"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."—USA Today, Four Stars
In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors.
Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."—USA Today, Four Stars
In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors.
Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
Reviews-
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July 1, 2021
Opening on All Souls' Day 2019 and closing on All Souls' Day 2020, thus embracing a year of pandemic and protest, this latest novel from National Book Award winner Erdrich chronicles the experiences of an Ojibwe woman named Tookie who works at an independent bookstore in Minneapolis after her release from prison. Her life changes when the ghost of a recently deceased customer begins haunting the bookstore, pushing her and Ojibwe colleague Asema toward painful personal revelations with deep historical resonance. Meanwhile, Tookie launches a complicated relationship with Pollux, the tribal police officer who had arrested her years previously and has always cared about her. With a 150,000-copy first printing.
Copyright 2021 Library Journal, LLC Used with permission.
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August 15, 2021
The most recent recipient of the Pulitzer Prize in fiction--for The Night Watchman (2020)--turns her eye to various kinds of hauntings, all of which feel quite real to the affected characters. Erdrich is the owner of Birchbark Books, an independent bookstore in Minneapolis and, in this often funny novel, the favorite bookstore of Flora, one of narrator Tookie's "most annoying customers." Flora wants to be thought of as Indigenous, a "very persistent wannabe" in the assessment of Tookie, who's Ojibwe. Flora appears at the store one day with a photo of her great-grandmother, claiming the woman was ashamed of being Indian: "The picture of the woman looked Indianesque, or she might have just been in a bad mood," Tookie decides. Flora dies on All Souls' Day 2019 with a book splayed next to her--she didn't have time to put a bookmark in it--but she continues shuffling through the store's aisles even after her cremation. Tookie is recently out of prison for transporting a corpse across state lines, which would have netted her $26,000 had she not been ratted out and had the body not had crack cocaine duct-taped to its armpits, a mere technicality of which Tookie was unaware. Tookie is also unaware that Flora considered Tookie to be her best friend and thus sticks to her like glue in the afterlife, even smacking a book from the fiction section onto the floor during a staff meeting at Birchbark. The novel's humor is mordant: "Small bookstores have the romance of doomed intimate spaces about to be erased by unfettered capitalism." The characters are also haunted by the George Floyd murder, which occurred in Minneapolis; they wrestle with generations of racism against Black and Indigenous Americans. Erdrich's love for bookselling is clear, as is her complicated affection for Minneapolis and the people who fight to overcome institutional hatred and racism. A novel that reckons with ghosts--of both specific people and also the shadows resulting from America's violent, dark habits.COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from August 30, 2021
Pulitzer winner Erdrich (The Night Watchman) returns with a scintillating story about a motley group of Native American booksellers haunted by the spirit of a customer. In 2019 Minneapolis, Tookie, a formerly incarcerated woman, is visited at a bookstore by the ghost of Flora, a white woman with a problematic past. Despite being a dedicated ally of myriad Native causes, Flora fabricated a family lineage linking her to various Indigenous groups including Dakota and Ojibwe. Many of the story’s characters reckon with both personal and ancestral hauntings: Tookie with a childhood of neglect and her time in prison for unknowingly trafficking drugs; her husband, Pollux, a former tribal police officer, confronts his past experiences of using force after the murder of George Floyd; and Asema, a college student of Ojibwe and Sisseton Dakota descent, pieces together an ominous historical manuscript depicting the abduction of a 19th-century Ojibwe-Cree woman, which Flora’s daughter brought to the store. As the Covid-19 pandemic takes hold and the store pivots to mail orders, several of the characters join the protests against police brutality. More than a gripping ghost story, this offers profound insights into the effects of the global pandemic and the collateral damage of systemic racism. It adds up to one of Erdrich’s most sprawling and illuminating works to date. Agent: Andrew Wylie, The Wylie Agency. (Nov.)This review has been updated to reflect the final version of the book. -
September 15, 2021
The many-hued, finely patterned weave of Erdrich's funny, evocative, painful, and redemptive ghost story includes strands of autobiography and even cameo appearances. The haunting occurs at Erdrich's actual Minneapolis bookstore, Birchbark Books. The unhappy spirit is that of a former customer, Flora, who irritated the Native staff members, especially Tookie, with her dubious claims of an Indigenous heritage. Tookie is supremely dedicated to her work, forever amazed, given her prison record, to have been hired by store owner Louise. The story of Tookie's body-snatching caper and subsequent horrifically long sentence is hilariously ludicrous and heartbreaking; the tale of how reading saved her life in prison is deeply affirming. A magnetizing narrator, Tookie seems tough and ornery, but she is actually quite "porous" emotionally and suffused with love for her tribal leader husband, Pollux, in spite of their complicated past. As Tookie tries to appease Flora, she and her bookstore colleagues--a teacher, an historian, and an artist--confront historic ghosts from the violent seizing of the land by white settlers as the fear and sorrow of the COVID-19 pandemic takes hold, and the city ignites in the wake of George Floyd's murder by a Minneapolis police officer. Erdrich's insights into what her city experienced in 2020 are piercing; all her characters are enthralling, and her dramatization of why books are essential to our well-being is resounding.HIGH-DEMAND BACKSTORY: Erdrich's unique take on the first COVID year and the power of books will be on countless TBR lists.COPYRIGHT(2021) Booklist, ALL RIGHTS RESERVED.
