When Elizabeth Endicott arrives in Aleppo, Syria, she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. It’s 1915, and Elizabeth has volunteered to help deliver food and medical aid to refugees of the Armenian Genocide during the First World War. There she meets Armen, a young Armenian engineer who has already lost his wife and infant daughter. After leaving Aleppo and traveling into Egypt to join the British Army, he begins to write Elizabeth letters, realizing that he has fallen in love with the wealthy young American.
Years later, their American granddaughter, Laura, embarks on a journey back through her family’s history, uncovering a story of love, loss—and a wrenching secret that has been buried for generations.
Look for Chris Bohjalian's new novel, The Lioness!
When Elizabeth Endicott arrives in Aleppo, Syria, she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. It’s 1915, and Elizabeth has volunteered to help deliver food and medical aid to refugees of the Armenian Genocide during the First World War. There she meets Armen, a young Armenian engineer who has already lost his wife and infant daughter. After leaving Aleppo and traveling into Egypt to join the British Army, he begins to write Elizabeth letters, realizing that he has fallen in love with the wealthy young American.
Years later, their American granddaughter, Laura, embarks on a journey back through her family’s history, uncovering a story of love, loss—and a wrenching secret that has been buried for generations.
Look for Chris Bohjalian's new novel, The Lioness!
Reviews-
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May 28, 2012
Bohjalian’s powerful newest (after The Night Strangers) depicts the Armenian genocide and one contemporary novelist’s quest to uncover her heritage. In 1915, Bostonian Elizabeth Endicott arrives at a compound in Aleppo, Syria, to provide humanitarian aid to Armenian refugees. A fresh-faced nurse just out of college, Elizabeth has learned only rudimentary Armenian, but soon befriends Armen Petrosian, an engineer who lost his wife and daughter during the chaos of the deportations and mass murders. Though Armen departs for Egypt to fight with the British Army in WWI, their relationship blossoms into an epistolary romance. The atrocities of the genocide and the First World War continue, and Bohjalian spares no detail in his gritty descriptions. Nearly a century later, Laura Petrosian is living in the suburbs of New York City when a friend alerts her to a possible photo of her grandmother being used to advertise an exhibit about “the Slaughter You Know Next to Nothing About.” As she explores her past, Laura discovers that what she once considered to be her grandparents’ eccentricities—their living room was dubbed the “Ottoman Annex”—speak to a rich and tragic history. Though the action occasionally feels far-off, Bohjalian’s storytelling makes this a beautiful, frightening, and unforgettable read. Agent: Jane Gelfman, Gelfman Schneider. -
Starred review from May 15, 2012
The granddaughter of an Armenian and a Bostonian investigates the Armenian genocide, discovering that her grandmother took a guilty secret to her grave. Laura, the narrator of Bohjalian's latest, is doing genealogical research, attempting to learn more about a fact that has always intrigued her: Her Boston Brahmin grandmother, Elizabeth, and her grandfather, Armen, were brought together by the Armenian genocide. Flash back to 1915. Elizabeth has journeyed to the Syrian city of Aleppo, along with her father, on a mission sponsored by an American relief group, the Friends of Armenia. They have come in an attempt to deliver food and supplies to the survivors of the Armenian massacre. The Turks are using Aleppo as a depot for the straggling remnants of thousands of Armenian women, who have been force-marched through the desert after their men were slaughtered. Elizabeth finds the starved women, naked and emaciated, huddled in a public square, awaiting transports to Der-el-Zor, the desert "relocation camp" where, in reality, their final extermination will take place. Elizabeth takes in two of these refugees, Nevart and an orphan Nevart adopted on the trail, Hatoun, who has been virtually mute since she witnessed the beheading (for sport) of her mother and sisters by Turkish guards. By chance, Elizabeth encounters Armen, an Armenian engineer who has come to Aleppo to search for his wife, Karine. Armen has eluded capture since murdering his former friend, a Turkish official who had reneged on his promise to protect Armen's family. Despairing of Karine's survival--and falling in love with Elizabeth--Armen joins the British Army to fight the Turks. Among archival photos viewed by Laura decades later is one of Karine, who did reach the square mere days after Armen left Aleppo. How narrowly did Karine miss reuniting with Armen, Laura wonders, acknowledging that, but for tragic vagaries of fate, the family that produced her might never have come to be. A gruesome, unforgettable exposition of the still too-little-known facts of the Armenian genocide and its multigenerational consequences.COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.
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Starred review from June 1, 2012
Repeatedly (and embarrassingly accurately) referred to here as "The Slaughter You Know Next to Nothing About," the Armenian genocide of 1915-16 takes center stage in Bohjalian's (The Night Strangers) intergenerational novel. Elizabeth Endicott, a recent Mount Holyoke graduate, accompanies her Bostonian banker father on his philanthropic mission to Aleppo, Syria, to aid Armenian refugees fleeing atrocities committed by the Ottoman government. Her friendship with Armenian engineer Armen, who has lost his wife and baby daughter, flourishes when they are apart and can only communicate in letters. Years later, Laura Petrosian, seeking out a photograph of a woman rumored to be her Armenian grandmother, uncovers these letters among a wealth of documents--a treasure trove for an Armenian American novelist searching for pieces of her family history. VERDICT Bohjalian powerfully narrates an intricately nuanced romance with a complicated historical event at the forefront. With the centennial of the Armenian genocide fast approaching, this is not to be missed. Simply astounding.--Julie Kane, Sweet Briar Coll. Lib., VA
Copyright 2012 Library Journal, LLC Used with permission.
