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Night Moves
Cover of Night Moves
Night Moves
Borrow Borrow
NEW YORK TIMES BESTSELLER • The master of the psychological thriller makes all the right moves in this new novel of spellbinding suspense.
Even with all his years of experience, LAPD homicide detective Milo Sturgis knows there are crimes his skill and savvy cannot solve alone. That’s when he calls on brilliant psychologist Alex Delaware to read between the lines, where the darkest motives lurk. And if ever the good doctor’s insight is needed, it’s at the scene of a murder as baffling as it is brutal.
   
There’s no spilled blood, no evidence of a struggle, and, thanks to the victim’s missing face and hands, no immediate means of identification. And no telling why the disfigured corpse of a stranger has appeared in an upscale L.A. family’s home. Chet Corvin, his wife, and their two teenage children are certain the John Doe is unknown to them. Despite that, their cooperation seems guarded. And that’s more than Milo and Alex can elicit from the Corvins’ creepy next-door neighbor—a notorious cartoonist with a warped sense of humor and a seriously antisocial attitude.
As the investigation ensues, it becomes clear that this well-to-do suburban enclave has its share of curious eyes, suspicious minds, and loose lips. And as Milo tightens the screws on potential persons of interest—and Alex tries to breach the barriers that guard their deepest secrets—a strangling web of corrupted love, cold-blooded greed, and shattered trust is exposed. Though the grass may be greener on these privileged streets, there’s enough dirt below the surface to bury a multitude of sins. Including the deadliest.
Praise for Night Moves
 
“Exceptionally well-plotted . . . Newcomers will find this an easy entry point into this long-running series.”Publishers Weekly (starred review)
 
“A taut, procedural thriller . . . One of the most tightly plotted, tightly written of the Alex Delaware series . . . a real puzzler . . . Fans of the long-running Delaware series will be thrilled with this one, and because each book functions just fine as a stand-alone, there’s nothing keeping new readers from diving in.”Booklist
“Jonathan Kellerman continues to amaze, dazzle, delight and entertain. . . . Night Moves is simply the best.”Bookreporter

NEW YORK TIMES BESTSELLER • The master of the psychological thriller makes all the right moves in this new novel of spellbinding suspense.
Even with all his years of experience, LAPD homicide detective Milo Sturgis knows there are crimes his skill and savvy cannot solve alone. That’s when he calls on brilliant psychologist Alex Delaware to read between the lines, where the darkest motives lurk. And if ever the good doctor’s insight is needed, it’s at the scene of a murder as baffling as it is brutal.
   
There’s no spilled blood, no evidence of a struggle, and, thanks to the victim’s missing face and hands, no immediate means of identification. And no telling why the disfigured corpse of a stranger has appeared in an upscale L.A. family’s home. Chet Corvin, his wife, and their two teenage children are certain the John Doe is unknown to them. Despite that, their cooperation seems guarded. And that’s more than Milo and Alex can elicit from the Corvins’ creepy next-door neighbor—a notorious cartoonist with a warped sense of humor and a seriously antisocial attitude.
As the investigation ensues, it becomes clear that this well-to-do suburban enclave has its share of curious eyes, suspicious minds, and loose lips. And as Milo tightens the screws on potential persons of interest—and Alex tries to breach the barriers that guard their deepest secrets—a strangling web of corrupted love, cold-blooded greed, and shattered trust is exposed. Though the grass may be greener on these privileged streets, there’s enough dirt below the surface to bury a multitude of sins. Including the deadliest.
Praise for Night Moves
 
“Exceptionally well-plotted . . . Newcomers will find this an easy entry point into this long-running series.”Publishers Weekly (starred review)
 
“A taut, procedural thriller . . . One of the most tightly plotted, tightly written of the Alex Delaware series . . . a real puzzler . . . Fans of the long-running Delaware series will be thrilled with this one, and because each book functions just fine as a stand-alone, there’s nothing keeping new readers from diving in.”Booklist
“Jonathan Kellerman continues to amaze, dazzle, delight and entertain. . . . Night Moves is simply the best.”Bookreporter

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Excerpts-
  • From the cover CHAPTER 1

    Nice house. If you put aside reality.

    Sunset Boulevard, Sunday at ten thirty p.m., was an easy ride, cool April air sweetening the Seville’s interior. To get here from my place in Beverly Glen, I’d driven through Bel Air and Brentwood, turned south a quarter mile into Pacific Palisades, continued through tree-lined stretches of architectural revivals: Colonial, Spanish, Mediterranean, Greek, Unidentifiable.

    Not a Through Street warnings at most corners; a planned community discouraging casual visitors. GPS-tutored turns led me to a street named Evada Lane, three blocks terminating at a cul-de-sac.