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Kirkus Reviews (starred review)
"THE SENTENCE is a novel that reckons with ghosts—of both specific people but also the shadows resulting from America's violent, dark habits." — Kirkus Reviews (starred review)
"Scintillating...More than a gripping ghost story, THE SENTENCE offers profound insights into the effects of the global pandemic and the collateral damage of systemic racism. It adds up to one of Erdrich's most...illuminating works to date." — Publishers Weekly (starred review)
"Imaginative, boldly honest...This novel's persistent search for meaning reveals astonishing, sublime depths...Erdrich's prose, layered with unforgettable flourishes of detail...enhances and deepens this growing sense of a larger collective haunting....The Sentence is a staggering addition to Erdrich's already impressive body of work." — BookPage
"The irreverent and funny Tookie grapples with the ghost, then the pandemic, then the protests. Her journey, captured in Erdrich's expert prose, is a cathartic and comforting story that book lovers will gobble up." — Real Simple
"Erdrich's fictional worlds bristle with the awareness that we are all ghosts-in-waiting and that the written word is a way to communicate with people both long dead and not yet born. This is how Erdrich can write a haunting story without invoking even the slightest hint of the gothic; how she blends contemporary politics with myth without breaking a stride." — Jo Livingstone, The New Republic
"A bewitching novel...Strange, enchanting and funny: a work about motherhood, doom, regret and the magic—dark, benevolent and every shade in between—of words on paper." — Molly Young, New York Times
"THE SENTENCE is a wonder...an utterly original, exhilarating novel...that burns with moral passion, brims with humor, and captivates with its striking and irresistible voice...A testament to the life-making importance of stories." — Priscilla Gilman, Boston Globe
"Among Erdrich's most magical novels...The Sentence is a ghost story that hovers between the realms of historical horror and cultural comedy...Moving at its own peculiar rhythm with a scope that feels somehow both cloistered and expansive, it captures a traumatic year in the history of a nation struggling to appreciate its own diversity." — Ron Charles, Washington Post
"The Sentence has a sometimes disconcerting you-are-there quality...though the events do amplify the novel's themes of social and personal connection and dissociation, and of the historic crimes and contemporary aggressions, micro and overt, perpetuated in the name of white supremacy." — Minneapolis Star-Tribune
"A deceptively big novel, various in its storytelling styles; ambitious in its immediacy...An absorbing and unquiet novel...that seems 'essential' for a deeper take on the times we are living through." — Maureen Corrigan, NPR
"As timely as it is unexpected: a pandemic ghost story, The Sentence captures the quietly simmering fury of summer 2020...Tookie's voice is genuine and humorous, her perspective rich with history and literacy." — Entertainment Weekly
"The many-hued, finely patterned weave of Erdrich's funny, evocative, painful, and redemptive ghost story includes strands of autobiography...Erdrich's insights into what her city Minneapolis experienced in 2020 are piercing; all her characters are enthralling, and her dramatization of why books are essential to our well-being is resounding." —...
