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Gone
Cover of Gone
Gone
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BONUS: This edition contains an excerpt from Jonathan Kellerman's Guilt.
#1 NEW YORK TIMES BESTSELLER
 
Missing acting students Dylan and Michaela are found in the remote mountains of Malibu, battered and terrified after a harrowing ordeal at the hands of a sadistic abductor. But forensic evidence soon exposes the incident as a hoax, and the kids are charged as criminals themselves.
 
“Kellerman shows why he is called the ‘master of the psychological thriller.’”—Orlando Sentinel
 
After examining Michaela, psychologist Alex Delaware is certain that there’s more to this sordid psychodrama, and his instincts prove dead-on when she is savagely murdered. Casting their dragnet into the murkiest corners of L.A., Delaware and homicide cop Milo Sturgis unearth more questions than answers—and a host of eerily identical killings. What bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?
BONUS: This edition contains an excerpt from Jonathan Kellerman's Guilt.
#1 NEW YORK TIMES BESTSELLER
 
Missing acting students Dylan and Michaela are found in the remote mountains of Malibu, battered and terrified after a harrowing ordeal at the hands of a sadistic abductor. But forensic evidence soon exposes the incident as a hoax, and the kids are charged as criminals themselves.
 
“Kellerman shows why he is called the ‘master of the psychological thriller.’”—Orlando Sentinel
 
After examining Michaela, psychologist Alex Delaware is certain that there’s more to this sordid psychodrama, and his instincts prove dead-on when she is savagely murdered. Casting their dragnet into the murkiest corners of L.A., Delaware and homicide cop Milo Sturgis unearth more questions than answers—and a host of eerily identical killings. What bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?
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Excerpts-
  • Chapter 1 CHAPTER 1

    She nearly killed an innocent man.

    Creighton “Charley” Bondurant drove carefully because his life depended on it. Latigo Canyon was mile after mile of neck-wrenching, hairpin twists. Charley had no use for government meddlers but the 15 mph signs posted along the road were smart.

    He lived ten miles up from Kanan Dume Road, on a four-acre remnant of the ranch his grandfather had owned during Coolidge’s time. All those Arabians and Tennessee walkers and the mules Grandpa kept around because he liked the creatures’ spirit. Charley had grown up with families like his. No-nonsense ranchers, a few rich folk who were still okay when they came up to ride on weekends. Now all you had were rich pretenders.

    Diabetic and rheumatoid and depressed, Charley lived in a two-room cabin with a view of oak-covered crests and the ocean beyond. Sixty-eight, never married. Poor excuse for a man, he’d scold himself on nights when the medicines mixed with the beer and his mood sank low.

    On happier days, he pretended to be an old cowboy.

    This morning, he was somewhere between those extremes. His bunions hurt like hell. Two horses had died last winter and he was down to three skinny white mares and a half-blind sheepdog. Feed and hay bills ate up most of his Social Security. But the nights had been warm for October, and he hadn’t dreamed bad and his bones felt okay.

    It was hay that got him up at seven that morning, rolling out of bed, gulping coffee, chewing on a stale sweet roll, to hell with his blood sugar. A little time-out to get the internal plumbing going and by eight he was dressed and starting up the pickup.

    Coasting in neutral down the dirt road that fed to Latigo, he looked both ways a couple of times, cleared the crust from his eyes, shifted into first, and rolled down. The Topanga Feed Bin was a twenty-minute ride south and he figured to stop along the way at the Malibu Stop & Shop for a few six-packs, a tin of Skoal, and some Pringles.

    Nice morning, a big old blue sky with just a few clouds from the east, sweet air blowing up from the Pacific. Switching on his eight-track, he listened to Ray Price and drove slow enough to stop for deer. Not too many of the pests before dark but you never knew what to expect up in the mountains.

    The naked girl jumped out at him a lot faster than any deer.

    Eyes full of terror, mouth stretched so wide Charley swore he could see her tonsils.

    She ran across the road, straight in the path of his truck, hair blowing wild, waving her arms.

    Stomping the brake pedal hard, Charley felt the pickup lurch, wobble, and sway. Then the sharp skid to the left, straight at the battered guardrail that separated him from a thousand foot of nothing.

    Hurtling toward blue sky.

    He kept hitting the brake. Kept flying. Said his prayers and opened the door and prepared to bail.

    His damn shirt stuck on the door handle. Eternity looked real close. What a stupid way to go!

    Hands ripping at his shirt fabric, mouth working in a combination of curses and benedictions, Charley’s gnarled body tightened, his legs turned to iron bars, and his sore foot pressed that brake pedal down to the damn floorboard.

    The truck kept going, fishtailed, slid, spattered gravel.

    Shuddered. Rolled. Bumped the guard.

    Charley could hear the rail groan.

    The truck stopped.

    Charley freed his shirt and got out. His chest was tight and he couldn’t suck any breath into his lungs....

About the Author-
  • Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California and New Mexico.
Reviews-
  • Publisher's Weekly

    March 27, 2006
    In bestseller Kellerman's pulse-pounding 20th Alex Delaware novel (after 2005's Rage
    ), the Los Angeles psychologist looks into the murder of attractive 23-year-old Michaela Brand, an aspiring actress. Soon after Michaela and a fellow acting student, 24-year-old Dylan Meserve, achieve their 15 minutes of fame by staging their abduction, their hoax is exposed and Michaela turns up dead in circumstances reminiscent of her faked assault. Delaware joins forces with his sometimes official partner in crime, LAPD detective Milo Sturgis, and together they pursue an investigative trail littered with corpses leading to an unconventional acting school and the family of the eccentric woman who runs it. While the murderer's identity may not be that surprising, the author's ability to convey the unrelenting sadness of his characters' lives and his deep psychological insights will satisfy those looking for more than mere thrills. (On sale Mar. 28)

    Correction:
    In the Q&A with Alice Quinn that ran in our Feb. 20 issue, the photo credit should have read Robert Falcetti.

  • Booklist

    March 1, 2006
    In "a reality show episode that backfired," two twentysomethings fake a kidnapping to jump-start their acting careers. When criminal psychologist Alex Delaware is called in to evaluate one of the pair, Michaela Brand, he learns a few details that come in handy later, after she's found brutally murdered, and the case has fallen into the lap of Alex's buddy, Lieutenant Milo Sturges. The murder trail leads back to an acting studio operated by wealthy, drug-addled Nora Dowd; a steady stream of starstruck would-be thespians arrive at the studio--and then sometimes disappear. Gradually, the pool of suspects widens, as more people turn up missing and dead. As usual, Kellerman maintains a tight balance between suspense and characterization, using dialogue to push things quickly along: Delaware and Sturges bounce theories off one another in rapid succession--as much from habit as necessity. Neither gets everything right; the truth is much more horrifying than either suspected. As number 19 in the long-running series, this fast, clever thriller proves again why Kellerman's books reside on best-seller lists.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)

  • Saint Paul Pioneer Press "[Kellerman is] a master of the grab-the-reader contest. . . . The chills start within the first two pages."
  • Entertainment Weekly "An elaborate, tangled web . . . with unsuspected turns at every chapter break . . . This addictive tale . . . is as intricately detailed as it is tantalizingly page-turning."
  • Orlando Sentinel "A perfect whodunit--a tale told with gusto . . . a thrilling, engrossing pace from the first page to the last."
  • The Washington Post "Labyrinthine twists, excellent pacing, and hard-boiled, swaggering dialogue."
  • Associated Press "Immensely enjoyable . . . There's even a shocking surprise."
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    Random House Publishing Group
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