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A fascinating book on the joys of discovering how the world works, by the Pulitzer Prize–winning author of Cosmos and Shadows of Forgotten Ancestors. “Magnificent . . . Delightful . . . A masterpiece. A message of tremendous hope for humanity . . . While ever conscious that human folly can terminate man’s march into the future, Sagan nonetheless paints for us a mind-boggling future: intelligent robots, the discovery of extraterrestrial life and its consequences, and above all the challenge and pursuit of the mystery of the universe.”—Chicago Tribune “Go out and buy this book, because Carl Sagan is not only one of the world’s most respected scientists, he’s a great writer. . . . I can give a book no greater accolade than to say I’m planning on reading it again. And again. And again.”—The Miami Herald “The brilliant astronomer . . . is persuasive, provocative and readable.”—United Press International “Closely reasoned, impeccably researched, gently humorous, utterly devastating.”—The Washington Post
A fascinating book on the joys of discovering how the world works, by the Pulitzer Prize–winning author of Cosmos and Shadows of Forgotten Ancestors. “Magnificent . . . Delightful . . . A masterpiece. A message of tremendous hope for humanity . . . While ever conscious that human folly can terminate man’s march into the future, Sagan nonetheless paints for us a mind-boggling future: intelligent robots, the discovery of extraterrestrial life and its consequences, and above all the challenge and pursuit of the mystery of the universe.”—Chicago Tribune “Go out and buy this book, because Carl Sagan is not only one of the world’s most respected scientists, he’s a great writer. . . . I can give a book no greater accolade than to say I’m planning on reading it again. And again. And again.”—The Miami Herald “The brilliant astronomer . . . is persuasive, provocative and readable.”—United Press International “Closely reasoned, impeccably researched, gently humorous, utterly devastating.”—The Washington Post
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the book
CHAPTER 1
BROCA’S BRAIN
“They were apes only yesterday. Give them time.” “Once an ape—always an ape.”… “No, it will be different.… Come back here in an age or so and you shall see.…”
The gods, discussing the Earth, in the motion picture version of H. G. Wells’ The Man Who Could Work Miracles (1936)
IT WAS A MUSEUM, in a way like any other, this Musée de l’Homme, Museum of Man, situated on a pleasant eminence with, from the restaurant plaza in back, a splendid view of the Eiffel Tower. We were there to talk with Yves Coppens, the able associate director of the museum and a distinguished paleoanthropologist. Coppens had studied the ancestors of mankind, their fossils being found in Olduvai Gorge and Lake Turkana, in Kenya and Tanzania and Ethiopia. Two million years ago there were four-foot-high creatures, whom we call Homo habilis, living in East Africa, shearing and chipping and flaking stone tools, perhaps building simple dwellings, their brains in the course of a spectacular enlargement that would lead one day—to us.
Institutions of this sort have a public and a private side. The public side includes the exhibits in ethnography, say, or cultural anthropology: the costumes of the Mongols, or bark cloths painted by Native Americans, some perhaps prepared especially for sale to voyageurs and enterprising French anthropologists. But in the innards of the place there are other things: people engaged in the construction of exhibits; vast storerooms of items inappropriate, because of subject matter or space, for general exhibition; and areas for research. We were led through a warren of dark, musty rooms, ranging from cubicles to rotundas. Research materials overflowed into the corridors: a reconstruction of a Paleolithic cave floor, showing where the antelope bones had been thrown after eating. Priapic wooden statuary from Melanesia. Delicately painted eating utensils. Grotesque ceremonial masks. Assagai-like throwing spears from Oceania. A tattered poster of a steatopygous woman from Africa. A dank and gloomy storeroom filled to the rafters with gourd woodwinds, skin drums, reed panpipes and innumerable other reminders of the indomitable human urge to make music.
Here and there could be found a few people actually engaged in research, their sallow and deferential demeanors contrasting starkly with the hearty bilingual competence of Coppens. Most of the rooms were evidently used for storage of anthropological items, collected from decades to more than a century ago. You had the sense of a museum of the second order, in which were stored not so much materials that might be of interest as materials that had once been of interest. You could feel the presence of nineteenth-century museum directors engaged, in their frock coats, in goniométrie and craniologie, busily collecting and measuring everything, in the pious hope that mere quantification would lead to understanding.
But there was another area of the museum still more remote, a strange mix of active research and virtually abandoned cabinets and shelves. A reconstructed and articulating skeleton of an orangutan. A vast table covered with human skulls, each neatly indexed. A drawer full of femurs, piled in disarray, like the erasers in some school janitor’s supply closet. A province dedicated to Neanderthal remains, including the first Neanderthal skull, reconstructed by Marcellin Boule, which I held cautiously in my hands. It felt lightweight and delicate, the sutures starkly...
About the Author-
Carl Sagan served as the David Duncan Professor of Astronomy and Space Sciences and Director of the Laboratory for Planetary Studies at Cornell University. He played a leading role in the Mariner, Viking, Voyager, and Galileo spacecraft expeditions, for which he received the NASA Medals for Exceptional Scientific Achievement and (twice) for Distinguished Public Service. His Emmy- and Peabody–winning television series, Cosmos, became the most widely watched series in the history of American public television. The accompanying book, also called Cosmos, is one of the bestselling science books ever published in the English language. Dr. Sagan received the Pulitzer Prize, the Oersted Medal, and many other awards—including twenty honorary degrees from American colleges and universities—for his contributions to science, literature, education, and the preservation of the environment. In their posthumous award to Dr. Sagan of their highest honor, the National Science Foundation declared that his “research transformed planetary science . . . his gifts to mankind were infinite." Dr. Sagan died on December 20, 1996.
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