    Built-in-the-seventies tract, the Palisades but no palisades in sight. This was flat land, geographically undistinguished, too far from the ocean for someone to smell the brine.

    In the Midwest, respectably middle-class real estate. In L.A., not a single structure worth less than a million.

    The house garnering all the attention sat at the tip of the dead end like a cherry on a sundae. One of the aspiring Colonials, heralded by white columns, its brick façade strobed red and blue by LAPD cruisers. The same light show played upon a black Range Rover and a gray Lexus sedan in the driveway.

    All that wattage courtesy of half a dozen cop cars, circled around a white crypt van waiting to transport. The crime lab van sat nearby, lights off, unoccupied. No sign of the coroner’s investigators; come and gone.

    Uniformed officers stood around doing nothing. Radios barked police calls, dispatchers’ voices impersonal as they chronicled the evening’s malice and misfortune.

    Soft, spring breeze; the yellow tape billowed.

    Just outside the tape, a mud-colored Impala I knew to be Detective Moses Reed’s current ride sat next to a white Porsche 928 in which I’d been a passenger more than once. The off-duty drive shared by Lieutenant Milo Sturgis and his partner, a trauma surgeon named Richard Silverman.

    Reed had arrived just over two hours ago, taken one look, and called the boss. Milo, suffering through a charity dinner for Rick’s employer, the Cedars-Sinai E.R., sped over from the Beverly Hilton and called me.

    “What’s up?” I said.

    “Complicated, see for yourself. Please.”

    He met me just outside the front door, wearing a hooded paper suit, booties, and gloves.

    “Yeah, I know, I look like a giant sperm. You don’t have to abase yourself, tech’s nearly finished.” He peeled off the suit, revealing a saggy black suit with lapels dating to the house’s construction, a white shirt, and a silver tie that had to be Rick’s.

    “Very GQ.”

    “The almost-tux?” he said. “Damn banquet, I had to take the pants out three inches, four woulda been better—enough of my problems, let’s go see a real one.”

    The paper garb had led me to expect horror and chaos. Milo opened the door on surprising calm.

    A two-story entry floored in waxed walnut was centered by a mahogany table hosting a vase of silk roses. A bronze chandelier cast reassuring light. To the left, blandly pleasant landscape paintings filled a white wall; to the right a blue-carpeted staircase traced the ascent to a small landing.

    Milo continued straight ahead, toward another wall decorated by sconces and broken by an open doorway.

    A form moved into the gap. Moe Reed, young, ruddy, still wearing his paper suit but not the hood. Pink skin showed through his blond buzz cut. The suit was tight in places, power-lifter arms testing the tensile strength of wood...
About the Author-
  • Jonathan Kellerman is the #1 New York Times bestselling author of more than forty crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, True Detectives, and The Murderer’s Daughter. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored Crime Scene, The Golem of Hollywood, and The Golem of Paris. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and the Lifetime Achievement Award from the American Psychological Association, and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.
Reviews-
  • AudioFile Magazine Narrator John Rubinstein brings to life Jonathan Kellerman's dynamic duo of psychologist Alex Delaware and gruff, gay, and always hungry Detective Milo Sturgis. This case begins with the appearance of a mutilated corpse in the home of a dysfunctional suburban family. The majority of the story is told through dialogue rather than action. This is where John Rubinstein exercises his many talents in giving voice to the lead characters and to a host of secondary characters who are victims and suspects, including an obnoxious father, a tightly wound mother, two teenagers, and a reclusive artist. In perfect sync with Kellerman's tone and pace, Rubinstein provides a truly engaging listening experience. E.Q. © AudioFile 2018, Portland, Maine
  • Publisher's Weekly

    Starred review from December 18, 2017
    In bestseller Kellerman’s exceptionally well-plotted 33rd mystery featuring L.A. psychologist Alex Delaware (after 2017’s Heartbreak Hotel), Alex’s close friend on the LAPD, Lt. Milo Sturgis, asks for his help in investigating a gruesome murder. When Chet Corvin, a senior vice president in a reinsurance firm; his wife, Felice; and their two children returned home from a restaurant one night, they found a dead man in their den with his face blasted off and his hands severed. The Corvins all insist that they have no idea who he is, let alone why the killer would have left him in their house. The only potential lead is Chet’s alerting Alex and Milo that one of their neighbors, Trevor Bitt, is weird. The pair soon learn that Bitt is a legendary artist, best known for comic book illustrations of disturbing subjects, and their suspicions are heightened by Bitt’s refusal to speak with them. Another murder only makes the case murkier. The leads’ bantering friendship lightens an otherwise grim story. Newcomers will find this an easy entry point into this long-running series. Agent: Barney Karpfinger, Karpfinger Agency.

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Jonathan Kellerman
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