca—the equivalent of ancient Egyptian notebooks. The team, under the leadership of a curator from the Met Museum named Grayson Zimmerman, had amassed bills, wills, wedding announcements, medical diagnoses, and prescriptions, dated as far back as 1500 BC, which all together told a detailed story of the average ancient Egyptian’s life. One of Charlotte’s duties was translating some of the items into English, a painstaking process that left her right hand sore but which she performed with great zeal. Just that morning, she’d spent two hours transcribing a contract between a scribe named Ankhsheshonq and a master craftsman that involved detailed instructions for altering existing reliefs, as commanded by the reigning pharaoh, before turning to a transcription of a shopping list written by some long‑lost servant girl.
That afternoon, though, a group of strangers approached the camp, led by a grim‑looking Bedouin with a bloody bite between his finger and thumb. One of his fellow tribesmen carried a limp six‑foot‑long serpent. The dig team’s leaders were off in Luxor, overseeing the transfer of artifacts onto a barge on the Nile, which meant there was no one else present who knew what to do, other than Charlotte.
Not that Charlotte was all that qualified. She’d grown up in New York City’s Greenwich Village, where snakes were only read about in books or viewed postmortem in dioramas at the Museum of Natural History. But her father was a doctor and her mother suffered from diabetes, requiring regular injections, which made Charlotte less queasy about grabbing the medical kit from the dispensary, located next to the kitchen tent where she’d been helping the cook prepare lunch (another one of her assigned duties that had nothing to do with digging, but which she gladly performed). Box in hand, she found the Bedouin sitting stiffly in one of the camp’s foldable chairs. His hand was already the size of a grapefruit and the color of a plum; Charlotte didn’t have much time.
Charlotte knelt beside the Bedouin and opened the emergency kit, withdrawing the prefilled syringe with care.
“I don’t see why we should waste our supplies on the natives,” murmured a voice a few feet behind her. She recognized it as that of Leon, an archaeology doctoral candidate from England who was never satisfied with his lot, always wanting to have the first go at a promising location and quick to move on if his desultory efforts weren’t rewarded.
She ignored him. By now, a large cohort of the team had gathered. One of the other archaeologists, Henry, who’d only recently joined them from England, knelt beside her. “What’s going on, can I help?” he asked brightly. But his demeanor changed when he caught sight of what was in Charlotte’s hands. He blinked a couple of times, then stared intently into her eyes. For a split second, she thought he was flirting...
Reviews-
August 1, 2024
Davis, bestselling author of The Lions of Fifth Avenue, a GMA book club pick, sets her newest in NYC and Egypt. In 1936, Charlotte worked on a dig in the Valley of the Kings. In 1978, she is an associate curator at the Met. Also at the Met is 18-year-old Annie, working with Diana Vreeland on the famous Costume Institute gala. When an artifact goes missing from the museum, Charlotte and Annie join forces to find it. Prepub Alert.
Copyright 2024 Library Journal
Copyright 2024 Library Journal, LLC Used with permission.
October 15, 2024 Two timelines intertwine in the latest from prolific historical fiction author Davis (The Spectacular, 2021), following the lives of Charlotte Cross and Annie Jenkins. In Egypt, 1937, Charlotte, an anthropology student in the Valley of the Kings, makes life-altering discoveries and falls in love, leading her into the dangerous world of stolen antiquities and the rumored curse of Hathorkare, a misunderstood female pharaoh. Meanwhile, in 1978 New York, after years of caring for her mother, 18-year-old Annie struggles to find her own path. Charlotte's and Annie's stories converge at the Metropolitan Museum during preparations for the lavish Met Gala. Older, wiser, and still haunted by her past in Egypt, Charlotte reconnects with an artifact she hasn't seen in 40 years and must finally confront her long-buried secrets, while Annie learns to take control of her own life. With its themes of antiquities repatriation, personal loss, and women's resilience, The Stolen Queen is a captivating exploration of identity and strength, with twists that will compel readers till the very end.
COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED.
September 9, 2024 In this alluring outing from Davis (The Spectacular), two women team up to find an artifact that’s gone missing from the Metropolitan Museum of Art. It’s 1978 and curator Charlotte Cross, who specializes in Egyptian antiquities, has spent the past three years working to prove female pharaoh Hathorkare was not “universally reviled,” and that her visage was not damaged directly after her death, as conventionally believed, but decades later. Charlotte must visit Egypt to prove her thesis, a trip she’s avoided because of devastating memories from when she studied abroad there in the 1930s. In a parallel narrative, 19-year-old housekeeper Annie Jenkins dreams of becoming a fashion designer. When she lands a job as the assistant to Met Gala organizer Diana Vreeland, she thinks she’s hit the jackpot. But the night of the gala, one of the museum’s most famous Egyptian pieces disappears, and Charlotte and Annie join forces to track it down. Their search leads them to Egypt, where Charlotte will finally face her past—if she and Annie aren’t killed first. The action-packed novel brims with Davis’s customary meticulous research and adds insight to debates over whether artifacts should remain in their country of origin. There’s plenty of substance to this rousing adventure. Agent: Stefanie Lieberman, Janklow & Nesbit Assoc.
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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