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"T" is for Trespass
Cover of "T" is for Trespass
"T" is for Trespass
A Kinsey Millhone Novel
Borrow Borrow
Sue Grafton ups the ante for private investigator Kinsey Millhone like never before in this “taut, terrifying, transfixing”* #1 New York Times bestselling mystery in the Alphabet series.
Kinsey Millhone's elderly neighbor, Gus Vronsky, may have been the original inspiration for the term “Grumpy Gus.” A miser and a hoarder, Gus is so crotchety that after he takes a bad fall, his only living relative is anxious to find someone to take care of him and get back home as soon as she can.
To help, Kinsey runs a check on the applicant, Solana Rojas. Social security, driver's license, nursing certification: It all checks out. And it sounds like she did a good job for her former employers. So Kinsey gives her the thumbs-up, figuring Gus will be the ideal assignment for this diligent, experienced caregiver.
And the real Solana Rojas was indeed an excellent caregiver. But the woman who has stolen her identity is not, and for her, Gus will be the ideal victim...
“The best and strongest book in the series...Solana is one of the most evil, calculating characters Grafton has created.”—*USA Today
Sue Grafton ups the ante for private investigator Kinsey Millhone like never before in this “taut, terrifying, transfixing”* #1 New York Times bestselling mystery in the Alphabet series.
Kinsey Millhone's elderly neighbor, Gus Vronsky, may have been the original inspiration for the term “Grumpy Gus.” A miser and a hoarder, Gus is so crotchety that after he takes a bad fall, his only living relative is anxious to find someone to take care of him and get back home as soon as she can.
To help, Kinsey runs a check on the applicant, Solana Rojas. Social security, driver's license, nursing certification: It all checks out. And it sounds like she did a good job for her former employers. So Kinsey gives her the thumbs-up, figuring Gus will be the ideal assignment for this diligent, experienced caregiver.
And the real Solana Rojas was indeed an excellent caregiver. But the woman who has stolen her identity is not, and for her, Gus will be the ideal victim...
“The best and strongest book in the series...Solana is one of the most evil, calculating characters Grafton has created.”—*USA Today
Available formats-
  • OverDrive Read
  • EPUB eBook
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
    5.9
  • Lexile:
  • Interest Level:
    UG
  • Text Difficulty:
    4


 
Awards-
Excerpts-
  • From the cover

    1

     

    SOLANA

     

    She had a real name, of course-the one she'd been given at birth and had used for much of her life-but now she had a new name. She was Solana Rojas, whose personhood she'd usurped. Gone was her former self, eradicated in the wake of her new identity. This was as easy as breathing for her. She was the youngest of nine children. Her mother, Marie Terese, had borne her first child, a son, when she was seventeen and a second son when she was nineteen. Both were the product of a relationship never sanctified by marriage, and while the two boys had taken their father's name, they'd never known him. He'd been sent to prison on a drug charge and he'd died there, killed by another inmate in a dispute over a pack of cigarettes.

     

    At the age of twenty-one, Marie Terese had married a man named Panos Agillar. She'd borne him six children in a period of eight years before he left her and ran off with someone else. At the age of thirty, she found herself alone and broke, with eight children ranging in age from thirteen years to three months. She'd married again, this time to a hardworking, responsible man in his fifties. He fathered Solana-his first child, her mother's last, and their only offspring.

     

    During the years when Solana was growing up, her siblings had laid claim to all the obvious family roles: the athlete, the soldier, the cut-up, the achiever, the drama queen, the hustler, the saint, and the jack-of-all-trades. What fell to her lot was to play the ne'er-do-well. Like her mother, she'd gotten pregnant out of wedlock and had given birth to a son when she was barely eighteen. From that time forward, her progress through life had been hapless. Nothing had ever gone right for her. She lived paycheck to paycheck with nothing set aside and no way to get ahead. Or so her siblings assumed. Her sisters counseled and advised her, lectured and cajoled, and finally threw up their hands, knowing she was never going to change. Her brothers expressed exasperation, but usually came up with money to bail her out of a jam. None of them understood how wily she was.

     

    She was a chameleon. Playing the loser was her disguise. She was not like them, not like anyone else, but it had taken her years to fully appreciate her differences. At first she thought her oddity was a function of the family dynamic, but early in elementary school, the truth dawned on her. The emotional connections that bound others to one another were absent in her. She operated as a creature apart, without empathy. She pretended to be like the little girls and boys in her grade, with their bickering and tears, their tattling, their giggles, and their efforts to excel. She observed their behavior and imitated them, blending into their world until she seemed much the same. She chimed in on conversations, but only to feign amusement at a joke, or to echo what had already been said. She didn't disagree. She didn't offer an opinion because she had none. She expressed no wishes or wants of her own. She was largely unseen-a mirage or a ghost-watching for little ways to take advantage of them. While her classmates were self-absorbed and oblivious, she was hyperaware. She saw everything and cared for nothing. By the age of ten, she knew it was only a matter of time before she found a use for her talent for camouflage.

     

    By the age of twenty, her disappearing act was so quick and so automatic that she was often unaware she'd absented herself from the room. One second she was there, the next she was gone. She was a perfect companion because she mirrored the person she was with, becoming whatever they were. She was a mime and...

