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In Jonathan Kellerman’s gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn. Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman’s bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses—part Boy Scout, part bulldog, man of few words—is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn’t usual. For Moses, it’s an ice-cold mystery he just can’t outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it’s a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together–and the rivalry that rules them won’t let either man quit till the case is cracked. A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin’s white knight as their primary “person of interest,” hoping that, like most people in L.A., he has a secret side. But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who’s probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul.
In Jonathan Kellerman’s gripping novels, the city of Los Angeles is as much a living, breathing character as the heroes and villains who roam its labyrinthine streets. Sunny on the surface but shadowy beneath, this world of privilege and pleasure has a dark core and a dangerous edge. In True Detectives, Kellerman skillfully brings his renowned gifts for breathless suspense and sharp psychological insight to a tale that resonates on every level and satisfies at every turn. Bound by blood but divided by troubles as old as Cain and Abel, Moses Reed and Aaron Fox were first introduced in Kellerman’s bestselling Bones. They are sons of the same strong-willed mother, and their respective fathers were cops, partners, and friends. Their turbulent family history has set them at odds, despite their shared calling. Moses—part Boy Scout, part bulldog, man of few words—is a no-frills LAPD detective. Aaron, sharp dresser and smooth operator, is an ex-cop turned high-end private eye. Usually they go their separate ways. But the disappearance of Caitlin Frostig isn’t usual. For Moses, it’s an ice-cold mystery he just can’t outrun, even with the help of psychologist Alex Delaware and detective Milo Sturgis. For Aaron, it’s a billable-hours bonanza from his most lucrative client. Like it or not, Moses and Aaron are in this one together–and the rivalry that rules them won’t let either man quit till the case is cracked. A straight-arrow, straight-A student from Malibu, Caitlin has only two men in her life: her sullen single father and her wholesome college sweetheart, who even the battling brothers agree seems too downright upright to be true. Reluctantly tag-teaming in a desperate search for fresh leads, Moses and Aaron zero in on Caitlin’s white knight as their primary “person of interest,” hoping that, like most people in L.A., he has a secret side. But they uncover more than just a secret as they descend into the sinister, seamy side of the City of Angels after dark, populated by a Hollywood Babylon cast of the glamorous and the damned: a millionaire movie director turned hatemongering eccentric; a desperate Beverly Hills housewife looking for an exit from the fast lane; a heartthrob actor being eaten alive by personal demons; a hooker who’s probably seen it all . . . and might just know too much. And at the center, a dead young woman whose downward spiral and brutal end loom over Moses and Aaron like an omen of what may come to be if the dark end of the street claims another lost soul.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Alleged air-conditioning," said Darius Fox. "What's your take, John Jasper? Motor pool morons set us on bake or broil?"
Jack Reed laughed and used a meaty, freckled forearm to clear sweat from his face. Scanning the night-darkened Dumpsters and butt-sides of shuttered, low-rent businesses that lined the alley, he sucked on his Parliament and blew smoke out the cruiser's window as Darius kept the car moving forward at ten mph.
Ten years ago, to the day, the Manson Family had butchered Sharon Tate and a whole bunch of other people. If either Fox or Reed was aware of the anniversary, neither thought it worth mentioning.
Crazy Charlie's crimes might as well have been on another planet; big-ticket outrage on high-end real estate. Fox and Reed's Southwest Division shifts were filled with nonstop penny-ante crap that sometimes blossomed into stomach-churning violence. Reality that never made the papers because, as far as they could see, the papers were works of fiction.
Fox said, "Man, it's a steam bath."
Reed said, "Alleged, as in this is a motor vehicle. More like a shopping cart with a cherry on top."
Fox had prepped for driving the way he usually did, hand-vacuuming the driver's portion of the bench seat, then wiping the steering wheel down with his private bottle of Purell. Now it was his own sweat coating the plastic. "Hand me a tissue, J.J."
Reed complied and his partner rubbed the wheel till it squeaked. Both men continued to study the alley as they crawled. Nothing. Good. One half of the shift had passed.
Jack Reed said, "Alleged, as in Jimmy Carter's a commander in chief."
"Now you're getting unpleasantly political."
"That's a problem?" "Night like this it is."
"Truth is truth, Darius. It was Peanut Boy helped that loony towel-head back into Eye-Ran and look at all the crap that brought down."
