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The Death of Vivek Oji
Cover of The Death of Vivek Oji
The Death of Vivek Oji
A Novel
A Good Morning America Buzz Pick
INSTANT NEW YORK TIMES BESTSELLER
"Electrifying." — O: The Oprah Magazine


Named a Best Book of 2020 by The New York Times, The Washington Post, NPR, USA TODAY, Vanity Fair, Elle, Harper's Bazaar, Marie Claire, Shondaland, Teen Vogue, Vulture, Lit Hub, Bustle, Electric Literature, and BookPage
What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 
Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.
A Good Morning America Buzz Pick
INSTANT NEW YORK TIMES BESTSELLER
"Electrifying." — O: The Oprah Magazine


Named a Best Book of 2020 by The New York Times, The Washington Post, NPR, USA TODAY, Vanity Fair, Elle, Harper's Bazaar, Marie Claire, Shondaland, Teen Vogue, Vulture, Lit Hub, Bustle, Electric Literature, and BookPage
What does it mean for a family to lose a child they never really knew?

One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover her son’s body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. 
Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.
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  • From the cover

    One

     

    They burned down the market on the day Vivek Oji died.

     










    Two

     

    If this story was a stack of photographs-the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country-it would start with Vivek's father, Chika. The first print would be of him riding a bus to the village to visit his mother; it would show him dangling an arm out of the window, feeling the air push against his face and the breeze entering his smile.

     


    Chika was twenty and as tall as his mother, six feet of red skin and suntouched-clay hair, teeth like polished bones. The women on the bus looked openly at him, his white shirt billowing out from the back of his neck in a cloud, and they smiled and whispered among themselves because he was beautiful. He had looks that should have lived forever, features he passed down to Vivek-the teeth, the almond eyes, the smooth skin-features that died with Vivek.

     


    The next photograph in the stack would be of Chika's mother, Ahunna, sitting on her veranda when her son arrived, a bowl of udara beside her. Ahunna's wrapper was tied around her waist, leaving her breasts bare, and her skin was redder than Chika's, deeper and older, like a pot that had been bled over in its firing. She had fine wrinkles around her eyes, hair plaited into tight cornrows, and her left foot was bandaged and propped up on a stool.

     


    "Mama! Gini mere?!" Chika cried when he saw her, running up the veranda stairs. "Are you all right? Why didn't you send someone?"

     


    "There was no need to disturb you," Ahunna replied, splitting open an udara and sucking out its flesh. The large compound of her village house stretched around them-old family land, a whole legacy in earth that she'd held onto ever since Chika's father died several years ago. "I stepped on a stick when I was on the farm," she explained, as her son sat down beside her. "Mary took me to the hospital. Everything is fine now." She spat udara seeds from her mouth like small black bullets.

     


    Mary was his brother Ekene's wife, a full and soft girl with cheeks like small clouds. They had married a few months ago, and Chika had watched Mary float down the aisle, white lace gathered around her body and a veil obscuring her pretty mouth. Ekene had been waiting for her at the altar, his spine stern and proud, his skin gleaming like wet loam against the tarred black of his suit. Chika had never seen his brother look so tender, the way his long fingers trembled, the love and pride simmering in his eyes. Mary had to tilt her head up to look at Ekene as they recited their vows-the men in their family were always tall-and Chika had watched her throat curve, her face glowing as his brother lifted up the tulle and kissed her. After the wedding, Ekene decided to move out of the village and into town, into the bustle and noise of Owerri, so Mary was staying with Ahunna while Ekene went to set up their new life. Chika stole a glance at Mary from the veranda as she watered the hibiscus garden, her hair tied back in a frayed knot, wearing a loose cotton dress in a faded floral print. She looked like home, like something he could fall into, whirling through her hips and thighs and breasts.

     


    His mother frowned at him. "Mind yourself," she warned, as if she could read his mind. "That's your brother's wife."

     


    Chika's face burned. "I don't know what you're talking about, Mama."

     


    Ahunna didn't blink. "Go and find your own wife,...

