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Child of Vengeance
Cover of Child of Vengeance
Child of Vengeance
A Novel
Borrow Borrow
A bold and vivid historical epic of feudal Japan, based on the real-life exploits of the legendary samurai Musashi Miyamoto.
Japan in the late 16th century was a land in turmoil. Lords of the great clans schemed against each other, served by aristocratic samurai bound to them by a rigid code of honor. Bennosuke is a high-born but lonely teenager living in his ancestral village. His mother died when he was a young boy, and his powerful warrior father Munisai has abandoned him for a life of service to his Lord, Shinmei. Bennosuke has been raised by his uncle Dorinbo, a monk who urges the boy to forgo the violence of the samurai and embrace the contemplative life. But Bennosuke worships his absent father, and when Munisai returns, gravely injured, Bennosuke is forced to confront truths about his family's history and his own place in it. These revelations soon guide him down the samurai's path—awash with blood, bravery, and vengeance. His journey will culminate in the epochal battle of Sekigahara—in which Bennosuke will first proclaim his name as Mushashi Miyamoto. This rich and absorbing epic explores the complexities of one young man's quest while capturing a crucial turning point in Japanese history with visceral mastery, sharp psychological insight and tremendous narrative momentum.
A bold and vivid historical epic of feudal Japan, based on the real-life exploits of the legendary samurai Musashi Miyamoto.
Japan in the late 16th century was a land in turmoil. Lords of the great clans schemed against each other, served by aristocratic samurai bound to them by a rigid code of honor. Bennosuke is a high-born but lonely teenager living in his ancestral village. His mother died when he was a young boy, and his powerful warrior father Munisai has abandoned him for a life of service to his Lord, Shinmei. Bennosuke has been raised by his uncle Dorinbo, a monk who urges the boy to forgo the violence of the samurai and embrace the contemplative life. But Bennosuke worships his absent father, and when Munisai returns, gravely injured, Bennosuke is forced to confront truths about his family's history and his own place in it. These revelations soon guide him down the samurai's path—awash with blood, bravery, and vengeance. His journey will culminate in the epochal battle of Sekigahara—in which Bennosuke will first proclaim his name as Mushashi Miyamoto. This rich and absorbing epic explores the complexities of one young man's quest while capturing a crucial turning point in Japanese history with visceral mastery, sharp psychological insight and tremendous narrative momentum.
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Excerpts-
  • Chapter One Chapter One

    The battle was over, but still Kazuteru ran. He had duty to fulfill. The young samurai ignored the howling of his lungs and the ache within his muscles and bore forth his sacred burden: a dagger the length of his hand. His lord awaited it on the valley top above him.

    It had rained all day yesterday and most of the morning too, an anomaly in the high summer. The sun shone bright now, but too late. Hundreds of feet and hooves had trampled the sodden slope and churned it into a swamp. Kazuteru’s armor and underclothes, which had once been a brilliant blue, were now a mottled gray, and his legs were heavy with plastered clay and turf.

    His hands alone were clean, protected as they had been under gauntlets and gloves. Bared, the flesh had remained immaculate enough to hold the dagger. But the humidity and the layers of metal, cloth, and wood he wore had made his entire body slick with sweat. It stung his eyes and he could taste it on his lips, and when the ground gave suddenly beneath him as he ran, he felt it on his hands also. His wet palms fumbled, and the dagger slipped from his grasp.

    The blade caught the light as it fell. It winked white once at him, and then plunged into the slimy dirt and vanished with a sad little sound. Kazuteru let a smaller, sadder whimper escape him. His waiting lord had a thousand swords and spears with him already, but they would not suffice. They were not ceremonial and pure. The dagger, which had been, was now sullied.

    He fell to his knees and plunged his left hand into the muck. It vanished up to his wrist. He began to grope blindly, hastened by desperation but slowed by fear of the blade’s edge.

    Something to his right moaned suddenly, a pained voice so pitiful that it stopped Kazuteru. He saw a man twisted where he had fallen, one leg so shattered and bent that his toes almost touched his hamstring. The samurai had no mind left for words; his eyes pleaded with Kazuteru to kill him, and for a moment he thought to oblige.

    But then Kazuteru realized that the man wore the red of the enemy, and for that he left him. The man’s agony was but one voice in dozens.

    Hundreds.