"No debate on Farmer Bucktooth being a nitwit, John Jasper. I just don't want to pollute our precious time together with small things like international affairs."
Reed thought about that. "Fair enough."
"I'm known for my fairness."
Slow shift; the usual drunk and disorderlies at Mexican dance halls on Vermont, a couple of false-alarm burglary calls, an assortment of miscreants warned and released because none of them was worth the paperwork.
The last call they'd fielded before embarking on alley-duty was yet another noise complaint at a USC fraternity, already taken care of by the campus rent-a-cops by the time Fox and Reed arrived. Rich, confident college boys saying yessir and nossir, scooping up beer bottles from the lawn, hurrying inside to continue the merriment. Wink wink wink.
Reed smoked his Parliament down to a shred, pinched it cold between his fingers, flicked the remnant out the window. He was a ruddy, blond fireplug, five nine on a good day, two hundred muscled pounds, thirty but looking older, with skin leathered by the sun and a nose flattened by high school football. A hay-colored crewcut topped his bullet skull. A naturally grainy voice was coarsened further by two packs a day.
Three years out of the service, all his time spent running an armory in Germany.
He said, "Tell you what alleged is, Darius: L.A. nights cooling off. Night like this, might as well have stayed in Bull...
About the Author-
Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club,Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.
Reviews-
February 2, 2009 PI Aaron Fox and L.A. cop Moe Reed, interracial half-brothers who played minor roles in 2008's Bones , take center stage in bestseller Kellerman's routine 24th Alex Delaware novel. When Fox, who used to work for the LAPD, looks into the missing-persons case of 20-year-old Caitlin Frostig, he runs into conflict with Reed. The brothers end up pursuing some predictable lines of inquiry, checking out Rory Stoltz, Frostig's college boyfriend, as well as links to a filmmaker, Lem Dement, who's suspected of domestic abuse. More A-list connections surface after the investigators learn Stoltz was the personal assistant for actor Mason Book, whose rumored suicide attempt came shortly after Frostig's disappearance. The strains between Fox and Reed don't generate much heat, while the pacing and writing aren't up to Kellerman's best. Hopefully, Delaware and detective Milo Sturgis, relegated to cameos, will be back in their usual starring positions next time.
March 15, 2009 Fans of Kellerman's Dr. Alex Delaware and detective Milo Sturgis will find them in his latest novel, but only in passing. Half brothers, private eye Aaron Fox and LAPD detective Moe Reed ("Bones"), are center stage in this whodunit. They happen to be investigating the same case, and their examination of the life of missing 20-year-old Caitlin Frostig turns up connections she had with various lowlifes, the details of which form the bulk of the novel. As the brothers begin to overcome their issues with each other, they start to piece together the disappearance of another girl and her son, who are associated with Caitlin. All of this eventually leads back to the current whereabouts of Caitlin. Kellerman's writing, usually neat and not overly burdened by extraneous detail, fails to move the story along, as is the case with the unsympathetic characters. The conclusion is too easily wrapped up as well. Public libraries should see demand for this best-selling author, but readers who are not already fans probably won't take notice. [See Prepub Alert, "LJ" 11/1/08.]Amanda Scott, Cambridge Springs P.L., PA
Copyright 2009 Library Journal, LLC Used with permission.
February 1, 2009 Instead of the usual Delaware/Sturgisinvestigative duo, Kellermanreturns to two new crime solvers, stepbrothers who appeared briefly in last years Bones.Though bothare sons of cops, they couldnt be more different.Biracial Aaronpulls in a sweet six figures as a PI, which allows him toindulge in Ferr'shirts and Magli shoes;youngerMoses, a forthright, muscle-bound blond, doesthings by the book for the LAPD. Childhood rivalries, misunderstandings, and different personalities have kept them at odds throughout their lives.Then, suddenly, they find themselves workingon the same case: the disappearance of a young college student. Competitors at first, the brothers gradually become a kind of team, each one adding bits and pieces to a sprawling case that morphs into something completely different from what it was to begin withinvolving a washed-up celebrity, an abusive Hollywood director, a drug pusher, a couple of prostitutes, and a missing baby.Kellerman continues to play fast and loose with his plotting, but everything eventuallycomes together here, with a fewsurprises. Whats best, though, is seeing Kellerman step outside of the all-too-familiar he relies on in the Delaware novels and introduce a couple of characters that have the potential to take his work infresh directions.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)
PeopleRage "[An] adrenaline-fueled read."
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