About the Author-
  • Akwaeke Emezi (they/them) is the author of the New York Times bestseller The Death of Vivek Oji, which was shortlisted for the Dylan Thomas Prize; Pet, a finalist for the National Book Award for Young People’s Literature; and Freshwater, which was named a New York Times Notable Book and shortlisted for the PEN/Hemingway Award, the New York Public Library Young Lions Fiction Award, the Lambda Literary Award, and the Center for Fiction’s First Novel Prize. Selected as a 5 Under 35 honoree by the National Book Foundation, they are based in liminal spaces.
Reviews-
  • Publisher's Weekly

    March 16, 2020
    Emezi returns to adult fiction (after YA novel Pet) with a brisk tale that whirs around the mysterious death of a young Nigerian man, Vivek Oji. As a child in the 1990s, Vivek secretly identifies as a girl, the psychological strain of which causes Vivek to slip into blackouts. Only his close male cousin, Osita, recognizes the seriousness of these fugue states. (Vivek’s parents dismiss them as “quiet spells.”) As a teenager, Vivek grows his hair long in defiance of gender expectations, and Emezi affectingly explores the harm of threats to Vivek’s gender expression from other boys and men, who sling insults and glass bottles at him on the street. As Vivek finds solace in his female friends and Osita, he discovers he is not the only one with secrets. After his death, the heartbreaking details of which are gradually revealed, the other characters learn more about his secret life
    . While Emezi leans on clichés (“hit me in the chest like a lorry”) and two-dimensional supporting characters, they offer sharp observations about the cost of transphobia and homophobia, and about the limits of honesty in their characters’ lives. Despite a few bumps, this is a worthy effort. Agent: Jacqueline Ko, Wylie Agency. (Aug.)Correction: An earlier version of this review did not use the author's preferred gender pronouns.

  • AudioFile Magazine Nigerian-American author Akwaeke Emezi's lyrical and heartbreaking third novel is brought to life by the extraordinarily gifted pairing of narrators Yetide Badaki and Chukwudi Iwuji. This story of grief, family, transgender identity, and societal expectations is set in the turbulent political landscape of the late-1990s Nigeria. Iwuji depicts Vivek and his cousin and close friend, Osita. As the circumstances of Vivek's death are slowly revealed, Iwuji superbly expresses Vivek's and Osita's desires, hesitations, and anguish. With her warm timbre, expressive phrasing, and delicate accents, Badaki is equally mesmerizing painting vibrant and authentic portraits of Vivek's relations and friends--including his determined, grief-stricken mother, Kavita, and his fervently religious Aunt Mary. An impressive production of an unforgettable audiobook. M.J. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
  • Library Journal

    Starred review from October 1, 2020

    For Kavita, an immigrant from India, assimilation into Nigerian culture promises acceptance and companionship. With the Nigerwives--fellow transplants married to Nigerians--she practices recipes and accedes to social norms, accepting husband Chika's plan to "toughen up" sensitive son Vivek with military school. Afterward, Kavita deflects concerns about Vivek's abrupt return from university, detachment, weight loss, late-night wanderings, and flagrantly unusual hairstyle. On the day political unrest instigates rioters to burn the marketplace, Kavita discovers Vivek's body, stripped of clothing, wrapped in smoke-tinged fabric, and left on her veranda. While Kavita relentlessly probes the mystery of Vivek's death, Vivek's cousin and childhood friends, with whom Vivek sought refuge from the identity he could not assimilate, harbor answers about his life. Artfully structured with multiple viewpoints and flashbacks, Emezi's (Freshwater) heartrending, redemptive story garners outstanding narration by Yetide Badaki and Chukwudi Iwuji, who convey a vivid sense of place and add dimension to even minor characters. Both narrators express emotions compellingly--depths of grief and remorse, quieter moments of devastating epiphany, and the nuanced sparring and sharing among Vivek and his contemporaries, whose revelations allow Vivek to finally be seen and heard. VERDICT Literary fiction fans will be transported by this production. Enthusiastically recommended. --Linda Sappenfield, Round Rock P.L., TX

    Copyright 2020 Library Journal, LLC Used with permission.

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