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June 1, 2012
Between April 1915 and April 1916, one and one-half million Armenians were killed by the Ottoman Empire during WWI. Bohjalian uses this as the backdrop for his new novel. Elizabeth Endicott accompanies her father to Aleppo, Syria, to bring aid to the Armenian deportees. While there, Elizabeth meets Armen Petrosian, an Armenian engineer working for the Germans and searching for his wife and child, though certain they are already dead. In spite of the loss and horror around them, they fall desperately in love. The story is told through the eyes of Laura Petrosian, Elizabeth and Armen's great-granddaughter. After seeing an exhibit of photographs of the Armenian victims, she discovers letters and photos and begins to piece her great-grandparents' story together. Soon the slaughter you know next to nothing about takes over her life, and she makes profound discoveries about her ancestors and herself. This is a powerful and moving story based on real events seldom discussed. It will leave you reeling.(Reprinted with permission of Booklist, copyright 2012, American Library Association.) - Book Browse "Masterful . . . a near-perfect work of historical fiction. . . . The contemporary and historical sections each have a different flavor, but both are well written and engaging with interesting, three-dimensional characters. . . . Enlightening."
- Diane Scharper, The Weekly Standard "Compelling . . . Deftly mixing fact and fiction . . . Bohjalian weaves the story like threads in a rug, each thread adding color and shadow to a scene. . . . [S]o filled is it with the suspense of life and death that The Sandcastle Girls is difficult to categorize. The story is fiction, but is true. It's history, but it's also art."
- Nicholas Addison Thomas, Fredericksburg Free Lance-Star "A sweeping love story . . . Toggling between two eras, Bohjalian paints a vivid portrayal of love and pain and the strength to survive each. At once heartbreaking and hopeful, The Sandcastle Girls is a mesmerizing work of historical fiction influenced by the author's heritage and driven by a romance so beautiful and believable it hurts."
- Curt Schleier, Minneapolis Star-Tribune "Bohjalian is a literary novelist unafraid to reference Proust's madeleine and expect readers to get it. But his books are also filled with artfully drawn characters and great, passionate storytelling. The Sandcastle Girls is all that, but different, more powerful. . . . Handled with such skill that it seems perfect."
- Nathalie Gorman, Oprah.com "A searing, tautly woven tale of war and the legacy it leaves behind. . . . A nuanced, sophisticated portrayal of what it means not only to endure, but to insist on hope."
- Margaret Quamme, The Columbus Dispatch "Remarkably supple . . . Moment by moment, and passage by passage, the novel lights up a disturbing period of history."
- Brandy Hilboldt Allport, The Florida Times-Union "Telescopic . . . Because of Bohjalian's writing style, which never rings a false note as it moves from present-day New York to the tragedy of World War I, his characters are as real as our own relatives. The well-researched history that forms the background informs, intrigues and enchants--even as recollections of horror mount . . . [A] story of love, world history and the human condition."
- Julie Wittes Schlack, The Boston Globe "Cool and lucid . . . With Armen and Elizabeth, Bohjalian has fulfilled the duty of anyone seeking to document a genocide--he ensures that we don't look away."
- Curt Schleier, The Seattle Times "Dead-solid perfect. Bohjalian is a literary novelist unafraid to reference Proust's madeleine and expect readers to get it. But his books are also filled with artfully drawn characters and great, passionate storytelling. The Sandcastle Girls is all that, but different, more powerful."
- Lisa Schwarzbaum, Entertainment Weekly "Bohjalian--the grandson of Armenian survivors--pours passion, pride, and sadness into his tale of ethnic destruction and endurance."
- People "[A] great read . . . An affecting tale set at the time of a lesser-known holocaust, 1915's Armenian genocide."
- Paula McLain, author of The Paris Wife "Chris Bohjalian is at his very finest in this searing story of love and war. I was mesmerized from page one. Bravo!"
- Wally Lamb, author of The Hour I First Believed "In his latest novel, master storyteller Chris Bohjalian explores the ways in which our ancestral past informs our contemporary lives--in ways we understand and ways that remain mysteriously out of reach. The Sandcastle Girls is deft, layered, eye-opening, and riveting. I was deeply moved."
- Publishers Weekly "Bohjalian's powerful novel . . . depicts the Armenian genocide and one contemporary novelist's quest to uncover her heritage. . . . His storytelling makes this a beautiful, frightening, and unforgettable read."
- Julie Kane, Library Journal (starred) "Bohjalian powerfully narrates an intricately nuanced romance with a complicated historical event at the forefront. With the centennial of the Armenian genocide fast approaching, this is not to be missed. Simply astounding."
