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From the author of Bunny, which Margaret Atwood hails as "genius," comes a "wild, and exhilarating" (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare's most maligned play will remedy all that ails her—but at what cost? Miranda Fitch's life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she's on the verge of losing her job as a college theater director. Determined to put on Shakespeare's All's Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
That's when she meets three strange benefactors who have an eerie knowledge of Miranda's past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what's coming to them, and the invisible doubted pain that's kept her from the spotlight is made known.
With prose Margaret Atwood has described as "no punches pulled, no hilarities dodged...genius," Mona Awad has concocted her most potent, subversive novel yet. All's Well is a "fabulous novel" (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
From the author of Bunny, which Margaret Atwood hails as "genius," comes a "wild, and exhilarating" (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare's most maligned play will remedy all that ails her—but at what cost? Miranda Fitch's life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she's on the verge of losing her job as a college theater director. Determined to put on Shakespeare's All's Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
That's when she meets three strange benefactors who have an eerie knowledge of Miranda's past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what's coming to them, and the invisible doubted pain that's kept her from the spotlight is made known.
With prose Margaret Atwood has described as "no punches pulled, no hilarities dodged...genius," Mona Awad has concocted her most potent, subversive novel yet. All's Well is a "fabulous novel" (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
Mona Awad is the author of the novels All's Well, Bunny, and 13 Ways of Looking at a Fat Girl. Bunny was a finalist for a Goodreads Choice Award and the New England Book Award. It was named a Best Book of 2019 by Time, Vogue, and the New York Public Library. It is currently being developed for film with Bad Robot Productions. All's Well was a finalist for a Goodreads Choice Award. 13 Ways of Looking at a Fat Girl was shortlisted for the Giller Prize. Awad's forthcoming novel Rouge, is being adapted for film by Fremantle and Sinestra. This spring, Margaret Atwood named Awad her "literary heir" in TheNew York Times's T Magazine. She teaches fiction in the creative writing program at Syracuse University and is based in Boston.
Reviews-
May 24, 2021 The pill-addled theater professor at the center of Awad’s scathing if underwhelming latest (after Bunny) is nearing the end of her rope. Miranda Fitch passes her days in a self-medicated haze, numbing the debilitating pain she’s felt since falling off the stage in a production of Shakespeare’s All’s Well That Ends Well. Worse still, no one seems to believe the severity of her condition. After the cast of her student production insists on putting on Macbeth rather than All’s Well, Miranda is approached at a bar by three mysterious men who give her the ability to transfer her pain to others. In the first instance, she wrests a script from a mutinous student, who then clutches her wrist in pain where Miranda touched her. Eventually, Miranda’s elation at escaping her pain gives way to a dangerously vindictive, manic spiral. Awad’s novel is, like Miranda says about Shakespeare’s All’s Well, “neither a tragedy nor a comedy, something in between.” Unfortunately, it falls short on both counts: Miranda’s acerbic inner monologue reaches for humor but mostly misses, and the overwrought tone undermines the story’s tragedy (when asked why she wanted to teach at the college: “I thought: Because my dreams have been killed. Because this is the beginning of my end”). It’s an ambitious effort, but not one that pays off. Agent: Bill Clegg, the Clegg Agency.
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After a tragic accident, Miranda suffers constant excruciating pain. Narrator Sophie Amoss keeps this story engrossing, despite its focus on pain and depression. Forced to give up her promising acting career, Miranda teaches and directs theater at a small college. This year she's scheduled a production of ALL'S WELL. Amoss delivers harrowing descriptions of Miranda's years of agonizing treatments and self-medicating. Finally, thanks to three mysterious men and their "golden remedy," Miranda's pain ebbs, and Amoss captures her amazement. But now the female lead in ALL'S WELL is in excruciating pain, and everyone believes Miranda's responsible. Reality is slippery in this novel, but Amoss's performance will keep listeners tuned in. S.J.H. © AudioFile 2021, Portland, Maine