    His fingers touched blunt metal. He pulled the dagger free, and filth came with it. Kazuteru tried to wipe the blade clean as best he could. Once when he was a child—­too young to know about sacrilege—he and his friends had hidden a small cast-­iron Buddha in an ox’s feed just to see if the beast was too stupid to notice. It had been, and three days later they had found the Buddha again. Looking at the dagger now, he was reminded of that serene, shit-­smeared face.

    Water. He needed water.

    But there was none here, save for that which had soaked into the ground; this was where the fighting had been. There was no time to return to their distant camp, where he had just run to collect the blade in the first place. The only place he could look was up the slope, toward the valley top they had stormed not one hour ago.

    He began to run toward the hilltop once more, skidding and stuttering in the mud, dagger in his filthy left hand with his right hand held high and free of any contamination. Ahead of him, overlooking the entire valley, Lord Kanno’s castle burned. One of the smaller curved roofs groaned loudly, and then collapsed inward. A ragged cheer carried on the distant breeze, and a fresh billow of black smoke erupted into the sky.

    There, in the corner of Kazuteru’s eye—­a mangled man lying against a barricade of bamboo stakes, seemingly drunk as he fumbled about himself. His numb hands were trying to put a canteen to his...

About the Author-
  • DAVID KIRK, now 26, first became interested in Japanese history when his father gave him a copy of James Clavell's Shogun. Years later he would be inspired to write his dissertation on samurai cinema. Kirk now lives in Japan, where he now works as an English-language teacher.  www.davidkirkfiction.com
Reviews-
  • Publisher's Weekly

    December 17, 2012
    Kirk proves himself a worthy samurai novelist with this brutal account of real-life 17th-century swordsman Musashi Miyamoto, who grew from a pockmarked village outcast to Japan’s best warrior, due to his legendary samurai treatise, The Book of the Five Rings. The novel opens as lonely 13-year-old Bennosuke polishes the armor of his revered father, the samurai Munisai, who has spent the previous eight years in exile following the death of Bennosuke’s mother. Bennosuke’s uncle, the monk Dorinbo, has been raising the boy, encouraging him to seek a quiet life in the temple, while Bennosuke wants nothing more than to start samurai training. Munisai finally returns home, wounded and discouraged, but willing to share his mastery of the warrior’s way with Bennosuke, leading to the revelation of the family’s darkest secret. After learning all he can from Munisai, Bennosuke sets out on his own, ending up at the Battle of Sekigahara, where, still a teenager, he escapes from the defeated army well versed in bloodshed, treachery, and chaos, having taken the name he will soon make famous. Kirk, who lives in Japan, positively seethes with energy when depicting bloody violence—from great battlefields to intimate ritual suicide—showing feudal Japan as a complex culture in which cunning and poetry are indispensable, and death and vengeance unavoidable.

  • Kirkus

    January 1, 2013
    Kirk presents 17th-century Japan as a world imbued with stately rituals, unshakable principles and a rigid moral code. Munisai Shinmen has faced an implacable enemy and has emerged with both body and honor intact, so his training as a samurai has served him well. Shortly after the first battle Kirk depicts, we get a sense of how the culture of honor operates when Lord Kanno, the defeated enemy, plaintively asks how to commit seppuku, for he doesn't know how it's done and he wishes to die an honorable death--he's 9 years old. Violence is not confined to the battlefield, however, for an enraged Munisai has also killed his wife and her lover. Munisai eventually goes back to reclaim his young son, Bennosuke, whom he left eight years before in the care of Munisai's brother Dorinbo, a Shinto monk. Though injured, Munisai takes over his son's training, and the youngster (he's only 13) begins to realize his promise as a future samurai when he defeats Kihei Arima (aka "Lightning Hand"), who's already killed six men in single combat and is eager to add a seventh. Issues of honor re-emerge when Munisai presents himself to his lord, Hideie Ukita, to commit seppuku for one of Bennosuke's transgressions. Kirk instills the ritual with great dignity as Munisai commits the ultimate act to "expunge all shame." Bennosuke then continues to confirm his stance as a celebrated samurai by participating in the battle of Sekigahara and claiming a "new" identity as Musashi Miyamoto, one of the most renowned swordsmen in samurai history. While not having the epic scope of Shogun, Kirk's novel is sure to be compared to Clavell's work in its superb depiction of samurai culture.

    COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    October 1, 2012

    Kirk fell in love with Japan when his father gave him a copy of James Clavell's Shogun, so it's no surprise that his first novel is inspired by renowned samurai Musashi Miyamoto, author of the military/philosophical classic The Book of Five Rings. In late 1500s Japan, a well-born youth named Bennosuke nearly enters a monastery but comes to understand his role in society and embraces the warrior's life, soon taking the name Musashi Miyamoto. First in a series; for fans of epic fiction.

    Copyright 2012 Library Journal, LLC Used with permission.

  • Booklist

    February 1, 2013
    This coming-of-age biographical novel features the famous seventeenth-century samurai warrior-poet Musashi Miyamoto, who created the double sword fighting method kenjutsu. Readers unfamiliar with Japanese history initially may feel lost in this detailed and measured account of the samurai's life and the strict traditions surrounding family and personal honor. Kirk does, however, provide backstory in the form of vivid explanatory dramaa child committing seppuku (hara-kiri), a temple burning, and several brutal acts of vengeance. Young Bennosuke declares his samurai name, Miyamoto, at the Battle of Sekigahara (1600), which is described in tense and gruesome detail. The characters, even the young Bennosuke, aren't particularly likable in conventional terms, but Kirk's spare portrayal of the way of life of the samurai, whose duty it is to protect, defend, and avenge and for whom dying is nothing and winning is all, proves remarkably compelling. Those who enjoyed James Clavell's Shogun (1975) or who read the Sano Ichiro mysteries by Laura Joh Rowlands will find much to ponder in this starkly realistic and bleak portrait of Bushido, the way of the samurai warrior.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

  • Library Journal

    Starred review from February 1, 2013

    Based on the life of samurai legend Musashi Miyamoto (who penned the classic The Book of Five Rings), this historical debut rips along at the speed of a deftly wielded, flashing katana sword. It takes place as 16th-century Japan is in turmoil and the rigid codes of honor, social status, and clan dominance are slowly being challenged. Musashi (known as Bennosuke throughout most of the book) must deal with the loss of family, loss of privilege, coming of age, and the relentless violence and terror intrinsic to the samurai class. Well anchored in the history, beliefs, and traditions of feudal Japan, this novel is a personal psychological trip as well as a commentary on the blindly accepted practices of an era. VERDICT Kirk, who teaches English in Japan, has penned an educational, engrossing, and just plain fun-to-read book. It is well written and well researched, and should appeal to a wide variety of readers, especially those who loved James Clavell's Shogun. [See Prepub Alert, 9/10/12.]--Russell Miller, Prescott P.L., AZ

    Copyright 2013 Library Journal, LLC Used with permission.

  • Kirkus Reviews

    "Kirk presents 17th-century Japan as a world imbued with stately rituals, unshakable principles and a rigid moral code.... sure to be compared to Clavell's work in its superb depiction of samurai culture."

  • Library Journal, starred review "This historical debut rips along at the speed of a deftly wielded, flashing katana sword....Well anchored in history, beliefs, and traditions of feudal Japan, this novel is a personal psychological trip...educational, engrossing, and just plain fun-to-read....should appeal to a wide variety of readers, especially those who loved James Clavell's Shogun."
  • Steve Berry, New York Times Bestselling author of The Columbus Affair "A brilliant piece of historical fiction --- loaded with treachery and betrayal --- that pulses with life. This one is going to find an honored place on many a keeper shelf. It's a must read debut from an exciting new voice."
  • Conn Iggulden, New York Times Bestselling author of Genghis: Birth of an Empire "A fascinating, exciting book, beautifully observed. Kirk avoids clichés at every turn, and creates characters of great depth. An absolute gem."
  • Steven Pressfield, New York Times Bestselling author of Gates of Fire "I've been fascinated by Musashi Miyamoto since I first read The Book of Five Rings in college. David Kirk's Child of Vengeance restores my faith in historical fiction to bring lost worlds to life. Bravo! The keenest and most vivid evocation of the inner life of the East since James Clavell's Shogun."
  • Publishers Weekly "Kirk proves himself a worthy samurai novelist with this brutal account of real-life 17th-century swordsman Musashi Miyamoto... Kirk, who lives in Japan, positively seethes with energy when depicting bloody violence--from great battlefields to intimate ritual suicide--showing feudal Japan as a complex culture in which cunning and poetry are indispensable, and death and vengeance unavoidable."
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A Novel
David Kirk
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