About the Author-
  • New York Times bestselling author Sue Grafton is published in 28 countries and 26 languages—including Estonian, Bulgarian, and Indonesian. Books in her alphabet series, begun in 1982, are international bestsellers with readership in the millions. And like Raymond Chandler, Ross Macdonald, Robert Parker, and John D. MacDonald—the best of her breed—Sue Grafton has earned new respect for the mystery form. Her readers appreciate her buoyant style, her eye for detail, her deft hand with character, her acute social observances, and her abundant storytelling talents. Sue divides her time between Montecito, California and Louisville, Kentucky, where she was born and raised. She has three children and two grandchildren. Grafton has been married to Steve Humphrey for more than twenty years. She loves cats, gardens, and good cuisine.

Reviews-
  • Publisher's Weekly

    Starred review from September 17, 2007
    The 20th Kinsey Millhone crime novel (after 2005's S Is for Silence
    ), a gripping, if depressing, tale of identify theft and elder abuse, displays bestseller Grafton's storytelling gifts. By default, Millhone, “a private investigator in the small Southern California town of Santa Teresa,” assumes responsibility for the well-being of an old neighbor, Gus Vronsky, injured in a fall. After Vronsky's great-niece arranges to hire a home aide, Solana Rojas, Millhone begins to suspect that Rojas is not all that she seems. Since the reader knows from the start that an unscrupulous master manipulator has stolen the Rojas persona, the plot focuses not on whodunit but on the battle of wits Millhone wages with an unconventional and formidable adversary. Grafton's mastery of dialogue and her portrayal of the limits of good intentions make this one of the series' high points, even if two violent scenes near the end tidy up the pieces a little too neatly. Author tour.

  • Library Journal

    Starred review from October 1, 2007
    Grafton tackles identity theft and elder abuse in her 20th Kinsey Millhone mystery (after "S Is for Silence"). Gus Vronsky, Kinsey's elderly next-door neighbor, suffers a fall and needs in-home care. A health-care nurse named Solana Rojas is hired, and Kinsey even does the background check, finding nothing out of order. As Gus's condition deteriorates and Solana limits access to her patient, Kinsey and her landlord, Henry, suspect that something is a little off with Solanaand "little off" doesn't fully describe this identity thief and true sociopath. Digging around more carefully, Kinsey unearths horrifying details of Solana's past and must act quickly to save Gus. This is vintage Grafton, set in the 1980s but scarily current, carefully plotted, and fast paced. Kinsey even flirts with healthful eating (vegetables are consumed), but the reader soon sighs with relief when Kinsey returns to her old habits, frequenting the drive-thru at McDonald's and enjoying pal Rosie's hearty Hungarian fare. Recommended for all public libraries. [See Prepub Alert, "LJ" 8/07.]Andrea Y. Griffith, Loma Linda Univ. Libs., CA

    Copyright 2007 Library Journal, LLC Used with permission.

  • Booklist

    September 15, 2007
    Grafton focuses on the soul-wrenching trespasses of elder abuse and identity theft in her latest Kinsey Millhone mystery. Private eye Millhone has an elderly, nasty neighbor who falls victim to a sociopath. The narrative shuttles between Millhones first-person narration and the point of view of the sociopath, a woman who has stolen a nurses identity, has committed murder, and finds caring for the elderly a profitable way to clean up fast. This double-narrative device works especially well here: were both entertained by Millhones hard-earned cynicism and horrified by the sociopaths calm assessment of what people are vulnerable and how she can play them. Grafton turns in an unnerving account of the forms that elder abuse currently takes, from home care through institutional neglect. She also is utterly knowledgeable about identity theft. The book drags quite a bit, though, since its obvious from the start that Millhone will uncover the nurses wrongdoings.The writing also suffers from the unnecessary insertion of details about Millhone jogging, doing errands, and slogging through routine paperwork. As Grafton makes her way through the alphabet, not only is she using every letter, but, in this book at least, she seems to use every letter thousands of unnecessary times.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

  • Publisher's Weekly

    Starred review from December 24, 2007
    Tony award–winner Judy Kaye has been the voice of private eye Kinsey Millhone since the beginning, and 19 titles later, she's still an inspired choice, capturing the character's unique combination of femininity and ruggedness, intelligence, street savvy and self-confidence with just a hint of uncertainty. Trespass
    is possibly a series best. Both reader and sleuth are working at full tilt as Kinsey interacts with a large cast. Her foremost opponent is the devious and homicidal black widow who has spun a web around the detective's aged and infirmed next door neighbor. Grafton deviates from Kinsey's narration to delve into the killer's history and mind-set, underlining the seriousness of her threat. Kaye offers a crisp, chillingly cold aural portrait of a sociopath capable of anything. Kaye's spot-on interpretation of the two very different leading characters would be praiseworthy enough, but she's just as effective in capturing the elderly men and women, the screechy landladies, the drawling rednecks, the velvet-tongued smooth operators, the fast talking lawyers and all the inhabitants of Kinsey's world. Simultaneous release with the Putnam hardcover (Reviews, Sept. 17).

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    Penguin Publishing Group
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A Kinsey Millhone Novel
Sue Grafton
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